Alphabetical Bibliography (A-Z)
 The A’s
 
Aasand, Hardin and Frank Nicholas Clary. "Hamlet and the Mirror up to History: Allegory, Analogue, and Allusion." Hamlet Studies 21 (1999): 20-54.
Aasand, Hardin. "Leaping Into the Text: Teaching Stage Directions In Act 5, Scene 1." Approaches to Teaching Hamlet. Ed. Bernice W. Kliman. New York: MLA, 2001.
Aasand, Hardin. "O'ertopping old Pelion: Hamlet, Laertes, and the Revenge Tradition." Shakespeare in Europe. University of Basel, Switzerland. Dec. 2002. <http://www.unibas.chlshine/home.html>
Aasand, Hardin. "'Ophelia's End is Exceedingly Pretty': Eighteenth Century Illustrations of Ophelia." In Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century. Ed. Joanna Gondris. London: Associated University Presses, 1998.
Aasand, Hardin. "Pah! Pub!": Hamlet, Yorick, and the Chopless Stage Direction." Stage Directions in Hamlet: New Essays and New Directions. Ed. Hardin Aasand. New York: Associated University Press, 2003.
Abbott, E[dwin] A. A Shakespearian Grammar. 1st ed. 1869. 3rd ed. rev. & enl. 1870. Rpt. New York: Dover, 1966.
Adams, W. H. Davenport. A Concordance to the Plays of Shakespeare. London, New York, G. Routledge and sons, 1886.
Adams, John Quincy. Folger Y.c.10(3). Comments in a 5-page letter to James H. Hackett who had sent his book (see below). Dated Washington Feb. 7 1839. Adams writes that he believes Gertrude guilty of murder, Hamlet sometimes really mad, sometimes feigning madness and (as Hackett says too), impulsive. "It is Man, in the ideal perfection of his intellectual and moral nature, struggling with calamity beyond his power to bear, inflicted by the crime of his fellow man--struggling with agonizing energies against i--sinking under it, to extinction�What can be more terrific? what can be more piteous?"
Adams, Joseph Qunicy (1881-1946). “Elizabethan Playhouse Manuscripts and Their Significance for the Text of Shakespeare.” Johns Hopkins Alumni Magazine 21:1 (Nov., 1932): 21-52.
Adams, Joseph Quincy, Jr. “Some Notes on Hamlet,” Folger Library: Sh. Misc. #428 Rpt. from MLN, 28.2 (February 1913): 39-43.
Adams, Joseph Quincy, Jr. “Two Notes on Hamlet,” Folger Library: Sh. Misc. #429 Rpt. from MLN (January 1914).
Adams, Joseph Quincy, Jr. “Hamlet’s ‘Brave o’rehanging firmament,’” Folger Library: Sh. Misc. #430 Rpt. from MLN (March 1915), 3 unnumbered pages.
Addison, Joseph (1672-1719). Spectator 44 (20 April 1711). In Vickers, 2: 275-6.
Adelman, Janet. “Man and Wife Is One Flesh: Hamlet and the Confrontation with the Maternal Body.” Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. New York: Routledge, 1992. 11-37.
Aiyappan Pillai, V. K. “Shakespeare Criticism from the beginnings to 1765.” 1932. BL. 011761.c.52.
Akenside, Mark (1721-1770). See Gervinus (1883), p. 550. [Akenside “maintained that the poet intended to attribute actual madness to Hamlet. . . .”]
Alden, Raymond MacDonald. “The Punctuation of Shakespeare’s Printers.” PMLA 39 (1924): 557-80.
Alderson, Dr., of Hull, 1805 “Essay on Apparitions.” see Drake
Aldus, P. J. Mousetrap: Structure and Meaning in Hamlet. Toronto: U of Toronto P, 1977.
Alexander, Nigel. Poison, Play and Duel: A Study in Hamlet. London: Routledge & Kegan Paul, 1971.
Alexander, Peter. Hamlet, Father and Son. The Lord Northcliffe’s Lectures 1953. Oxford: Clarendon, 1955.
Alexander, Peter. Shakespeare. Home Univ. Library, 252, 1964.
Alexander, Peter. Shakespeare’s Life and Art. London: Nesbit, 1939. Rpt. 1946. [Ham. pp. 152-62, also 11, 36, 44, 1117, 142, 144, 146, 215]
Algar, H. “Plot of ‘Hamlet.’ ” N&Q 3rd ser. 6 (10 Dec., 1864]: 468.
Allen, J. W. A History of Political Thought in the Sixteenth Century. London: Methuen, 1928.
Altman, Joel. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: U of California P, 1978.
Andreas, James R. “The Vulgar & the Polite: Dialogue in Hamlet,” Hamlet Studies, 15 (1993), 8-22.
Andrews, John F., ed. William Shakespeare: His World, His Work, His Influence. 3 vols. New York: Scribner’s, 1985.
Anon. items written anonymously can be found at the end of the alphabet, listed by date of publication.
ann] Annotations by Sam Johnson & Geo. Steevens, and the various commentators, upon Hamlet, written by Will. Shakspere. London: Printed for John Bell, 1787. Now considered to have been edited by Henley; see below. Cited as ann in CNs.
Ashby formerly anon.] “Three Letters from Mr. Ashby to the Editor of The Gentleman’s Magazine,” Rpt. Nichols, Illus.. 7:396-9.
Archer, William & Robert W. Lowe. Dramatic Essays. London: Walter Scott Ltd., 1896.
Aristotle. Poetics: Classical Literary Criticism. Trans. and ed. T. S. Dorsch. Harmondsworth, Middlesex: Penguin, 1965.
Aristotle. Poetics. Ed. and Trans. Malcolm Heath. Harmondsworth, Middlesex: Penguin, 1996.
[Armin, Robert]. The Valiant Welshman, or the true chronicle history of the life and valiant deedes of Caradoc the Great, King of Cambria, now called Wales. [As it hath beene sundry times Acted by the Prince of Wales his seruants] London, 1615.
Armstrong, Philip, “Watching Hamlet Watching: Lacan, Shakespeare and the Mirror/Stage.” Alternative Shakespeares, ed. Terence Hawkes. London: Routledge, 1996. 216-61.
Arnold, Matthew (1822-). Letters of an Old Playgoer. Intro. by Brander Matthews (does not discuss Arnold’s letters specifically). Letter 5 of 5: “Hamlet Once More,” 23 October 1884. 49-54. Originally published in the Pall Mall Gazette. Reprinted for the Dramatic Museum of Columbia University, 1919. See notes in Play as a Whole. See W. W. Robson (1975, p. 303): “To many of us the play is still the play described by ‘an Old Playgoer’ in 1884. ” [Matthew Arnold; see Essays about Hamlet
Arrowsmith, Rev. W. R. Shakespeare’s Editors and Commentators. London: J. Russell Smith, 1865.
Ashton, Geoffrey. The Collector’s Shakespeare. New York: Crescent Books, 1990.
Ashton, Geoffrey. Shakespeare and British Art. New Haven: Yale Center for British Art, 1981. Has picture of 1709 and 1714 Hamlet’s from the two Rowe editions.
Asimov, Isaac. “Hamlet.” Asimov’s Guide to Shakespeare. Illus. Rafael Palacios. 2 vols. Garden City, N.Y. : Doubleday, 1970. 2 vol. in 1. New York: 1978. [Hamlet, 77-147]
Asquith, Clare. Shadow Play: The Hidden Beliefs and Coded Politics of William Shakespeare. New York: Public Affairs. 2005.
Atkins, J. W. H. English Literary Criticism: 17th and 18th centuries. London, Methuen [1951].
Atkins, J. W. H. English Literary Criticism: The Renascence London, Methuen [1947].
Avery, Emmett L. and Arthur H. Scouten. The London Stage 1660-1700: A Critical Introduction. Carbondale: Southern Illinois UP, 1968. Complements William van Lennep's book. According to Avery and Scouten (cxxix), unrevised performances of some plays, including Hamlet, appeared in the 1660-1 season.
 The B’s
 
B., A. “A Concordance to Shakespeare: Suited to all the Editions: . . . Robinsons, 1787. ” Reviewed, Monthly Review 78 (1788): 220-7.
B., W. C. “Illustrations of Shakespeare.” N&Q 10th ser.12 (31 July 1903): 85.
Babb, L. The Elizabethan Malady. East Lansing: Michigan State UP. 1951. [Melancholy; see also Lyons]
Babb, Richard S. and Pauline Jirik-Babb. “Hamlet’s Castle at Elsinore.” Shakespeare Newsletter 50 (Fall 2000): 66, 88.
Babcock, R.W. The Genesis of Shakespeare Idolatry, 1766-1799. Chapel Hill, N.C.: U. of North Carolina Press, 1931.
Babcock, R. W. “A Preliminary Bibliography of Eighteenth-Century Criticism of Shakespeare,” Studies in Philology, . Extra Series, 1 (May 1929): 58-98.
Babcock, Weston. Hamlet: A Tragedy of Errors. Lafayette?, Indiana: Purdue Univ. Studies in the Humanities, 1961. LibC PR2807 .B22 134 pp.
Babcock, Weston.title. Lafayette?, Indiana: Purdue Univ. Studies in the Humanities, 1961. LibC PR2807 .B22 134 pp.
Bacon, Delia. The Philosophy of the Plays of Shakspere Unfolded. With a Preface by Nathaniel Hawthorne. London: Groombridge and Sons, 1957. Bacon 1811-1859.
Bacon, Francis. Essaies. Religious Meditations. Places of perswasion and disswasion. Seene and allowed. Printed at London for Iohn Iaggard, dwelling in Fleete-streete at the Hand and Starre neere Temple barre, 1612.
Bacon, Francis. “On Revenge.” Francis Bacon, The Essays. Ed. John Pitcher. New York: Penguin Books, 1985: 72-73.50.3
Badawi, Muhammed Mustafa. Coleridge: Critic of Shakespeare. Cambridge: Cambridge UP, 1973.
Badham, Charles. “The Text of Shakspeare.” Cambridge Essays, contributed by members of the University. London: John W. Parker and Son, 1856. 261-91. Contributor to Staunton, ed. 1860.
Bailey, N[athan]. Dictionarium Britannicum. 1730. Rpt. Anglista & Americana 50. Hildesheim & New York: Olms, 1969.
Bailey, Samuel. On the Received Text of Shakespeare’s Dramatic Writings and its Improvement. 2 vols. London: Longman, Green, Longman, and Roberts, 1862, 1866 [vol. 1, 1862; vol. 2, 1866].
Baines, Paul. “From ‘Nothing’ to ‘Silence’: Rochester and Pope.” Reading Rochester. Ed. Edward Burns. Liverpool: Liverpool UP, 1995.
Bains, Y. S. "Biography, Bibliography, and the Making of Shakespeare's Hamlet."  Hamlet Studies 22 (2000): 10-25. 
Bains, Y. S. "Loose Ends and Inconsistencies in the First Quarto of Shakespeare's  Hamlet?" Hamlet Studies 18.1-18.2 (1996): 84-93. 
Bains, Y. S. Making Sense of the First Quartos of Shakespeare’s Romeo and Juliet, Henry V, The Merry Wives of Windsor, and Hamlet. Rashtrapati Nivas, Shimla 171005: Indian Institute of Advanced Study, 1995.
Bains, Y. S. “The Incidence of Corrupt Passages in the First Quarto of Shakespeare’s Hamlet,” N&Q 43.2 (June 1993): 186-92.
Baldwin, Thomas W. “Dates of Printing for the Parts of Knight’s Pictorial Edition.” Folger pamphlet oversize: Z 8813 Z9 no. 10.
Baldwin, William. Shakspere's Small Latine & Lesse Greek. Urbana: U of Urbana P. 1944.
Bamber, Linda. Comic Women, Tragic Men: Gender and Genre in Shakespeare. Stanford, CA: Stanford UP, 1982.
Banerjee, A. "A Modern Hamlet: Jimmy Porter in Look Back in Anger." Hamlet Studies  15.1-15.2 (1993): 81-92. 
Barbeito, Manuel. “The Question in Hamlet.” Shakespeare Jahrbuch 134 (1998): 123-35.
Barber, Frances, “Ophelia in Hamlet.” Players of Shakespeare. Eds. Russell Jackson and Robert Smallwood. Cambridge: Cambridge UP, 1988. 137-50.
Baret [or Barrett], John. d. 1580? An Alvearie, or Quadruple Dictionary, containing foure sundrie tongues: namely English, Latine, Greek, and French . . . . 1580. STC 1411.
Barker, Deborah, and Ivo Kamps, eds. Shakespeare and Gender: A History. London and New York: Verso, 1995.
Barker, Francis. The Tremulous Private Body: Essays on Subjection London and New York: Methuen, 1984.
Barker, Francis. “Which dead? Hamlet and the Ends of History.” Uses of History: Marxism, Postmodernism and the Renaissance. Francis Barker, Peter Hulme and Margaret Iversen, eds. Manchester: Manchester UP, 1991.
Barker, Fred G. Forty-Minute Plays from Shakespeare. New York: Macmillan, 1936. The Modern Readers’ Series.
Barker, Walter L. “ ‘The Heart of My Mystery’: Emblematic Revelation in the Hamlet Play Scene.” Upstart Crow 15 (1995): 75-98.
Barnes, Josua. Aulikikatoptron: sive Estheræ historia. London, 1679.
Barnett, T. Duff. Notes on Shakespeare’s Play of Hamlet. London: George Bell, 1889.
Barney, Stephen A. Annotation and Its Texts. New York: Oxford UP, 1991.
Bartlett, Henrietta C[ollins], and Alfred W. Pollard. A Census of Shakespeare’s Plays in Quarto: 1594-1709. New Haven: Yale UP, 1939.
Barroll, J. Leeds. "Structure in Shakespearean Tragedy." Shakespeare Studies 7 (1974): 345-377.
Barroll, J. Leeds. "The Structure of a Shakespearean Tragedy." Shakespeare Studies 13 (1975): 1-27.
Barry, Jackson G. "Shakespeare's 'Deceptive Cadence': A Study in the Structure of Hamlet." Shakespeare Quarterly 24.2 (1974):117-127.
Bate, Jonathan. Shakespeare and Ovid. Oxford: Oxford UP, 1993.
Bate, Jonathan. Shakespearean Constitutions: Politics, Theatre, Criticism 1730-1830. Oxford: Clarendon Press, 1989.
Bate, W[alter] Jackson. Samuel Johnson. London: Chatto & Windus, 1978.
Bathurst, Charles. Remarks on the Differences in Shakespeare’s Versification in Different Periods of his Life and on the Like Points of Difference in Poetry Generally. London: John W. Oarker and Son, 1857. Rpt. New York: AMS, 1970.
Battenhouse, Roy. “Ten Questions Basic to Interpreting Hamlet, with Special Focus on the Ghost.” Approaches to Teaching Hamlet. Ed. Kliman 2002. 113-17.
Baumlin, James S. "Hamlet the Sailor." Hamlet Studies 24 (2003): 41-66.
Baverstock, J. Hinton. “A few words on the line in Hamlet, act I., sc. 2, as regards ‘too, too.’” The Shakespeare Society’s Papers. vol. 2. London: Printed for the Shakespeare Society, 1845.
Bayfield, M[atthew] A[lbert]. A Study of Shakespeare’s Versification with an inquiry into the Trustworthiness of the Early Texts, an Examination of the 1616 Folio of Ben Jonson’s Works, and Appendices, Including a revised text of Antony and Cleopatra. 1920. New York: AMS P, 1969.
Bayle, Pierre] A General Dictionary, Historical and Critical: in which a New and Accurate Translation of that of the Celebrated Mr. Bayle, with the Corrections and Observations printed in the late Edition at Paris, is included; and interspersed with several thousand LIVES never before published..... by the Reverend Mr. John Peter Bernard; The Reverend Mr. Thomas Birch, M.A. and F.R.S., Mr. John Lockman; and other Hands. 10 vols. London: Printed for E. Cave et al, 1739. [Shakespeare in vol. 9:186-99] See Sherbo, “Warburton,” p. 72.
Beale, J. N&Q 5th ser. 4 (1 Sept. 1775): 182 [TLN 539].
Beck, Jeffery P. "Pulled From the Melodious Lay: 'A World Elsewhere' and the Songs  of As You Like It in Hamlet." Hamlet Studies 12.1-12.2 (1990): 28-50. 
Beckerman, Bernard. Dynamics of Drama: Theory and Method of Analysis. New York: Drama Book Specialists, 1979.
Beckerman, Bernard. "Explorations in Shakespeare's Dramas." Shakespeare Quarterly 29.2 (1978): 133-145.
Beckerman, Bernard. Shakespeare at the Globe, 1599-1609. New York: Macmillan, 1962.
Beckerman, Bernard. “Shakespeare and the Life of the Scene.” Renaissance Drama: Essays in Honor of Madeleine Doran & Mark Eccles. Ed. Standish Henning, Robert Kimbrough, Richard Knowles. Southern Illinois UP, Carbondale, 1976. 36-45.
Beckerman, Bernard. “Shakespeare's Industrious Scenes.” Shakespeare Quarterly 30.2 (1979): 138-150.
Beckerman, Bernard. "Some Problems in Teaching Shakespeare's Plays as Works of Drama." Teaching Shakespeare. Ed. Walter Edens, et al. Princeton: Princeton UP, 1977. 305-16. Focuses on Hamlet.
Becket, Andrew. Concordance to Shakespeare [w 300 notes]. 8 vols. 1787. in Bibliotheca Steevensiana. Also listed in v1803 2:176.
Becket, Andrew. Shakspeare's Himself Again: or, The Language of the Poet Assessed: Being a Full but Dispassionate Examen of the Readings of the Several Editors, the Whole Comprised in a series of Notes, and Further Illustrative of the More Difficult Passages in his Plays,—to the various editions to which the present volumes form a complete and necessary supplement. 2 vols. London: A. J. Valpy, 1815.
Bednarz, James P. "Shakespeare's Purge of Jonson: The Literary Context of Troilus And Cressida." Shakespeare Studies XXI (1993): 175-212.
Beliles, David Buck. "'I am myself indifferent honest': Hamlet as Ophelia's Seducer." Hamlet Studies 21.1-21.2 (1999): 77-87. 
Bell, Millicent. Shakespeare's Tragic Skepticism.. New Haven: Yale UP, 2002.
Belsey, Catherine. "The Case of Hamlet's Conscience." Studies in Philology 76 (1979: 127-48. Pp. 147-8 quoted by Jenkins ARD2 p. 156, n.3. Reprinted in Belsey's Shakespeare in Theory and Practice. Edinburgh: Edinburgh UP, 2008. 139-56.
Belsey, Catherine. Shakespeare and the Loss of Eden: The Construction of Family Values in Early Modern Culture. New Brunswick: Rutgers UP, 1999. Rpt. Palgrave, 2001.
Belsey, Catherine. Subject of Tragedy: Identity and Difference in Renaissance Drama. London: Methuen, 1985.
Benchettrit, Paul. “Hamlet at the Comédie Française: 1769-1896.” ShS 9 (1970): 59-68.
Bennet, Robert B. "Hamlet and the Burden of Knowledge." Shakespeare Studies 15 (1982): 77-97.
Bentley, G.E. The Jacobean and Caroline Stage. 7 volumes. Oxford : Clarendon Press, 1941-68.
Bentley, Gerald Eades. The Profession of Dramatist in Shakespeare’s Time: 1590-1642. Princeton: Princeton UP, 1971.
Bentley, Greg. "Carousing Gertrude." Hamlet Studies 24 (2003): 81-122. 
Berger, Thomas L., and William C. Bradford, Jr. An index of characters in English printed drama to the Restoration, 2nd ed. Cambridge; New York: Cambridge UP, 1998. [1st ed. 1975]
Bergeron, David M. and Geraldo U. De Sousa. Shakespeare: A Study and Research Guide, 3rd ed. Lawrence: UP Kansas, 1995.
Berggren, Paula S. “Teaching Hamlet in a Global Literature Survey: Linking Elizabethan England and Ming China.” Approaches to Teaching Hamlet. Ed. Kliman 2002. 129-33.
Berkeley, David Shelley. "Claudius Villein King of Denmark." Hamlet Studies 11.1-11.2 (1989): 9-21.
Berkoff, Steven. I am Hamlet. London: Faber and Faber, 1989.
Berkowitz, Joel. Shakespeare on the American Yiddish Stage. Iowa City: U of Iowa P, 2002.
Bernstein, Seymour. “Hamlet Act 1, Scene 1: Whose ‘Thing’ is it?” Shakespeare Newsletter (Fall 1999): 67-8.
Bernstein, Seymour. “Hamlet’s Horatio: The Devil’s Advocate Convinced.” Shakespeare Newsletter (Spring 1997): 15.
Bernthal, Craig A. "'Self" Examination and Readiness in Hamlet." Hamlet Studies. 7.1-7.2 (1985): 38-51.
Berry, Philippa. “Hamlet’s Ear.” Shakespeare Survey 50 (1997): 57-64.
Berry, Philippa. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. Routledge: London, 1999.
Berry, Ralph. "Hamlet's Doubles." Shakespeare Quarterly 37.2 (1986): 204-212
Berry, Ralph. "Metamorphoses of the Stage." Shakespeare Quarterly 33.1 (1982): 5-17.
Berry, Ralph. "'To Say One': An Essay on Hamlet." Shakespeare Survey 28 (1975): 107-115.
Bertram, Joseph. Conscience and the King: A Study of Hamlet. London: Chatto & Windus, 1953.
Bertram, Paul, and Bernice W. Kliman, eds. The Three-Text Hamlet: Parallel texts of the First and Second Quartos and First Folio. New York: AMS, 1991. See Kliman and Bertram, 2003
Bertram, Paul. White Spaces in Shakespeare: The Development of the Modern Text. Cleveland: Bellflower, 1981.
Besterman, Theodore. Shakespeare & Voltaire. New York: The Pierpoint Morgan Library, 1965.
Besterman, Theodore. Voltaire. 3rd rev. ed. Oxford: Blackwell, 1976.
Bethell, S. L. Shakespeare and the Popular Dramatic Tradition. Intro. by T. S. Eliot. Westminster: P. S. King and Staples, [c.1944]; rpt. New York: Octagon, 1970. [Copyright 1944 by Duke UP]
Bevington, David. Action Is Eloquence: Shakespeare’s Language of Gesture. Cambridge: Harvard UP, 1984. Chapter on Hamlet.
Bevington, David. From Mankind to Marlowe: Growth of Structure in the Popular Drama of Tudor England. Cambridge: Harvard UP, 1962.
Bevington, David, ed. Twentieth Century Interpretations of Hamlet: a Collection of Critical Essays. Englewood Cliffs, N. J.: Prentice-Hall, [1968].. PR2807 B46
Berry, Ralph. “Dramatis Personae,” Essays in Theatre 7 (1989-90): 75-82.
Bible. Geneva, A Facsimile of the 1560 edition. With an Introduction by Lloyd E. Berry. Madison, Milwaukee, and London: University of Wisconsin P, 1969.
Bibliotheca Steevensiana. A Catalogue of the Curious and Valuable Library of George Steevens, Esq....which will be Sold by Auction...By Mr. King...King Street...on Tuesday, May 13, 1800, and Ten following Days. Catalogue printed by J. Barker. Folger Z 997 S8 Cage.
Bicknell, John Laurens. Original Miscellanies in Prose and Verse. London: Printed for T. Cadell and W. Davies in the Strand; and W. Blackwood, Edinburgh, 1820.
Biggs, Murray. "'He's Going to his Mother's Closet': Hamlet and Gertrude on Screen." Shakespeare Survey 45 (1993): 53- 62.
Bigliazzi, Silvia. "'The time is out of joint': Hamlet on Screen and the Crystal Image." Hamlet Studies 18.1-18.2 (1996): 105-125. 
Billigheimer, Rachel V. "Diversity in the Hamlets of the Eighteenth-Century Stage in England, France and Germany." Hamlet Studies 11.1-11.2 (1989): 34-48. 
Binns, J. W. "Women or Transvestites on the Elizabethan Stage? An Oxford Controversy." Sixteenth Century Journal 5:2 (1974), 95-119. Correspondence between Gentili and Rainolds about academic acting, written in spring 1593/4.
Biographia Britannica, 1757: mentioned in Davies ms. notes in Johnson's 1765 edition.
Biographia Britannica, 1763, vol. 6. Under Smith in that volume can be found, letters from Thomas Hanmer to Dr Smith of Oxford re Hanmer’s 1744 edition and Warburton’s response.
[Biographia Dramatica.] The first edition was entitled Companion to the Playhouse: or, An Historical Account of all the Dramatic Writers (and their works) that have appeared in Great Britian and Ireland, . . . in two volumes. . . London, . . . 1764. [12mo]
Biographia Dramatica, or, A Companion to the Playhouse... David Erskine Baker. A new edition...continued from 1764 to 1782. 2 vols. London . . . . 1812.
Biographia Dramatica...Originally compiled, to the year 1764, by David Erskine Baker; continued thence to 1782, by Isaac Reed, F.A.S. and brought down to the end of November 1811, with very considerable Additions and Improvements, by Stephen Jones. 3 vols. London: Longman, Hurst, Rees, Orme, and Brown, 1812
Black, M.W., and M. A. Shaaber. Shakespeare’s Seventeenth Century Editors, 1632-85. New York, 1937.
Black, Michael. Poetic Drama as Mirror of the Will. London: Vision Press, 1977.
Black, T. Halford. “Critical Editions of Shakespeare.” American N&Q 10 (Nov. 1888): 24. [Includes list of editions since 1685]
Blackmore, Simon Augustine, S.J. The Riddles of Hamlet and the Newest Answers. Boston: The Stratford Co., 1917.
Blake, N. F. A Grammar of Shakespeare’s Language. Houndsmills and New York: Palgrave, 2002.
Blake, N. F. “Modernizing Language and Editing Shakespeare.” Poetica: An International Journal of Linguistic Studies 34 (1990-91): 101-123.
Blake, N. F. “Towards a Dictionary of Shakespeare’s Informal English.” Symposium on Lexicography X: Proceedings of the Tenth International Symposium on Lexicography May 4-6, 2000, at the University of Copenhagen. Ed. Henrik Gottlieb, Jen Erik Morgensen and Arne Zettersten. Sonderdruck aus Lexicographica. vol. 109. Tübingen: Max Niemeyer, 2002. 1-18.
Blayney, Peter W. M. The First Folio of Shakespeare. Washington, DC: Folger Library Publications, 1991.
Bloom, Harold. Shakespeare: The Invention of the Human. New York: Riverhead, 1998. PR2989 B58 1998.
Bloom, Harold , ed. Hamlet. New York : Chelsea House, c1990.
Bloom, Harold, ed. William Shakepeare: the Tragedies. Modern Critical Views. New York: Chelsea House, 1985.
Blount, Thomas. Glossographia: or a Dictionary interpreting � Hard Words. . . . London: Tho. Newcomb, 1656. Rpt. 1707.
Boaden, James. A Letter to George Steevens, Esq. Containing the Critical Examination of the Papers of Shakespeare; Published by Mr. Samuel Ireland. To whichh are added Extracts from Vortigern. London: Martin and Bain, 1796. Reprinted 1972
Boaden, James. Memoirs of the Life of John Philip Kemble. 2 vols. London, 1825.
Boaden, James. ms. notes in Malone 1790 edition, Folger c.3.
Boaden, James. ms. notes in Huntington Library F2 Shelf mark #69388.
Boas, Frederick S. Aspects of Classical Legend and History in Shakespeare. London: H. Milford, [1943].
Boas, Frederick S. Shakespere & the Universities, and Other Studies in Elizabethan Drama. Oxford: Blackwell, 1923.
Boas, Frederick S. Shakspere and his Predecessors. London: J. Murray, 1896.
Boas, Frederick S. Syllabus of a Course of Twenty-Five Lectures on Shakespeare and his predecessors . . . London: W. Bishop, 1895.
Boase, T.S.R. "Illustrations of Shakespeare's Plays..." Journal of the Warburg and Courtauld Institutes 10 (1947): 83-108.
Bocchi, Achille. Symbolicarum Quaestionum de Universo Genere. Bologna 1574. Rpt. New York: Garland, 1979.
Bohannan, Laura. “Shakespeare in the Bush.” Natural History, August-September, 1966. Widely anthologized.
Boehrer Bruce Thomas. Monarchy and Incest in Renaissance England: Literature, Culture, Kinship, and Kingship. Philadelphia: U of Philadelphia 1992.
Bond, Donald F. The Tatler, edited with and Introduction and Notes. 3 vol. Oxford: Clarendon Press, 1987.
Bonheim, Hemut. "Shakespeare's Narremes." Shakespeare Survey 53 (2000): 1-11.
Boose, Lynda E. "The Fashionable Poloniuses." Hamlet Studies 2.1. (1979): 67-78. 
Boose, Lynda E., and Richard Burt, eds. Shakespeare, the Movie: Popularizing the Plays on Film, TV, Video, and DVD. London; New York: Routledge, 1997. See also Burt.
Booth, Stephen. “Close Reading without Readings.” Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca: Cornell UP, 1994. 42-55.
Booth, Stephen. “The Coherence of Henry IV, Part I and Hamlet.” Shakespeare Set Free, Peggy O’Brien et al., eds. New York: Washington Square, 1994. 32-46.
Booth, Stephen. “On the Value of Hamlet.” Reinterpretations of Elizabethan Drama. Norman Rabkin, ed. New York: Columbia UP, 1969. 137-76.
Boswell, James. Boswell’s Life of Johnson, ed. George Birkbeck Hill, Rev. L. F. Powell. 6 vol. (Oxford: Clarendon, 1971).
Boswell, James. Boswell’s London Journal 1762-3. Ed. Frederick A. Pottle, with a preface by Christopher Morley. Penguin Books 1966. Rpt. McGraw Hill, 1950. “proposes that what we value in Hamlet is not the meanings we find in it or make from it, but our experience of it”
Boswell, James. The Life of Johnson. Ed. and Abridged Christopher Hibbert. orig. 1791. Harmondsworth, Middlesex: Penguin,1981.
Boswell, James. The Life of Samuel Johnson, LL.D. Comprehending an account of his studies, and numerous works, in chronological order; . . . 6th ed. rev. 4 vol. London: Printed for T. Cadell and W. Davies, 1811.
Boswell, James. The journal of a tour to the Hebrides, with Samuel Johnson, L. L. D. Philadelphia: Published by John F. Watson, no. 98, South Second street,1810.
J. B. [Boswell, James, the younger.] “A life of Malone,” in a letter in Gent. Mag. 1813: 513-20. Completed v1821, begun by Malone.
Boucher, Jonathan (1783-1861). Glossary of Archaic and Provincial Words. London: Black, Young and Young, 1832- 33.
Bourne of Newcastle. AKA Henry Bourne. Antiquitates Vulgares; or, the Antiquities of the Common People. Giving an Account of several of their Opinions and Ceremonies. Newcastle: J. White, 1725.
Bowers, Fredson. “Current theories of copy text” (1950), Rpt. in Brack, M.M., Jr. and W. Barnes, Bibliographical and Textual Criticism, Chicago, 1969, 59-72.
Bowers, Fredson. “Death in Victory: Shakespeare’s Tragic Reconciliations.” Studies in Honor of DeWitt Starnes. Thomas P. Harrison et al., eds. Austin: U of Texas, 1967. 53-75.
Bowers, Fredson. "Dramatic Structure and Criticism: Plot in Hamlet." Shakespeare Quarterly 15.2 (1964): 207-218.
Bowers, Fredson. Elizabethan Revenge Tragedy: 1587-1642. Genre Studies. Princeton: Princeton UP, 1940.
Bowers, Fredson. “Hamlet as Minister and Scourge,” PMLA 70 (1955): 740-49.
Bowers, Fredson. “Hamlet’s ‘Sullied’ or ‘Solid’ Flesh: A Bibliographical Case-History.” ShS 9 (1970): 44-48.
Bowers, Fredson. "A Note on Hamlet I.v.33 and II.ii.181." Shakespeare Quarterly 4.1 (1953): 51-56.
Bowers, Fredson. On Editing Shakespeare and the Elizabethan Dramatists. Philadelphia: published for the Philip H. and A. S. W. Rosenbach Foundation by the University of Pennsylvania Library, 1955.
Bowers, Fredson. “Readability and Regularization in Old-Spelling Texts of Shakespeare.” Huntington Library Quarterly 50 (Summer 1987):199-227.
Bowers, Fredson. Review of ard2 [re solid, sullied]. The Library ser.6, 5 (1983): 293.
Bowers, Fredson. “Sh’s Text and the Bibliographical Method.” Studies In Bibliography 6 (1954): 71-91.
Bowers, Fredson. "The Structure of King Lear." Shakespeare Studies 31.1 (1980): 7-20.
Bowers, Fredson. “The Textual Relation of Q2 to Q1 Hamlet.” Studies in Bibliography 8 (1956): 39-66.
Bowman, Miss N. B. “Gertrude, Queen of Denmark” in Thom 1883. 105-14.
Boyce, Charles. “Hamlet.” Shakespeare A to Z: The Essential Reference to his Plays, his Poems, his Life and Times, and More. New York: Facts on File. [1990]. 231-41. Rpt. The Wordsworth Dictionary of Shakespeare with Foreward by Terry Hands. Ware: Wordsworth Editions, 1996.
Boydell. Boydell’s Gallery. Review in MR 79 (July 1788), continued in 80 (1788): 362-3m
Bradbrook, M[uriel] C. Shakespeare: The Poet in his World. New York: Columbia UP, 1978.
Bradbrook, M[uriel] C. Themes and Conventions of Elizabethan Tragedy. 2nd ed. Cambridge: Cambridge UP, 1980. [1st ed. 1935].
Bradby, G[eoffrey] F[ox]. About Shakespeare and his Plays. London: Oxford UP, 1926.
Bradby, G[eoffrey] F[ox]. “The Problems of Hamlet.” Short Studies in Shakespeare. London: John Murray, 1929.
Braddy, Haldeen. Hamlet’s Wounded Name. 2nd ed., enlarged. Preface by James T. Bratcher. Amsertdam: Rodopi N. V., 1974.
Braden, Gordon. Renaissance Tragedy and the Senecan Tradition: Anger’s Privilege. New Haven: Yale UP, 1985.
Bradford, John. Godly Meditations on the Lord’s Prayer, Belief, and Ten Commandments, with other Exercise. 1562. The Writings of John Bradford, M. A. 2 vols. Ed. Aubrey Townsend. Cambridge: Cambridge UP, 1848-53. 1: 113-220.
Bradley, A. C. Shakespearean Tragedy: Hamlet, Othello, King Lear, Macbeth. 1904. Cleveland: Meridian Books, The World Publishing Co., 1963. John Russell Brown ("Introduction to the Third Edition," pp. xiii-xxxiii) praises A. C. Bradley. but places him firmly in the past. He was the best of his time: D. Nichols Smith intro to Shn Crit. p. xxi called Bradley "the last great representative of nineteenth-century criticism, and nothing better in its kind need be expected . . . ." qtd. on p. xiv.
Bradshaw, Graham. Misrepresentations: Shakespeare and the Materialists. Ithaca: Cornell UP, 1993.
Bradshaw, Graham. “Shakespeare’s Peculiarity.” British Academy Lecture (1997).
Bradshaw, Graham. Shakespeare’s Scepticism. Ithaca: Cornell UP, 1987.
Bradshaw, Graham, and Kaori Ashizu.“Reading Hamlet in Japan.” typescript.
B[rae], A[ndrew] E. “Asters with trains of fire.” N&Q 1st ser. 5 (28 Feb. 1852): 210.
B[rae], A[ndrew] E. Collier, Coleridge and Shakespeare. A Review. By the author of “Literary Cookery.” London: Longman, Green, Longman, and Roberts, 1860. Rpt. New York: AMS, 1972.
B[rae], A[ndrew] E. “Readings in Shakspeare, No. 1.” N&Q 1st ser. 5 (24 Jan. 1852): 75-6
B[rae], A[ndrew] E. “Readings in Shakspeare, No. 2.” N&Q 1st ser. 5 (21 Feb. 1852): 169-70.
B[rae], A[ndrew] E. “Readings in Shakspeare, No. 3.” N&Q 1st ser. 5 (13 March, 1852): 241-2.
B[rae], A[ndrew] E. “Readings in Shakspeare, No. 4” N&Q 1st ser. 5 (1 May 1852): 410-11.
Brand, J. Gent. Mag. 46 (March 1776): 124.
Brand, J. St. James' Chronicle. no. 2356 (11-13 April 1776): 2.
Brand. John. Observations on the Popular Antiquities of Great Britain:chiefly illustrating the origin of our vulgar and provincial customs, ceremonies, and superstitions. Rev. ed. Sir Henry Ellis, Principal Librarian of the BM. 3 vols. London: George Bell, 1849. Rpt. Singing Tree Press, 1969.
[Brandes, Georg (1842-1927).] The Activist Critic: A Symposium on the Political Ideas, Literary Methods and International Reception of Georg Brandes. Ed. Hans Hertel and Sven Møller Kristensen. Orbis Litterarum: Supplement no. 5. Copenhagen: Munksgaard, 1980.
Brandes, Georg. Udvalgte skrifter. Ed. Sven Møller Kristensen. v. 7. Shakespeare, Job, Homer. Tiderne Skifter, København, 1986.
Brandes, Georg. William Shakespeare: A Critical Study. German and Danish ed. 1896; British 1898 (1st English ed., v. 1 trans. William Archer, and v. 2, Archer and others). Ameican ed. New York: MacMillan, 1899. Rpt. 1907, 1920 etc.
Braunmuller, A. R., ed. The Life and Death of King John. The Oxford Shakespeare. Oxford: Clarendon P, 1989.
Bray, Gerald, ed. Documents of the English Reformation. Minneapolis: Fortress Press, 1994. [See especially no. 10 "Purgatory" in The Ten Articles, 1536, pp. 173-4; no. 23 "Of Purgatory" in The Forty-Two Articles, 1553, and in somewhat different form in The Thirty-Nine Articles, 1571, p. 297]
Braybrooke, Lord [?]. “Wormwood Wine.” N&Q 1st ser. 2 (Sep. 1850): 286.
Brewer, E[benezer] Cobham. Dictionary of Phrase and Fable Giving the Derivation, Source, or Origin of Common Phrases, Allusions, and Words that have a Tale to Tell. Second ed. London: Cassell, [1871]. [1st ed. 1870]
Brewer, Ebenezer Cobham. Brewer’s Dictionary of Phrase and Fable. Many reissues and Rev. eds. At the Folger, The 15th ed., Rev. Adrian Room. London: Cassell; New York: Harper Collins, 1995.
Bridges, Robert. “The Influence of the Audience on Shakespeare.” The Works of William Shakespeare in Ten Volumes. Ed. A. H. Bullen. Stratford-upon-Avon: Shakespeare Head Press, 1907. 10: 321-34. Other essays in vol. 10 by Henry Davey, J. J. Jusserand, H. C. Beeching (2), E. K. Chambers, and A. H. Bullen. The end piece announces that the work began in 1904. Vol. 10 is available on Google Books.
Bright, Timothie. Treatise of Melancholy. Imprinted at London : By Thomas Vautrollier, dwelling in the Black-Friers, 1586.
Brine, Adrian, and Michael York. A Shakespearean Actor Prepares. Lyme, NH: Smith and Kraus, 2000.
Bristol, Michael D. Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England. New York and London: Methuen, 1985.
Bristol, Michael D. "Vernacular Criticism and the Scenes Shakespeare Never Wrote." Shakespeare Survey 53 (2001): 89-102.
Brockbank, J. Philip. “Hamlet the Bonesetter.” Shakespeare Survey 30 (1977): 103-15.
Brockbank, J. Philip, ed. Players of Shakespeare: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Cambridge and New York: Cambridge UP, 1985.
Brockbank, J. Philip. "Shakespeare and the Fashion of the Times." Shakespeare Survey 16 (1963): 30-41.
Bronson, Bertrand H. Joseph Ritson: Scholar-at-Arms. 2 vols. Berkeley: U of California P, 1938.
Brower, Reuben Arthur. Hero and Saint: Shakespeare and the Graeco-Roman Heroic Tradition. Oxford: Clarendon UP, 1971. “Hamlet as a combination of Achilles and Aeneas [is] an excellent way to tackle the play’s and the central character’s matrix of contradictions” (Deborah T. Curren-Aquino). PR2992 H4B7 1971.
Brown, Charles Armitage. Shakespeare’s Autobiographical Poems. being His Sonnets Clearly Developed: with his Character Drawn Chiefly from his Works. London: James Bohn, 1838.
Brown, Florence Warner. "Shakespeare and Gielgud, Co-Authors." Shakespeare Quarterly 16.1 (1961): 133-138.
Brown, James. Bible Truths, with Shakspearian Parallels. . . . London: Whittaker and Co. noted. in Gents 16 (1864), 510.
Brown, John Russell. A. C. Bradley on Shakespeare's Tragedies: A Concise Edition and Reassessment. Houndsmills and New York: Palgrave Macmillan, 2007. Along with a new complete ed. of Bradley with an intro by Shaughnessy [see], Palgrave Macmillan also released this edited version. Part 1 "Practical study and criticism" and Part 2 "From Shakespearean Tragedy and later lectures." Hamlet on pp. 43-64. Brown earlier had provided a condescending intro. for the 3rd ed. of Bradley's work.
Brown, John Russell. Free Shakespeare. London: Heinemann, 1974.
Brown, John Russell. "Shakespeare's International Currency." Shakespeare Survey 51 (1998): 193-203.
Brown, John Russell, William Shakespeare: Writing for Performance. New York: St Martin's Press, 1996. Hamlet excerpts in Greenhaven, pp. 54-9.
Brown, Keith. "Hamlet's Place on the Map." Shakespeare Studies 4 (1968): 160-182.
Brown, Kenneth. "'Form and Cause Conjoined': Hamlet and Shakespeare's Workshop." Shakespeare Survey 26 (1973): 11-20.
Browne, C. Eliot. “Notes on Hamlet attributed to the Earl of Rochester.” The Athenaeum No. 2475 (April 3 1875), 458.
Browne, E. Martin. “English Hamlets of the Twentieth Century.” Shakespeare Survey 9 (1970): 16-23.
Browne, Isaac Hawkins: Ms 0.12.5755 TrinityCollege, Cambridge.
Bruster, Douglas. To Be Or Not To Be. London and New York: Continuum, 2007. On the solilquy.
Bucknill, John Charles. The Mad Folk of Shakespeare: Psychological Essays. London: Macmillan, 1867. 102-12. Rpt. in Price, 1986.
Bucknill, John Charles. The Medical Knowledge of Shakespeare. London: Longman, 1860.
Bugliani, Francesca. "'In the mind to suffer': Hamlet's Soliloquy 'To be, or not to be.' Hamlet Studies 17.1-17.2 (1995): 10-42. 
Bulloch, John. Studies on the Text of Shakespeare: with Numerous Emendations and Appendices. London: Hamilton, Adams, & Co., 1878.
Bullock, Charles. Shakespeare’s Debt to the Bible. With Memorial Illustrations. London: “Hand and Heart” Publishing Offices, [1879].
Bullokar, John. An English Expositor: Teaching the Interpretation of the hardest words vsed in our Language. London: Printed by Iohn Leggatt, 1616. Rpt. Menston, England: The Scolar Press Ltd, 1967.
Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare. Vol. 7. Major Tragedies: Hamlet, Othello, King Lear, Macbeth. London: Routledge and Kegan Paul, 1973.
[Bulwer, John]. A View of the People of the Whole World. . . London: printed by William Hunt, 1654.
Bunbury, Sir Henry, ed. The Correspondence of Sir Thomas Hanmer, Bart: speaker of the house of commons with a Memoir of his life to which are added other relicks of a gentleman’s family. London: Edward Moxon: 1838. [A footnote describes Henry Bunbury’s discovery of the first known copy of Q1 in a closet, p. 80n. Bunbury thought his forbearer William had bought it, along with other works.]
Bunselmeyer, J. "Appearances and Verbal Paradox Sonnets 129 and 138." Shakespeare Quarterly 25.1 (1974): 103-108.
Burckhardt, Sigurd (1916-1966). Shakespearean Meanings. Princeton, NJ: Princeton UP, 1968.
Burd, Henry A. "Joseph Ritson and Some Eighteenth Century Editors of Shakespeare." Shakespeare Studies by Members of the Department of English of the University of Wisconsin. Madison, WI: Published by the University, 1916. Folger PR 2890 Wb. A fair survey of the controversies that Ritson engendered. See also Ritson entries.
Burks, Zachary A. "'My Soul's Idol": Hamlet's Love for Ophelia." Hamlet Studies 13.1- 13.2 (1991): 64- 72. 
Burling, William J. “John Hughes (29 January 1677-February 1720).” Dictionary of Literary Biography. vol. 84, Restoration and Eighteenth-Century Dramatists. Second Series. Ed. Paula R. Backscheider. Detroit: Gale Research, 1989b.
Burnett, Mark Thorton, and John Manning, eds. New Essays on Hamlet. The Hamlet Collection series. New York: AMS Press, 1994.
Burnim, Kalman A. David Garrick: Director / with a foreword by Geo. Winchester Stone, Jr. Pittsburgh: University of Pittsburg Press, 1961. [On Ham. productions, 152-73, and notes, 211-213]
Burnim, Kalman A. “Eighteenth-Century Theatrical Illustrations in the Light of Contemporary Developments,” Theatre Notebook 14 (1959-60): 45-55.
Burnim, Kalman A., and Philip H. Highfill Jr. John Bell Patron of British theatrical portraiture: a catalog of the theatrical portraits in his editions of Bell's Shakespeare and Bell's British theatre. Carbondale: Southern Illinois University Press, c1998.
Burt, Richard, ed. Shakespeare after Mass Media. New York: Palgrave, 2002.
Burt, Richard, ed. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. 2 vols. Westport, Conn.: Greenwood Press, 2007.
Burt, Richard, and Lynda E. Boose, eds. Shakespeare, the Movie, II: Popularizing the Plays on Film, TV, Video, and DVD. London; New York: Routledge, 2003. See also Boose.
Burt, Richard. Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. New York: St. Martin's Press, 1998.
Burton, Robert. Anantomy of Melancholy. Oxford: John Lichfield and James Short, for Henry Cripps, 1621.
Bushnell, Rebecca W. A Culture of Teaching: Early Modern Humanism in Theory and Practice. Ithaca and London: Cornell UP, 1996. Fordham U at Tarrytown.
Butt, John. "Pope’s Taste in Shakespeare," Paper read before the Shakespeare Association on March 22nd, 1935. London: Published for the Shakespeare Association, 1936.
Byrne, Muriel St. C. “Fifty Years of Shakespearian Production.” Shakespeare Survey 2 (1949): 12-13.
Byron] “Childe Harold, Canto III – and other Poems. By Lord Byron” Quarterly Review 16 (October 1816): 185.
 The C’s
 
Cahn, Victor L. Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories, Comedies, and Romances. Westport, CT: Greenwood Press, 1991.
Caldecott. Thomas. Ms. notes in ed. 1819. BL 11766.k.20.
Calderwood, James L. To Be and Not to Be: Negation and Metadrama in Hamlet. New York: Columbia UP, 1983.
Calderwood, James L. "Hamlet's Readiness." Shakespeare Quarterly 35.3 (1984): 267-273.
Calderwood, James L. "Macbeth: Counter- Hamlet." Shakespeare Studies 17 (1985): 103-121.
Calvert, Louis. An Actor’s Hamlet. Ed. Metcalfe Wood. London: Mills and Boon, 1912.
Camden, Carroll, “On Ophelia’s Madness.” Shakespeare Quarterly (Spring 1964): 247-56.
Campbell, Dowling G. "The Double Dichotomy and Paradox of Virtue in Hamlet." Hamlet Studies 23 (2001): 13-49.
Campbell, Kathleen. “Shakespeare’s Actors as Collaborators: Will Kempe and The Two Gentlemen of Verona (1996). Two Gentleman of Verona: Critical Essays. Ed. June Schlueter. New York: Garland, 1996. 174-87.
Campbell, Lily B. “A History of Costuming on the English Stage Between 1660 and 1826.” University of Wisconsin Studies in Language and Literature. no. 2: Studies by Members of the Department of English. (Sept. 1918): 186-223.
Campbell, Lily B. “Polonius, the Tyrant's Ears.” Joseph Quincy Adams: Memorial Studies. Ed. James G.McManaway, et al. Washington: Folger Shakespeare Library, 1948. 295-313
Campbell, Lily B. Shakespeare’s Tragic Heroes: Slaves of Passion. Cambridge: Cambridge UP, 1930.
Campbell, Lily B. "Theories of Revenge in Renaissance England," Modern Philology, 28 (1931).
Campbell, Oscar James, and Edward G. Quinn, eds. The Reader’s Encyclopedia of Shakespeare. New York: Crowell, [1966].
[Campbell, Thomas]. “Characteristics of Women, No. III.” Blackwood’s Edinburgh Magazine. 33 (March 1833):205.
[Campbell, Thomas] “Letters on Shakspeare – No. 1. – Hamlet.” Blackwood’s Edinburgh Magazine 2.2 (Feb. 1818): 504-12.
Campkin, Henry. “Eisel—Wormwood—Scurvy Ale.” N&Q 1st ser. 4 (26 July 1851): 68.
Cantor, Paul. Shakespeare: Hamlet. Landmarks of World Literature Series, Cambridge UP. 1989. Excerpted in Greenhaven, 1999: 117-25.
C[apell], E[dward]. 4to. Notes and Various reading to Shakepeare,Vol.1, Part the first with a General Glossary. [containing AWW, Ant, AYL, Err, Cor, Cym, Ham, 1 and 2 H4] London: Printed for Edw. and Cha. Dilly, in the Poultry. [The Advertisement signed E.C. is dated Dec. 20. 1774]
[Capell, Edward.] Catalogue of the Books presented by Edward Capell to the library of Trinity College in Cambridge. Compiled by W. W. Greg. Cambridge: Printed for Trinity College at Cambridge UP, 1903.
[Capell, Edward.] Prolusions; or, select Pieces of ancient Poetry, — compil’d with great Care from their Originals,... in three Parts; containing, I. The Nutbrowne Mayde; Master Sackville’s Induction; and, Overbury’s Wife: II. Edward the third, a Play, thought to be by Shakespeare: III. Those excellent Didactic Poems, intitl’d—Nosce teipsum, written by Sir John David: with a Preface. London: J. and R. Tonson, 1760.
Carlisle, Carol J. "Hamlet's 'Cruelty' in the Nunnery Scene: The Actor's Views." Shakespeare Quarterly 18.2 (1967): 129-140.
Carlisle, Carol J. Shakespeare from the Greenroom: Actor’s Criticism of Four Major Tragedies. Chapel Hill: U of North Carolina P, 1969.
Carlson, Marvin. The Haunted Stage: The Theater as Memory. Ann Arbor, Michigan: U of Michigan P, 2001.
Carlyle, Thomas. Carlyle’s Unfinished History of German Literature, Ed. Hill Shine. Lexington: U of Kentucky P, 1951.
Carlyle, Thomas. Lectures on the History of Literature: April to July 1838. Now presented for the first tme. Ed., with preface and notes [but no index] by J. Reay Greene. London: Ellis and Elvey, 1892.
Carlyle, Thomas. Two Note Books of Thomas Carlyle: from 23d March 1822 to 16 May 1832. Ed. Charles Eliot Norton. New York: The Grolier Club, 1898.
Carlyle on Cromwell and Others (1837-48), ed. Wilson, David Alec. London: Kegan Paul. . . 1925
Carroll, William C. Fat King, Lean Beggar: Representation of Poverty in the Age of Shakespeare. Ithaca: Cornell UP, 1996.
Carroll, William C. "The Virgin Not: Language and Sexuality in Shakespeare." Shakespeare Survey 46 (1994): 107-119.
Cartwright, Kent. “Remembering Hamlet,Shakespearean Tragedy and its Double: The Rhythms of Audience Response. University Park, Penn: Pennsylvania State UP, 1991. Hamlet: 89-137. Pbk ed. 2005.
Cartwright, Nathaniel. The Prince and the Offered Crown. London : J. Haywood, [1879].
Cartwright, Robert. Footsteps of Shakespere; or, A ramble with the early dramatists, containing much new and interesting information respecting Shakspere, Lyly, Marlowe, Greene, and others. London: J.R. Smith, 1862.
Cartwright, Robert. New Readings in Shakespere: Proposed Emendations of the Text. London: John Russell Smith, 1866.
Cartwright, Robt. “Shakspeariana.” N&Q 3rd ser. 12 (6 July 1867): 3
Carver, P. T. “‘Out of Heaven’s Benediction to the Warm Sun.’” 25 MLR (1930): 478-81.
Cary, Louise D. “Hamlet Recycled, or the Tragical History of the Prince’s Prints.” English Literary History 61 (1994): 783-805.
Casebook. John Jump, ed. Shakespeare: Hamlet. Casebook series. London: Macmillan, 1969, Nashville: Aurora, 1970.
Casebook. New Casebooks: Hamlet. Martin Coyle, ed. New York: St. Martin’s, 1992.
Casebook. Case Studies in Contemporary Criticism. William Shakespeare's Hamlet. complete Riverside text with notes. Ed. Susanne L. Wofford. Boston: Bedford Books of St. Martin’s Press, 1994.
Cathcart, Charles. “Hamlet: Date and Early Afterlife.” The Review of English Studies 52: 207 (2001): 341-59.
Causton, H.K. Staple [H.K.S.C.]. “Meaning of Eisell.” N&Q 1st ser. 3 (25 Jan. 1851): 66-68.
Causton, H.K. “Replies: Meaning of Eisell.” N&Q 1st ser. 3 (15 Mar. 1851): 210-11.
Cavell, Stanley. “Hamlet’s Burden of Proof.” Disowning Knowledge in Six Plays of Shakespeare. Cambridge: Cambridge UP, 1987. 179-91. PR2976 C336 1987. On my Ham. shelf.
Cawdrey, Robert. A Table Alphabeticall, containing and teaching the true vvriting, and vnderstanding of hard vsuall English words. London: Printed by I.R. for Edmund Weauer. 8vo, 1604. See The English Experience: Its Record in Early Printed Books Published in Facsimile. New York: De Capo, 1970. According to the OED Cawdry has the 1st instance of soliloquy. But it appeared only in the 2nd, 1613 ed.
The Century Dictionary. See hamletworks.org. homepage for link.
Cercignani, Fausto. Shakespeare’s Works and Elizabethan Pronunciation. Oxford: Clarendon, 1981.
Chalmers, George. A Supplemental Apology for the believers in the Shakespeare-Papers: being a reply to Mr. Malone’s answer. which was early announced, but never published: with a dedication to George Steevens...and a postscript to T. J. Mathias...the author of the Pursuits of Literature. London: Printed for Thomas Egerton, 1799.
Chambers, E. K. “The Date of Hamlet.Shakespearean Gleanings. Oxford: Oxford UP, 1944. 68-75.
Chambers, E. K. The Disintegration of Shakespeare. London, Pub. for the British Academy by H. Milford, Oxford UP, 1924.
Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon Press, 1923. See 1:352-8; 2: 77-240.
Champion, Larry S. "'A Springe to Catch Woodcocks': Proverbs, Characterization, and Political Idealization in Hamlet." Hamlet Studies 15.1-15.2 (1993): 23-39.
Champion, Larry S. The Essential Shakespeare: An Annotated Bibliography of Major Modern Studies. 2nd ed. New York: G. K. Hall, 1993.
Chandler, David. "Joseph Hunter's 1845 Proposal for a 'Radically New Text' of Hamlet." Shakespeare Quarterly 46.1 (1995). 80-81.
Chapman, George. The Plays and Poems of George Chapman: The Tragedies. Ed. Thomas Marc Parrott. London: Routledge, 1910.
Chapman, George. May-Day: A vvitty Comedie, diuers times acted at the Blacke Fryers. London: Printed for John Browne, 1611.
Chapman, Gerald Wester, ed. Literary Criticism in England, 1660-1800. New York: Knopf, 1966.
Chapman, John Kemble. The court theatre, and royal dramatic record : being a complete history of theatrical entertainments at the English court from ... Henry VIII to ... the series of entertainments before ... Queen Victoria ... 1848-49 / With illustrations on steel by Finden .... London: Printed by Chapman and Company, and published for them by J. Mitchell, [1849?].
Chapman, R. W., ed. The Letters of Samuel Johnson with Mrs. Thrale’s Genuine Letters to him. Vol. 1:1719-1774, Letters 1-369. Oxford: Clarendon Pres, 1952. 178-179, 226-227, 230-231, 242-243.
Charnes, Linda. "Dismember Me: Shakespeare, Paranoia, and the Logic of Mass Culture." Shakespeare Quarterly 48.1 (1997): 1-16.
Charnes, Linda. “The Hamlet Formerly Known as Prince.” Shakespeare and Modernity: Early Modern to Millenium. Ed. Hugh Grady. Accents on Shakespeare. Gen. Ed. Terence Hawkes. London: Routledge, 2000. 189-210.
Charnes, Linda. “We Were Never Early Modern.” Philosophical Shakespeares. Ed. John J. Joughin. Accents on Shakespeare. Gen. Ed. Terence Hawkes. London: Routledge, 2000. 51-67.
Charney, Maurice. Hamlet’s Fictions. New York and London: Routledge, 1988.
Charney, Maruice. "Shakespeare--and the Others." Shakespeare Quarterly 30.3 (1979): 325-342.
Charney, Maurice. Style in Hamlet. Princeton: Princeton UP, 1969.
Charney, Maurice. Review of Johannes Fabricius, dissertation for degree of Dr. of Medicine at Copenhagen in Sept. 1994, published as Syphilis in Shakespeare’s England. London and Bristol, PA: Jessica Kingsley Publishers, 1994. In SNL (Spring 1996): 5, 24.
Charney, Maurice. “The Voice of Marlowe's Tamburlaine in Early Shakespeare.” Comparative Drama 31.2 (Summer 1997): 213-23.
Charnock, R. S. “‘A Sea of Troubles’ (Hamlet, Act iii. sc.1),” N&Q 5th ser. 6 (5 Aug. 1876): 104.
Chawla, Nishi. "Upon Meeting with Hamlet's Kronborg." Hamlet Studies 22 (2000): 7-9. 
Chedworth, John Lord. Notes upon Some of the Obscure Passages in Shakespeare’s Plays, with Remarks upon the explanations and amendments of the commentators in the Editions of 1785, 1790, 1793. By the Late Right Hon. John Lord Chedworth. London: Printed by William Bulmer and Co., 1805.
Chen-Hsien, Chang. "Shakespeare in China." Shakespeare Survey 6 (1953): 112-116.
Chesterton, G. K. (1874-1936). Chesterton on Shakespeare. Ed. Dorothy Collins. Intro. John Sullivan. Henley-on-Thames: Darwin Finlayson, 1971. The ed. provide earlier publication info. for these essays.
Chettle, Thomas. The Tragedy of Hoffman 1631 [or A Revenge for a Father].... London, 1631. Malone Society reprints 1950 (1951). Prepared by Harold Jenkins, checked by Charles Sisson. See CN 762.
Chetwood, R. A General History of the Stage, from its origin in Greece down to the present time. ... Collected and digested by W. R. Chetwood, ... London : printed for W. Owen, 1749.
Chougule, Sahadeo A. "Hamlet: The Only Son and the Lonely Prince." Indian Response to Shakespeare. Ed. Basavaraj Naikar. New Delhi: Atlantic Publishers and Distributors, 2002. 170-84. See CN 188.
Church, Tony, “Polonius in Hamlet.Players of Shakespeare. Ed. Philip Brockbank. Cambridge: Cambridge UP, 1985. 103-14.
Cibber, Colley (1631-1757). An Apology for the Life of Mr. Colley Cibber, Comedian, and Late Patentee of the Theatre-Royal. With an Historical View of the Stage during his Own Time. Written By Himself. Edited, with an introd., by B.R.S. Fone.London, 1740. Ann Arbor : University of Michigan Press, [1968]
Clark, Cumberland. Shakespeare and the Supernatural London: Williams and Norgate, 1951. Rpt. Greenhaven, 1999. 99-105.
Clarke, Mary Cowden. The Girlhood of Shakespeare’s Heroines; in a series of tales. New York: Putnam’s, 1873.
Clarke, Mary Cowden. The Complete Concordance to Shakespeare: being a verbal index to all the passages in the dramatic works of the poet. [London: Bickers & Son, 1843?]. New and rev. ed. / by Mrs. Cowden-Clarke. London : Bickers & Son, 1889.
Clarke, Charles (1787-1877). Shakespeare Characters. London : Smith, Elder, 1863.
Clarke, Charles (1787-1877), and Mary Cowden Clarke. The Shakespeare Key: Unlocking the Treasures of his Style. . . . London: S. Low, Marston, Searle & Rivington, 1879.
Clary, Frank Nicholas. “Charles Gildon’s Editorial Apparatus and Nicholas Rowe’s Hamlet.” Hamlet Studies. Silver Jubilee Volume, 25 (2003): 156-174. 
Clary, Frank Nicholas. "Cum Notis Variorum: Having It Both Ways: Reading Two Early Acting Editions of Hamlet." Shakespeare Newsletter, 56:1, No. 268 (Spring/Summer 2006): 7-8; 28-30.  
Clary, Frank Nicholas. “Hamlet's Mousetrap and the Play-within-the-Anecdote of Plutarch: An Instance of Erasure in Eighteenth-Century Editions.” In Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century. Ed. Joanna Gondris (Delaware UP, 1998):164-187. 
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Drake, Nathan, ed. Shakespeare and His Times; or, Sketches of His Character and Genius, by Various Writers, now first collected, with a prefactory and concluding essay. and notes . . . . Forming a Valuable Accompaniment to Every Edition of the Poet. 2 vols. London: Printed for T. Cadell and W. Davies, 1817.
Draper, John W. The Hamlet of Shakespeare’s Audience. Durham: Duke UP, 1938.
Dryden, John. Troilus and Cressida, or Truth Found too Late. A Tragedy. As it is Acted at the Duke’s Theatre. To which is Prefix’d, A Preface Containing the Grounds of Criticism in Tragedy. London, 1679. Rpt. London: Cornmarket [1969]. Pasasges relevant to Ham. qtd. in Vickers, Shakespeare 1:264-7.
Duane, William. “Shakespeariana.” N&Q ns 3 (Aug. 1857), 183.
DuBois, Edward. The Wreath; Composed of Selections from Sappho, Theocritus, Bion, and Moschus . . . to which are added Remarks on Shakespeare, &c. London: For White, Fleet Street; Egerton, Whitehall, Lee and Sotheby, York Street, Covent Garden; Wright, Piccadilly; Evans, Pall Mall, and Vernor and Hood, Poultry, 1799.
Duncombe, John. Letters by several eminent persons deceased Including the correspondence of John Hughes, esq. (author of the Siege of Damascus) and several of his friends, published from the originals: with notes explanatory and historical . . . . 2 vols. London, J. Johnson, 1772.
Dundas, Judith. "Shakespeare's Imagery: Emblem and the Imitation of Nature." Shakespeare Studies 16 (1983): 45-56.
Dusinberre, Juliet. "King John and Embarrassing Women." Shakespeare Survey 42 (1990): 37-52.
Dusinberre, Juliet. Shakespeare and the Nature of Women. 1975. 2nd ed. rev. New York: St. Martin’s, 1996.
Duthie, George Ian. The “Bad” Quarto of Hamlet: A Critical Review. Cambridge: UP, 1941. Rpt 1969.
Dutton, Richard. "Hamlet, an Apology for Actors, and the Sign of the Globe." Shakespeare Survey 41 (1989): 35-43.
Dyce, Rev. Alexander. Remarks on Mr. J. P. Collier’s and Mr. C. Knight’s Editions of Shakespeare. London: Edward Moxon, 1844. [Alexander Dyce’s copy of his book Remarks on Mr. J. P. Collier’s and Mr. C. Knight’s Editions of Shakespeare (1844-) has further ms. comments in the margins (shelf mark 4. D. 21; in The National Art Library, V&A Museum)]
Dyce, Alexander. A few notes on Sh, with occasional remarks on the manuscript corrector in Mr. Collier’s copy of the folio 1632. London: John Russell Smith, 1853.
Dyce, Alexander. Remarks on Mr. J. P. Collier’s and Mr. C. Knight’s Editions of Shakespeare. London: Edward Moxon, 1844.
Dyce] The Reminiscences of Alexander Dyce. Ed. Richard J. Schrader. N,p.: Ohio State UP, 1972.
Dyce, Alexander. Strictures on Mr. Collier’s New Edition of Shakespeare, 1858 [col3]. London: John Russell Smith, 1859. Rpt. New York: AMS 1971.
Dyce, Alexander. The Works of Beaumont and Fletcher. vol. 1. London: E. Moxon, 1843-6. 11 vol.
 The E’s
Eastman, Arthur Morse. “In Defense of Dr. Johnson.” Shakespeare Quarterly 9 (1952?): 493-500.
Eastman, Arthur Morse. “Johnson’s Edition of Shakespeare: 1765.” Yale U. Diss. 1947. [199 pp.]
Eastman, Arthur M. “Johnson’s Shakespearean Labors in 1765,” MLN 63.8 (Dec. 1948): 512-15.
Eastman, Arthur M. A Short History of Shakespearean Criticism. New York: Norton, 1974. Rpt. Lanham, New York, London: UP of America, 1985.
Eastman, Arthur M. “The Texts from which Johnson printed his Shakespeare,” JEGP 49 (1950): 182-91.
Eastwood, J[onathan] and W. Aldis Wright. Bible Word-Book: a Glossary of Old English Bible Words. London: Macmillan, 1866.
Ebisch, Walther, in collaboration with Levin L. Sch�cking. A Shakespeare Bibliography. Oxford: Clarendon P, 1931.
Eddins, Dwight, ed. The Emperor Redressed: Critiquing Critical Theory. Tuscaloosa and London: U of Alabama P, 1995.
Edelman, Charles. "Shakespeare's 'Brawl Ridiculous.'" Shakespeare Survey 42 (1990): 111-118.
Edelman, Charles. Shakespeare’s Military Language: A Dictionary. London and New Brunswick: Athlone, 2000.
Edelman, Edward. The Composition of Hamlet. American University Studies. Series 4, English Language and Literature. v. 122. New York: P. Lang, 1996.
Edmondson, Paul M. "'A sad story tolde': Playing Horatio in Q1 Hamlet." Hamlet  Studies 22 (2000): 26-39. 
Edwards, Philip. Sea-Mark: The Metaphorical Voyage, Spenser to Milton. Liverpool: Liverpool UP, 1997.
Edwards, Philip. “Tragic Balance in Hamlet.” Shakespeare Survey. 36 (1983): 43-52.
[Edwards, Thomas.] An Attempte to Rescue that Aunciente, English Poet, and Play-wrighte, Maister William Shakespere from the Maney Errours, faulsely charged on him by Certaine New-Fangled Wittes . . . Workes. London: Manby and Cox, 1749.
[Edwards, Thomas. (1699-1757)]. A supplement to Mr. Warburton’s edition of Shakspear, being the canons of criticism, and glossary: collected from the notes in that celebrated work, and proper to be bound up with it by Another gentleman of Lincoln’s Inn. The second edition. London: printed for M[ary] Cooper . . . ., 1748.
Edwards, Thomas. The canons of criticism, and glossary: being a supplement to Mr. Warburton’s edition of Shakespear: collected from the notes in that celebrated work, and proper to be bound up with it by the other gentleman of Lincoln’s Inn. 3rd ed. London: Printed for C. Bathurst, 1750.
Edwards, Thomas. The canons of criticism, and glossary: being a supplement to Mr. Warburton’s edition of Shakespear: collected from the notes in that celebrated work, and proper to be bound up with it by the other gentleman of Lincoln’s Inn. 4th ed. London: Printed for C. Bathurst, 1750.
Edwards, Thomas. The canons of criticism, and glossary: being a supplement to Mr. Warburton’s edition of Shakespear: collected rom the notes in that celebrated work, and proper to be bound up with it by the other gentleman of Lincoln’s Inn, The fifth edition. London: Printed for C. Bathurst, 1753.
Edwards, Thomas. The canons of criticism, and glossary: being a supplement to Mr. Warburton’s edition of Shakespear: collected rom the notes in that celebrated work, and proper to be bound up with it by the other gentleman of Lincoln’s Inn . . . 6th ed. with additions. London: C. Bathurst, 1758.
Edwards, Thomas. The Canons of Criticism and Glossary, Being a Supplement to Mr. Warburton’s Edition of Shakespear Collected from the notes in that celebrated work and proper to be bound up with it to which are added The Trial of the Letter g, alias Y: and Sonnets. 7th ed. 1965. Rpt. New York: Kelley, 1970.
Egan, Gabriel. "Reconstruction on the Globe: A Retrospective." Shakespeare Survey 52 (1999): 1-16.
Eliot, George (Mary Anne or Marian) Evans (1819-1880). The George Eliot Letters. Ed. Gordon S. Haight. 9 vol. New Haven: Yale UP, 1954.
Eliot, George (Mary Anne or Marian) Evans (1819-1880). George Eliot’s Middlemarch Notebooks: A Transcription. Ed. John Clark Pratt and Victor A Neufeldt. Berkeley: U of California P, 1979.
Eliot, George. ms. notes in George Henry Lewes's copy of Sh., dated after 1853. See Kliman 1999.
Eliot, T. S. “Hamlet and His Problems,” Athenaeum, (Sept 26, 1919); rpt. Selected essays, 1917-1932. New York, Harcourt, Brace and Company [c1932]. New Ed. New York: Harcourt Brace, 1950. 121-26. [Also in The Sacred Wood. 1920. London: Methuen, 1960, and available on Bartleby.com, accessed 10-10-07.]
Eliot, T. S. “Poetry and Drama.” On Poetry and Poets. London: Faber and Faber, 1957: 72-88.
[Eliot] Elyot, Sir Thomas' English-Latin dictionary, originally pub. 1538. Eliotes dictionarie, by Thomas Cooper. London: [Thomas Powell], 1559. STC 7663.
Ellacombe, Rev. H. N. “The Seasons of Shakspere’s Plays. New Shakspere Society’s Transactions. 1880-2 1st ser. no. 8 (1882): 67-76.
Ellis, Alexander John (1813-1890). On early English pronunciation, with especial reference to Shakespere and Chaucer. . . with reprints of the rare tracts by Salesbury on English, 1547, and Welch, 1567, and by Barclay on French, 1521. London, 1869-89. 5 vols. 2 maps.
Ellis-Fermor, Una. The Frontiers of Drama. Bungay, Suffolk: Methuen, 1964. Intro by Allardyce Nicoll and bib. by Harold Brooks. 1st ed. 1945. Nicoll on her achievement: She noted which sorts of stories could be dramatized and which couldn't (p. viii); she thought that an 'irreducible principle' of dramatic potential could be discovered (p. ix).
Ellis-Fermor, Una. “Some Recent Research in Shakespeare's Imagery.” A paper read before the Shakespeare Association on March 19th, 1937. London: Pubished for the Shakespeare Association: . . . Oxford UP, 1937. Ellis-Fermor surveys a large number of works on Sh's imagery; her view is that such studies must be scientific, like Spurgeon's, and not impressionistic, like Clemen's.
Ellrodt, Robert. "Self-Consciousness in Montaigne and Shakespeare." Shakespeare Survey 38 (1975): 27-59.
[Elwin, Hastings.] Shakespeare Restored. [An edition of Macbeth ]. Norwich: Printed by Charles Muskett, 1853.
Elze, Karl. Essays on Shakespeare. Trans. L. Dora Schmitz. London: MacMillan, 1874. Essay on “Hamlet in France,” 1865. 193-253.
Elze, Karl. “Hamlet’s ‘Mortal Coil.’ Shakespeare Jahrbuch 2 (1867): 362-5.
Elze, Karl. “Noten und Conjecturen zu Shakespeare.” Shakespeare Jahrbuch 11 (1876): 274-300.
Elze, Karl. “Passages in ‘Hamlet.’ The Athenæum. No. 2024 (11 Aug. 1866): 186.
Elze, Karl. Shakespeare’s Hamlet. Leipzig: Brockhaus, 1857.
Elze, Karl. “Two Passages in ‘Hamlet.’ Athenæum No. 2156 (20 Feb, 1869): 284.
Elze, Karl, ed. Chapman’s Tragedy of Alphonsus, Emperor of Germany. Leipzig: Brockhaus, 1867.
Elze, Karl. William Shakespeare: A Literary Biography. Trans. L. Dora Schmitz. London: George Bell and Sons, 1888. Translation based on edition “specially revised [from the 1876 first German ed.] and improved by the author for the English version.”
Empson, William. Essays on Shakespeare. Ed. David B Pirie. Cambridge: Cambridge UP, 1986.
England, Eugene. "Hamlet Against Revenge." Literature and Belief 7 (1987): 49-62.
English Miscellany, An: Presented to Dr. Furnivall in Honour of His Seventy-Fifth Birthday. Oxford: Clarendon, 1891. [H. Logeman “‘This too too Solid Flesh,'” 278-81; M. W. MacCallum, “The Authorship of the Early Hamlet,” 282-95; W. H, Stevenson, “The Introduction of English as the Vehicle of Instruction in English Schools" in the 14th c. 421-9]
Epstein, Norrie. The Friendly Shakespeare: A Thoroughly Painless Guide to the Best of the Bard. New York: Viking, 1993.
Erasmus. Prouerbes or Adagies, gathered out of the Chiliades of Erasmus, by Richard Taverner [. . .]. (1505-1575) London: William How, 1569. c. 140 pgs. The 1539 ed. has 51 pgs; See Tavener.
Erasmus. Adages. Paroemiologia Anglo-Latina [. . .] or Proverbs English and Latin, methodically disposed according to the Common-place heads, in Erasmus, his Adages, More especially profitable for Scholars for the attaining Elegancie, sublimitie, and variety of the best expressions. London : Imprinted by Felix Kyngston for Robert Mylbourne ..., 1639.
Erasmus. The Paraphrases of Erasmus. upon the newe testament, conteynyng the fower Euangelistes, with the Actes of the Apostles: eftsones conferred with the latine and thoroughly corrected as it is by the kinges highnes iniuncctons commanded to be had in euerie churche of this royalme. . . . [London: printed by Edward Whitchurch], Anno Domini. 1551. [Trans. by Nicholas Udall et al.]
Erickson, Peter. Rewriting Shakespeare, Rewriting Ourselves. Berkeley: U of California P, 1991.
Erlich, Avi. Hamlet's Absent Father. Princeton, NJ: Princeton UP, 1977.A Freudian Analysis by a prof.of literature. Reviewed by L. C. Knights, TLS 21 April 1978, 443-4.
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge UP, 2003.
Erzgräber, Willi, ed. Hamlet-Interpretationen. Darmstadt: Wissenschaftliche Buchgesellschaft, 1977. A collection of criticism, from Bradley (1904) to Kott (1973), all trans. into German. Intro by Erzgräber, 1-46. Bib and indexes of names and of topics.
Eschenburg, Joh. Joach. Ueber W. Shakspeare; [i.e. On W. Shakespeare. 8vo. 672]. Mit Shakspears Bildniß. Zürich. 1787. bey Orell, Geßner, Füßli, und Comp. 1787. See Lazenby in v1787.
Esdaile, Arundell. “Shakespeare Literature, 1901-1905,” Library Journal n.s.7 (1906): 167-80.
Estienne, H. A World of Wonders...The Argument whereof is taken from the Apologie for Herodotus written in Latine by Henrie Stephen, and continued here by the Author himselfe. London: Imprinted for John Norton, 1607.
Evans, A[rthur] W[illiam]. Warburton and the Warburtonians: A Study in Some Eighteenth-Century Controversies. London: Oxford UP, 1932.
Evans, Gareth Lloyd. "Shakespeare, the Twentieth Century and 'Behaviorism.'" Shakespeare Survey 20 (1967): 133-142.
Evans, Malcolm. Signifying Nothing: Truth’s True Contents in Shakespeare’s Text. Athens: U of Georgia P. 1986.
Evans, Stuart. "Shakespeare on the Radio." Shakespeare Survey 39 (1987): 113-121.
Evelyn, John. The Diary of John Evelyn. Printed in full from the manuscripts belonging to John Evelyn and edited by E.S. de Beer. Oxford, Clarendon Press, 1955. See Ingleby Shakspere Allusion Book, 2: 108; Vickers, Heritage, 1: 4.
Everett, Barbara. “‘Hamlet’: A Time to Die.” Shakespeare Survey 30 (1977): 117-23.
Everett, Barbara. Young Hamlet: Essays on Shakespeare’s Tragedies. Oxford: Clarendon, 1989. Includes the ShS essay, above.
Ewbank, Inga-Stina. “Hamlet and the Power of Words,” Shakespeare Survey 30 (1977), 85-102.
Ewbank, Inga-Stina. "Shakespeare Translation as Cultural Exchange." Shakespeare Survey 48 (1995): 112.
 The F’s
Fabricius. See Charney.
Fabyan, Robert. The New Chronicles of England and France, In Two Parts; by Robert Fabyan. Named by Himself the Concordance of Histories. Reprinted from Pynson’s edition of 1516. The First Part collated with the Editions of 1533, 1542, and 1559; and the second with a manuscript of the Author’s Own Time, as well as the Subsequent Editions, including the Different Continuations. To which are added A Biographical and Literary preface, and an Index, by Henry Ellis. London: Printed for F. C. & J. Rivington [et al.] 1811.
Fairclough, H. Rushton, trans. Horace: Satires, Epistles and Ars Poetica. Loeb Classical Library. London: William Heinemann and New York: Putnam’s Sons, 1932.
Fairclough, H. Rushton, trans. Virgil with an English Translation. 2 vols. Rev. Loeb Classical Library. Cambridge: Harvard UP and London: William Heinemann, 1986.
Fairholt, F[rederick] W. Costume in England: A History of Dress from the Earliest Period till the Close of the Eighteenth Century. London: G. Bell, 1896.
Fajardo-Acosta, Fidel. "Murder and Kingship: Biblical Paradigms in Hamlet." Hamlet Studies 18.1-18.2 (1996): 85-93.
Falk, Doris V. "Proverbs and the Polonius Destiny." Shakespeare Quarterly 18.1 (1867): 24-36.
Farjeon, Herbert. The Shakespearean Scene: Dramatic Criticisms. London: Hutchinson, [1949].
Farley-Hills, David, John Manning, Johanna Procter, eds. Critical Responses to Hamlet 1600-1900. Vol. 4: 1850-1900. Parts One and Two in 2 vols. New York: AMS Press, 1996, 1997.
Farley-Hills, David. "The 'Bad' Quarto of Romeo and Juliet." Shakespeare Survey 49 (1996): 27-44.
Farmer, Richard. An Essay on the Learning of Shakespeare. 2nd ed. Cambridge, 1767; 3rd ed. 1789, rpt. 1821. Rpt. London: Cass, 1969.
Farrar, F. W. “Epochs of English Poetry,” in two parts Gent. Mag. ns 5 (1868): 35-45, 188-206. n. 35 “This paper was delivered as a lecture, before the Literary Society of Hampstead, 25 Nov. 1867.
Farren, George. Observations on the Laws of Mortality and Disease, and on the Principles of Life Insurance with an Appendix, containing illustrations of the Progress of Mania, Melancholia, Craziness, and Demonomania, as displayed in Shakespeare’s Characters of Lear, Hamlet, Ophelia, and Edgar. London: Dean and Munday, Threadneedle-Street, 1829.
Farren, George. “On the Madness of Hamlet” London Magazine 7.2 (April 1824):131-50. Folger B1J75.
Farren, William. “On the Madness of Ophelia,” The Port Folio. n.ser. 18 (July to December 1824): 187-193.
Fechter] Critical Notices of Mr. Fechter’s Hamlet and Ruy Blas. Extracted from the London Journals. [This small pamphlet is uncatalogued at the Folger]
Feibleman, James. “The Theory of Hamlet.” Journal of the History of Ideas. 1946: 131-50.
Feinberg, Anat. The Theatre of George Tabori. Iowa City: U of Iowa P, 1999.
Feis, Jacob. Shakespeare and Montaigne: An Endeavour to Explain the Tendency of Hamlet from Allusions in Contemporary Works. [1884] Rpt. Geneve: Slatkine Reprints, 1970. The original spelling was Shakspere.
Felperin, Howard. “O’erdoing Termagent.” Shakespearean Representation: Mimesis and Modernity in Elizabethan Tragedy. Princeton: Princeton UP, 1977. 44-67.
Fennell, James H. “Shakspeare’s Knowledge of Natural History,” Gent. Mag. 5 (1836): 125-9.
Fenner, Dvdley. The VVole doctrine of the Sacraments, plainlie and fullie set dovvne and declared out of the word of God. Middleborg: Richard Schilders, Printer to the States of Zealande, 1588. STC 16569 [Bound with A Book of the Forme of common prayers, administration of the [two] Sacraments . . . Middleborg: Richard Schilders, Printer vnto his Excellencie, 1587]
Ferguson, Margaret. “Hamlet: Letters and Spirits.” Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. New York: Methuen, 1985. 292-309.
Fergusson, Francis. The Idea of a Theatre. Princeton: Princeton UP, 1949. 112-27
Fernandez, Enrique. "Bare-Bones Humour in Hamlet (5.1) and Don Quixote (1, 19)." Hamlet Studies 24 (2002): 26-38. 
Ferrar, M. L. N&Q. 6th ser. 10 (6 Dec. 1884), 444.
Ferriar, John. An Essay Towards a Theory of Apparitions. London: Cadell and Davies, 1813. See Drake, 2: 406.
Field, Kate. Charles Albert Fechter. Boston, 1882. Rpt. New York: Benjamin Blom, 1969.
Field, Richard. The Arte of English Poesie. (1589). W. L. Rushton (1909) says that Shakespeare knew and used this book; it is also mentioned in N&Q 12th ser. 5 (May, 1919), 115.
Fielding, Henry. Tom Jones. The Works of Henry Fielding. Vol. 6. New York: International Publishing, 1903. See ard2, LN 38.
Fienberg, Nona. “Jephthah's Daughter: The Parts Ophelia Plays.” Old Testament Women in Western Literature. Ed. Raymond-Jean Frontain. U of Arkansas P, 2001. 129-43.
Figgis, Darrell. Shakespeare: A Study. New York and London: Mitchell Kennerley, 1912.
Fineman, Joel. “Fratricide.” Shakespeare Survey 50 (1997): 46 n. 21.
Finegan, J. T. An Attempt to Illustrate a Few Passages in Shakespeare’s Works. Printed by R. Cruttwell and sold by S. and J. Robinson, Pater-Noster-Row, London. 1802.
Fink, Karl J. and Max L. Baeumer, eds. Goethe as a Critic of Literature. Boston: U P of America, 1984.
Fisch, Harold. The Biblical Presence in Shakespeare, Milton, and Blake. Oxford: Clarendon, 1999.
Fisch, Harold. "Shakespeare and the Language of Gesture." Shakespeare Studies 19 (1987): 239-251.
Fish, Asa. ms. commentary notes &c. (ca. 1850-1879) .Folger Library shelf mark: S.a. 192-205. [Fish was a colleague of Furness at U Penn and Dean of the Shakespeare Society of Philadelphia. Notebooks include commentary excerpts from a variety of editorial and extra-editorial publications, cut and pasted in, as well as many attributed transcriptions of published material and some original notes. He has contents for the 5 volumes and the 5 acts of Ham. in 192, which has a TP (Handwritten, dated 1862)].
[Fisher, Jasper] fl. 1639. Fuimus Troes: The True Trojans. London, being a story of the Britaines valour at the Romanes first inuasion. London, 1633. STC 10886; rpt. 1825-7.
Fisher, Philip. “Thinking about Killing: Hamlet and the Paths among the Passions.” Raritan. 11 (1991): 43-77.
Fisher, Sidney T. Some Proposed Shakespeare Emendations and Notes. 1st ed, Montreal: The Halcyon Press, 1984. Revised ed.,1985.
Flatter, Richard. Hamlet’s Father. New Haven: Yale UP, 1949.
Fleay, Frederick Gard. A chronicle history of the life and work of William Shakespeare, player, poet, and playmaker. New York: Scribner & Welford, 1886. [Cited by Chambers, The Disintegration of Shakespeare]
[Fleischer, Earnst] A Critical Glossary to Shakespeare. Leipzig: Printed for E. Fleischer, 1826. [This glossary provides parallels among Shn works as well as analogues in non-Shn works]
Fleissner, R. F. "Ophelia as Expecting, Not Merely Expectant: Margaret Anticipated."  Hamlet Studies 24 (2003): 175-188. 
Fleissner, R. F. "Princeps Arte Ambulandi: The Pace of Hamlet." Hamlet Studies 6.1-6.2 (1984): 23-29. 
Fleissner, R. F. "The Dilatory Prince and the Striving Soul Searcher: The Hamlet-Faust-Complex." Hamlet Studies 14.1-14.2 (1992): 42-58. 
Fleissner, R. F. "Subjectivity as an Occupational Hazard of 'Hamlet Ghost' Critics." Hamlet Studies 1.1. (1979): 23-34. 
Fleming, Keith. “Hamlet and Oedipus Today: Jones and Lacan.” Hamlet Studies 4 (1982): 54-71. On this site.
Fletcher, George. Westminster Review 44 (Sept. 1845): 1-78. [On Ham. only 1-2; the remainder on Rom.]
Fletcher, George. Studies of Shakespeare. London: Longman, 1847.
Florio, John (1553?-1625). Vocabolario Italiano & Inglese: = A dictionary, Italian & English First compiled by John Florio. Also known as Florio's Italian Dictionary. 1598. His work, begun in 1578, was augmented and published under various titles, including in 1611 Queen Anna's New World of Words
Foakes, R.A. "'Armed at Point Exactly': The Ghost in Hamlet." Shakespeare Survey 58 (2005): 34-47.
Foakes, R. A., ed. Coleridge on Shakespeare: The Text of the Lectures of 1811-12. Charlottesville: Published for the Folger Shakespeare Library by the UP of Virginia,1971. See also "Coleridge" above.
Foakes, R. A., ed. Coleridge's Criticism of Shakespeare: A Selection. London: Athlone, 1989.
Foakes, R. A. “Hamlet and the Court of Elsinore.” Shakespeare Survey 9 (1956): 35-43.
Foakes, R. A. Hamlet Versus Lear: Cultural Politics and Shakespeare’s Art. Cambridge: Cambridge UP, 1993.
Foakes, R. A. Illustrations of the English Stage 1580-1642. Stanford: Stanford UP, 1985.
Foakes, R. A. "The Art of Cruelty: Hamlet and Vindice." Shakespeare Survey 26 (1973): 21-31.
Foakes, R. A. "The Reception of Hamlet." Shakespeare Survey 45 (1993): 1-13.
Forby, Robert (d. 1825]. The Vocabulary of East Anglia . . . .. Ed. George Turner. 2 vols. London: J. B. Nichols and Son, 1830.
Ford, Harold. Shakespeare’s Hamlet: A New Theory. London, E. Stock. 1900. Rpt. 1973, 1976. 1978.
Ford, Herbert L. Shakespeare 1700-1740: A Collation of the Editions and Separate Plays with some account of T. Johnson and R. Walker. Oxford: Oxford UP, 1935. Rpt. New York: Benjamin Blom, 1968.
Forker, Charles. “Shakespeare’s Theatrical Symbolism and Its Function in Hamlet.” SQ 14 (1963): 215-29.
Forker, Charles. "Titus Andronicus, Hamlet, and Limits of Expressibility." Hamlet Studies 2.2. (1980): 1-33. 
Forrest, H. R. “Shakspeare Jottings.” The Athenaeum (September 1868, p. 346). Jul-Dec. London: J. Francis, 1868. BL shelfmark PP.5639. [Forrest responds to Street’s remarks on 5.1.314; see Street]
Forster, Antonia. Index to Book Reviews in England, 1749-1774. Carbondale: So. Illinois UP, 1990.
Forster, John. “On various performers as Hamlet.” In John Forster, George Henry Lewes: Dramatic Essays Reprinted from the “Examiner” and the “Leader.” William Archer and Robert W. Lowe, eds. London: Walter Scott, 1896.
Fortin, Rene E. "Desolation and the Better Life: The Two Voices of Shakespearean Tragedy." Shakespeare Quarterly 32.1 (1983): 80-94.
Fortin, Rene E. "Shakespearean Tragedy and the Problem of Transcendence." Shakespeare Studies 7 (1974): 307-325.
Foster, Donald. “A Romance of Electronic Scholarship; with the True and Lamentable Tragedies of Hamlet, Prince of Denmark. Part 1: The Words." Early Modern Literary Studies 3.3 / Special Issue 2 (January, 1998): 5.1-42. Also published in the Internet [http://extra.shu.ac.uk/emls/03-3/fostshak.html].
Foster, Maxwell E. The Play Behind the Play: Hamlet and Quarto One. Anne Shiras, ed. Pittsburgh: Foster Executors, 1991.
Foulkes, Richard. "'A Fairly Average Sort of Place': Shakespeare in Northampton, 1927-1987." Shakespeare Survey 47 (1994): 91-105.
Foulkes, Richard. Performing Shakespeare in teh ge of Empire. Cambridge UK and New York: Cambridge UP, 2002.
Fowler, Alistair. “The Case Against Hamlet.” The British Academy Shakespeare Lecture for 1995. Times Literary Supplement 22 Dec. 1995.
Fox-Good, Jacquelyn A. “Ophelia’s Mad Songs: Music, Gender, Power.” Subjects on the World’s Stage: Essays on British Literature of the Middle Ages and Renaissance. David C. Allen and Robert A. White, eds. Newark: U of Delaware P, 1995. 217-38.
Foxon, D. F. Thoughts on the History and Future of Bibliographical Theory, Los Angeles: School of Library Service, University of California, 1970.
Franklin, Colin. Shakespeare Domesticated: the Eighteenth-Century Editions. Aldershot, Hants, England: Scholar Press; Brookfield, Vt.: Gower Pub. Co., 1991.
Franz, Wilhelm. Die Sprache Shakespeares in Vers and Prosa. Shakespeare-Grammatik in 4 Auflage [vols.] überarbeiter und wesenlich erweitert. Halle, 1939. First pub. as Shakespeare-Grammatik in 1898-9. 2nd ed., 1909; 3rd ed. 1924; 4th ed. includes all material from Orthographie Lautegehung und Wortbildung in den Werken Shakespeares mit Ausprachproben, Heidelberg, 1905, and Shakespeares Blankvers, 2. Auflage, Tübingen, 1935.
Freeman, Arthur, and Janet Ing Freeman. John Payne Collier: Scholarship and Forgery in the Nineteenth Century, 2 vols. New Haven, Connecticut, 2004.
Freeman, James A. "Hamlet, Hecuba, and Plutarch." Shakespeare Studies 7 (1974): 197-201.
Freih. H., von Friesen. “Zu Hamlet V,2 [3614].” Shakespeare Jahrbuch 5 (1870): 365-6.
French, Marilyn. “The Problem Plays: Hamlet.” Shakespeare’s Division of Experience. New York: Signet, 1982. 141-58.
Freud, Sigmund. The Freud Reader. Ed. Peter Gay. New York: Norton, 1989.
Freud, Sigmund. “Mourning and Melancholy.” Freud: General Psychological Theory. Trans. Joan Rivière. New York: Collier, 1963.
Freud, Sigmund. The Interpretation of Dreams. Trans. J. Crick. Oxford: Oxford UP, 1999.
Freud, Sigmund. The Standard Edition of the Complete Psychological Works. Trans. James Strachey. Vols. 4-6, 14, 16, 22. London: Hogarth, 1952. Rpt. 1974.
Frey, Charles H. Making Sense of Shakespeare. Madison, NJ: Fairleigh Dickinson UP, 1999.
Froude, James Anthony, “Fresh Evidence about Anne Boleyn.” Fraser’s Magazine, 1.6 [June 1870]: 731-48; 2.1 [July 1870]: 44-65.
Fry, Christopher. "Letters to an Actor Playing Hamlet." Shakespeare Survey 5 (1952): 58-61.
Frye, Northrop. “Hamlet.” Northrup Frye on Shakespeare. Ed. Robert Sandler. New Haven and London: Yale UP, 1980. 82-100.
Frye, Northrop. “My Father as He Slept: The Tragedy of Order.” Fools of Time. Toronto: U of Toronto P, 1967.
Frye, Roland Mushat. “Ladies, Gentlemen, and Skulls: Hamlet and the Iconographic Tradition.” Shakespeare Quarterly 30 (1979): 15-28.
Frye, Roland Mushat. Renaissance Hamlet: Issues and Responses in 1600. Princeton: Princeton UP, 1984.
Fuegi, John. "Explorations in No Man's Land: Shakespeare's Poetry as Theatrical Film." Shakespeare Quarterly 23.1 (1972): 35-49.
Furness, Mrs. Horace Howard (Helen Kate Rogers), compiler. Index of the pages in the volumes of Wm. Sidney Walker on which occur citations from the plays of Shakespeare. Philadelphia: Gillin & Murphy, 1870. [Bound in Folger PR 2923 1864 G7. 50 copies, privately printed]
Furnivall, F[rederick] J[ames]. “Being in the Sun.” N&Q 5th ser. 4 (18 Sept. 1875): 223
Furnivall, F[rederick] J[ames]. “Hamlet Healths.” N&Q 5th ser.4 (18 Sept. 1875): 223.
Furnivall, F[rederick] J[ames]. The succession of Shakespere’s works and the use of metrical tests in settling it, &c.; being the introduction to Professor Gervinus’s Commentaries on Shakespere. Trans. Miss Bunnètt. London, Smith, Elder, 1874. Rpt. New York, AMS Press, 1972. xx-xlix.
Furnivall, F[rederick] J[ames]. Respondent, to Nicholson on Hebona, New Shakspere Society’s Transactions. 1880-2, 1st ser., no. 8 (1882): 31.
Furnivall, F[rederick] J[ames]. Respondent, to Nicholson on a clown being missed in Ham., New Shakspere Society’s Transactions. 1880-2, 1st ser., no. 8 (1882): 65.
 The G’s
Gager, Valerie. Shakespeare & Dickens: The Dynamics of Influence. Cambridge; New York: Cambridge UP, 1996.
Gajowski, Evelyn. The Art of Loving: Female Subjectivity and Male Discursive Traditions in Sh’s Tragedies. Newark: U of Delaware P, 1992.
Ganzel, Dewey. Fortune and Men’s Eyes: The Career of John Payne Collier. Oxford and New York: Oxford UP, 1982. [See Freeman and Freeman for counterpoint]
Garber, Marjorie. Coming of Age in Shakespeare. London and New York: Methuen, 1981.
Garber, Marjorie. Profiling Shakespeare. New York: Routledge, 2008.
Garber, Marjorie. “‘Remember Me”: Memento Mori Figures in Shakespeare’s Plays.” Renaissance Drama n.s.12 (1981): 3-25.
Garber, Marjorie. Shakespeare After All. New York: Pantheon Books, 2004.
Garber, Marjorie. Shakespeare’s Ghost Writers. London: Methuen, 1987.
Gardner, Helen. The Business of Criticism. Oxford: Oxford UP, 1959. [On revenge, see "The Historical Approach," 35-51]
Gardner, Helen. “Lawful Espials.” MLR 33 (1938): 345-55.
Gardner, Helen, ed. Shakespeare and the New Bibliography. Oxford: Oxford UP, 1970. [Essay by F. P. Wilson in this collection]
Garner, Shirley Nelson, and Madelon Sprengnether, ed. Shakespearean Tragedy and Gender. Bloomington: Indiana UP, 1996.
Garrick, David] Sutton, H. R. “Further Evidence of David Garrick’s Portrayal of Hamlet from the Diary of Georg Christoph Lichtenberg.” Theatre Notebook 1.1 (1996): 8-14. [Notes for 1.4 and 2.2. Sutton translates passages that he believes are not otherwise available in English. “The original text is most readily available in Lichtenberg’s Gesammelte Werke, Volume One, edited by Wilhelm Grenzmann, Frankfurt-an-Main, 1949” (8). See also Lichtenberg’s Visits to England, As Described in his Letters and Diaries, ed. and trans. L. Mare and W.H. Quarrell. Oxford, Clarendon Press, 1938]
Garrick, David. The Letters of David Garrick. Ed. D. M. Little and G. M. Kahrl. 3 vols. Cambridge: Harvard UP, 1963.
Garrick, David] Murphy, Arthur. The life of David Garrick, Esq. Dublin: Printed by B. Smith, for Messrs. Wogan, Burnet, [and 9 others]; London, J. Wright, 1801. Rpt. New York: B. Blom, 1969.
Garrick, David. The Plays of David Garrick: A Complete Collection of the Social Satires, French Adaptations, Pantomimes, Christmas and Musical Plays, Preludes, Interludes, and Burlesques, to which are added The Alterations and Adaptations of the Plays of Shakespeare and Other Dramatists from the Sixteenth to the eighteenth Centuries. 4 vols. Ed. with commentary and notes by Harry William Pedicord and Fredrick Louis Bergmann. Carbondale: Southern Illinois UP, 1981. [Vol. 4, Garrick’s Adaptations of Shakespeare, 1759-1773: includes the Altered Hamlet]
Garrick, David] Tait, Hughs, “Garrick, Shakespeare and Wilkes,” British Museum Journal 24 (1961): 100-7.
Gaskell, Philip, Giles Barber and Georgina Warrilow. “An Annotated list of printers� manuals to 1850,” Journal of the Printing Historical Society 4 (1968): 11-32, and addenda 7 (1972): 65-6.
Gaskell, Philip. A New Introduction to Bibliography. New York and Oxford: Oxford UP, 1972.
Gaudet, Paul. "'He is justly served': The Ordering of Experience in Hamlet." Hamlet Studies. 7.1-7.2 (1985): 52-68. 
Gauntlett, Mark. "The Perishable Body of the Unpoetic: A.C. Bradley Performs Othello." Shakespeare Survey 47 (1994): 71-80.
Geduld, Harry M. Prince of Publishers: A Study of the Work and Career of Jacob Tonson. Bloomington: Indiana UP, 1969. See Kliman “John Hughes.”
Gentleman, Francis. The Dramatic Censor; or, Critical Companion. 2 vols. 1770. Rpt. New York: B. Blom, 1972.
Gentleman’s Magazine: English Bibliographical Sources, no. 6, ed. D. F. Foxon, British Museum, of The Gentleman’s Magazine: 1731-51. [Compilation by Edward Kimber (1752) of “lists of books, collected with annual indexes and the index to the first twenty years”]
Gentleman’s Magazine, A Selection of Curious Articles from the. vol. 4. London: Printed for Longman et al., 1811. [Containing Biographical Memoirs, Literary Anecdotes, and Characters, Topographical Notices]
Gentleman’s Magazine] Carlson, C. Lennart. The First Magazine: A History of The Gentleman’s Magazine. Providence, R.I.: Brown UP, 1938.
Gentleman’s Magazine] Kuist, James M. “An index to Shakespeare Commentary in The Gentleman’s Magazine, 1754-1800” Folger n.d. Z8813 Z9 no. 13, pamphlet file oversized.
Gentleman’s Magazine] De Montluzin, Emily Lorraine. “Attributions in the ‘Gentleman's Magazine’: Studies in Bibliography 49 (1996): 176-207 [An updating of Kuist, see http://etext.virginia.edu/bsuva/sb/]
Gericke, Robert. “Hamlet seit hundert Jahren in Berlin.” Shakespeare Jahrbuch 13 (1878): 284-7.
Gervinus, G[eorg] G[ottfried]. (1805-1871). Shakespeare Commentaries. Trans. under the author's superintendence by F. E. Bunnètt. New ed., rev. London, Smith, Elder, 1883. Rpt. New York, AMS Press, 1971.
Gibbs, James. "The Living Dramatist and Shakespeare: A Study of Shakespeare's Influence on Wole Soyinka." Shakespeare Survey 39 (1987): 169-178.
Gielgud, John. Acting Shakespeare. New York: Charles Scribner’s Sons, 1991.
Gifford, William, ed. The Plays of Philip Massinger in 4 vol. 1st ed. 1805, 2nd ed 1813. London: G and W Nicol, Rivington, and others, 1805. 2nd ed. 1813.
Gifford, W. The Works of Ben Jonson . . . . with intro and appendices by Lieut. Col. F. Cunningham. In nine volumes. London: Bickers and Son, Henry Sotheran and Co., 1875.
Gilchrist, F[redericka. B[eardley]. The True Story of Hamlet and Ophelia. 1889. BL 11763.df.22. Reviewed in N&Q 2 (20 April 1889): 299.
Gilchrist, Octavius (1779-1823). A letter to William Gifford, esq., on the late edition [by H. Weber] of Ford’s plays; chiefly as relating to Ben Jonson. London, J. Murray, 1811.
Gilder, Rosamond. John Gielgud's Hamlet: A Record of Performance: With notes on costume, scenery and stage business by John Gielgud. New York: Oxford UP, c1937. Rpt. Freeport, N.Y.: Books for Libraries Press, 1971.
Gildon, Charles. The Complete Art of Poetry. In Six Parts. 2 vols. London: Printed for Charles Rivington, 1718.
Gildon, Charles] Critical Review (Oct 1783): 320.
Gildon, Charles] Clary, Frank Nicholas. “Charles Gildon’s Editorial Apparatus and Nicholas Rowe’s Hamlet.” Hamlet Studies. Silver Jubilee Volume, 25 (2003): 156-74.  On Hamletworks.org.
[Gildon, Charles.] The Works of Mr. William Shakespeare. Volume the Seventh. Containing, Venus & Adonis. Tarquin & Lucrece and Miscellany Poems. With Critical Remarks on his PLAYS, &c. to which is Prefix’d an essay on the Art, Rise and Progress of the stage in Greece, Rome and England. London: Printed for E. Curll . . . , 1710. Including "Remarks on the Plays of Shakespear." 257-444. Cited as rowe1 in editions bib.
Gildon, Charles] see Langbaine
Gillett, Peter J. "Me, U, and Non-U: Class Connotations of Two Shakespearean Idioms."Shakespeare Quarterly 26.3 (1974): 297-309.
Gilliland, Thomas. A Dramatic Synopsis. London: Printed for Lackington, Allen, and Co.; Symonds; Jordan and Maxwell [etc.], 1804. 121-4.
Gilman, Todd S. "'Why seems it so particular with thee?' Hamlet among the Revisionists." Hamlet Studies 17.1-17.2 (1995): 78-93. 
Girard, René. "Hamlet’s Dull Revenge: Vengeance in Hamlet." A Theater of Envy: William Shakespeare. New York; Oxford: Oxford UP, 1991. 271-89. The 3rd manifestation of his essay.
Girard, René. "Hamlet's Dull Revenge." In Parker and Quint, 1986. 280-302. Republished from a longer essay in Stanford Literature Review 1 (1984): 159-200.
Glick, Claris. "Hamlet in the English Theater--Acting Texts from Betterton (1676) to Olivier (1963)." Shakespeare Quarterly 20.1 (1969): 17-35.
Goddard, Harold F. “In Ophelia’s Closet.” Yale Review 36 (1946): 462-74.
Godshalk, W.L. "Hamlet's Dream of Innocence." Shakespeare Studies 9 (1976): 221-32.
Gohlke, Madelon. “ 'I wooed thee with my sword': Shakespeare's Tragic Paradigms.” In Woman's Part. 117-32.
Goethe, Johann Wolgang von (1749-1832). Wilhelm Meister’s Apprenticeship. Begun by 1777; rev'd and pub. 1797. Ed. and trans. Eric A. Blackall in Cooperation with Victor Lange. New York: Suhrkamp, 1989.
Goldberg, Jonathan. "Hamlet's Hand." Shakespeare Quarterly 39.3 (1988): 307-27.
Golden, Leon. "Othello, Hamlet, and Aristotelian Tragedy." Shakespeare Quarterly 35.2 (1984): 142-156.
Golder, J.D. "Hamlet in France 200 Years Ago." Shakespeare Survey 24 (1971): 79-86.
Golding, Arthur, trans. The xv Bookes of P. Ouidius Naso, entytuled Metamorphosis, translated oute of Latin into English meeter....London: Willyam Seres, 1567. Rpt. in folio ed. W. H. D. Rouse, in the King’s Library series, ed. Professor Gollancz. London: Alexander Moring, The De La More Press, 1904.
Goldman, Michael. Acting and Action in Shakespearean Tragedy. Princeton: Princeton UP, 1985.
Goldman, Michael. "Characterizing Coriolanus." Shakespeare Survey 34 (1981): 73-84.
Goldman, Michael. “Hamlet: Entering the Text,” Theatre Journal 44 (1992): 449-60.
Goldsmith, Oliver. “The Use of Metaphors.” Originally published in British Magazine (c. 1763). Rpt. in Works. Peter Cunningham, ed. London: G. P. Putnam’s Sons, [c1908] 3: 316 ff.
Goldstein, Philip. "Hamlet: Not a World of His Own." Shakespeare Studies 13 (1980): 71-83.
Gollancz, Israel. The Sources of Hamlet: With Essay on the Legend. London: Oxford UP, 1926.
Gollancz, Israel. Hamlet in Iceland. London: Nutt, 1898.
Gollancz, Israel. “Societies: British Academy meeting, 27 April 1904.” Athenaeum No. 3994 (14 May 1904): 630. [On Polonius and other matters]
Gollancz, Israel. “Shakespeariana, 1598-1602.” Read April 27, 1904. A summary. Proceedings of the British Academy 1903-1904. London: Published for the British Academy by Henry Frowde: Oxford UP, n. d. 199- 202.
Gomez, Christine. "Hamlet--An Early Existential Outsider?" Hamlet Studies. 5.1-5.2  (1983): 27-39. 
Gooch, Bryan N. S. "Hamlet and the Concept of Stability." Hamlet Studies 24 (2003): 123-132. 
Gooch, Bryan N. S. "Hamlet as Hero: The Necessity of Virtue." Hamlet Studies 23  (2001): 50-58. 
Gordon, George [Stuart]. Shakespeare’s English. S. P. E. [Society for Pure English] Tract no. 19. Oxford: Clarendon, 1928.
Gorfain, Phyllis. "Toward a Theory of Play and the Carnivalesque in Hamlet." Hamlet Studies 13.1-13.2 (1991): 25-49. 
Gottschalk, Paul. "Hamlet and the Scanning of Revenge." Shakespeare Quarterly 24.2 (1974): 155-170.
Gottschalk, Paul. The Meanings of Hamlet. Albuquerque: U of New Mexico P, 1972.
Gould, George. Corrigenda and Explanations of the Text of Shakspere. A New Issue, showing hundreds of mistakes existing in the standard editions of the plays of the great dramatist. London: J. S. Virtue & Co, 1884.
Gould, George. Corrigenda and Explanations of the Text of Shakspere. London: J. S. Virtue & Co, 1881.
Grady, Hugh. “Renewing Modernity: Changing Contexts and Contents of a Nearly Invisible Concept.” Shakespeare Quarterly 50.3 (1999): 268-84.
Grady, Hugh. The Modernist Shakespeare: Critical texts in a Material World. Oxford: Clarendon Press, 1991.
Grafton, Anthony. New Worlds, Ancient Texts: The Power of Tradition and the Shock of Discovery. Cambridge: Harvard UP, 1992.
Graham-White, Anthony. Punctuation and its Dramatic Value in Shakespearean Drama. Newark: U of Delaware P, 1995.
Granville-Barker, Harley. Prefaces to Shakespeare. 2 vols. Princeton, Princeton UP, 1946-47. Rpt. 1974. Orig. pub. 1930. The Princeton ed. is a page-for-page copy of the original. Some notes may have been added for the Princeton ed. Hamlet, 1: 24-260.
Graves, Henry Mercer. An Essay on the Genius of Shakespeare. London: James Bigg, 1826.
Graves, Michael. "Hamlet as a Fool." Hamlet Studies. 4.1-4.2 (1982): 72-88. 
Graves, R. B. Lighting the Shakespearean Stage 1567-1642. Carbondale: So. Illinois UP, 1999.
Gray, Charles Harold. Theatrical Criticism in London to 1795. New York: Columbia UP, 1931.
Gray, James. “‘Swear by my Sword’: A Note in Johnson’s Shakespeare.” Shakespeare Quarterly 27 (1976): 205-8.
Grebanier, Bernard. The Heart of Hamlet: The Play Shakespeare Wrote. New York: Crowell, 1960.
Green, Clarence C. The Neo-Classic Theory of Tragedy in England during the Eighteenth-Century. Harvard Studies in English 11. Cambridge: Harvard UP, 1934.
Green, Susan. “Charlotte Lennox’s Shakespeare Ed.” In Cultural Readings of Restoration and Eighteenth-Century English Theater. J. Douglas Canfield and Deborah C. Payne. Eds. Athens, Ga.: University of Georgia Press, c1995.
Greene, Edward Burnaby. “Observations on the Sublime of Longinus. With Examples of Modern Writers . . . .” Critical Essays I 1770 (See Vickers, 5:416, for excerpt).
Greenblatt, Stephen. Hamlet in Purgatory. Princeton: Princeton UP, 2001.
Greenhaven. Readings on Hamlet. San Diego, CA: Greenhaven P., 1999. Excerpts from essays on Hamlet. Individual excerpts cross-referenced.
Greenwood, George. “Shakspeare Emendations.” The Athenaeum No. 2470 (February 27 1875): 302.
Greg, G. G. Dramatic Documents from the Elizabethan Playhouse. Oxford: Clarendon, 1931. W. J. Lawrence. Review of English Studies 8 (1932): 219-28.
Greg, W. W. Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge Compiled by W. W. Greg M.A. Cambridge: Printed for Trinity College at the UP, 1903.
Greg, W. W. Collected Papers, ed. J.C. Maxwell. Oxford: Clarendon P., 1966. See also The Bibliographical Society 1892-1942: Studies in Retrospect. London, The Bibliographical Society, 1945.
Greg, W. W. Dramatic Documents from the Elizabethan Playhouse. 2 vols. Oxford: Clarendon Press, 1931. [vol. 1 Commentary; vol. 2 Reproductions & Transcripts]
Greg, W. W. The Editorial Problem in Shakespear: A Survey of the Foundations of the Text. 2nd ed. Oxford: Clarendon, 1951.
Greg, W. W. Principles of Emendation in Shakespeare. British Academy Lecture, 1928. London, H. Milford [1928].
Greg, W. W. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Clarendon Press, 1955.
Greg, W. W. Some Aspects and Problems of London Publishing between 1550 and 1650. The Lyell Lectures, Oxford, Trinity Term, 1955. Oxford: Clarendon Press, 1956.
Grene, Nicholas. Hamlet: Shakespeare’s Tragic Imagination. New York: St, Martin’s Pres, 1992. 37-63.
[Grey, Zachary.] An Examination of a Late Edition of Shakespear: Wherein Several Plagiarisms are taken Notice of, and The late Sir. Tho. Hanmer, Bart. vindicated. Addressed to the Reverend Mr. Warburton, Preacher of Lincoln’s-Inn. By a Country Gentleman. London: Printed for C. Norris...1752.
Grey, Zachary. Critical, Historical, and Explanatory Notes on Shakespeare, with Emendations of the Text and Metre. 2 vols. London: Printed for the Author, 1754. Rpt. New York: AMS Press, 1973. [Hamlet: 2:282-309]
Griffith, E. The Morality of Shakespeare’s Drama Illustrated. 2 vols. London: Printed for T. Cadell, 1775. Rpt. for J. Beatty, 1777.
Griffiths, Huw Shakespeare: Hamlet. Houndmills and New York: Palgrave, 2005.
Grimaldi. The Grimaldi Shakspere. Notes and Emendations on the Plays of Shakspere, from a recently-discovered annotated copy by the late Joseph Grimaldi, Esq., Comedian. N.B. These Notes and Emendations are Copyright, and must not be used by any Editor in any future Edition of Shakspere. London: J. Russell Smith, 1853. [Anti-Collier spoof; Collier declares copyright for the emendations he “found” in the Perkins folio]
Grinfield, Thomas. Remarks on the Moral Influence of Shakspeare’s Plays; with Illustrations from Hamlet. London: Longman, Brown, and Co., and in Coventry by John Merridew, 1850.
Groot, H. de. Hamlet; Its Textual History, an inquiry into the relations between the first and second quartos and the first folio of Hamlet. Amsterdam, Swets & Zeitlinger, 1923.
Grosart, Alexander. 1. Daiphantus, or The Passions of Love, etc. (1604) by Anthony Scoloker, Gentleman . . . . Occasional Issues of Unique or Very Rare Books. Alexander B. Grosart, ed. 17 volumes. 1880. [13: v-xiv, 1-51]
Grose, Francis. Provincial Glossary. 1787.
Groves, Beatrice. Texts and Traditions: Religion in Shakespeare 1592-1604. Oxford: Clarendon Press, 2007. [Hamlet: 3-4, 17, 20, 40, 62, 62n.7]
Grubb, Shirley Carr. "The Scandalous Dram of Eale." Shakespeare Quarterly 36.2 (1985): 188-203.
Guernsey, R. S. Ecclesiastical Law in Hamlet:—The Burial of Ophelia. New York: The Shakespeare Society of New York, 1885.
Guide to the Early English Periodicals Collection on Microfilm. 1980. LibC Z 6956 G6.
Guilfoyle, Cherrell. Shakespeare’s Play Within Play: Medieval Imagery and Scenic Form in Hamlet, Othello, and King Lear. Foreword by Clifford Davidson. Early Drama, Art, and Music Monograph Series 12. Kalamazoo: Western Michigan University, Medieval Institute Publications, 1990.
Gunthio, Ambrose. Likely to be a pseudonym for John Collier. “A Running Commentary on the Hamlet of 1603.” The European Magazine and London Review. New Series. (August 1825-January 1826) 339-47. See Kliman, “At Sea About Hamlet at Sea” forthcoming.
Gurr, Andrew. Hamlet and the Distracted Globe. Edinburgh: Sussex UP, 1978.
Gurr, Andrew. "Maximal and Minimal Texts: Shakespeare V. the Globe." Shakespeare Survey 52 (1999): 68-87.
Gurr, Andrew. Playgoing in Shakespeare’s London. Cambridge: Cambridge UP, 1987.
Gurr, Andrew. The Shakespearean Stage. 3rd ed. Cambridge and New York: Cambridge UP, 1992.
Gurr, Andrew. "The Bare Island." Shakespeare Survey 47 (1994): 29- 43.
Gurr, Andrew. "Who Strutted and Bellowed?" Shakespeare Survey 16 (1963): 95-102.
Gurr, Andrew, and Mariko Ichikawa. Staging in Shakespeare's Theatres. Oxford, New York: Oxford UP, 2000.
Gu-Sun, Lu. "Hamlet Across Space and Time." Shakespeare Survey 36 (1983) 53-56.
Guthrie, William. An Essay upon English Tragedy with Remarks upon the Abbe de Blanc’s Observations on the English State, London: Printed for T. Waller, at the Crown and Mitre, opposite Fetter-lane, in Fleet-street, 1747. [Excerpt in Vickers Heritage 3:191-205]
 The H’s
Habicht, Werner. "How German is Shakespeare in Germany? Recent Trends in Criticism And Performance in West Germany." Shakespeare Survey 37 (1984): 155-162.
Hackett, James Henry. Notes and Comments upon Certain Plays and Actors of Shakespeare, with Criticisms and Correspondence. 3rd ed. New York: Carleton Pub., 1864.
Hackett, James Henry. Shakespeare’s Plays and Actors. New York: Carleton Pub., 1863.
Hailey, R. Carter. "The Dating Game: New Evidence for the Dates of Q4 Romeo and Juliet and Q4 Hamlet." Shakespeare Quarterly 58.3 (2007): 367-387.
Hakluyt, Richard (1552?-1616). The Principal Navigations Voyages Traffiques & Discoveries of the English Nation Made by Sea or Over-land [. . .] within the compasse of these 1600 years. vol. 6. Glasgow: James MacLehose and Sons; New York: Macmillan, 1904.
Hale, J.R. "The True Shakespearian Blank." SQ 19.1 (1969): 33- 40.
Hales, John W. Notes and Essays on Shakespeare. London: George Bell, 1884.
Haley, David. “Gothic Armaments and King Hamlet’s Poleaxe.” SQ 29 (1978), 407-413.
Hall, A. “Two Passages in Hamlet.Athenæum (27 Feb. 1869): 318. [Responds to Elze]
Hall, H. T. Shaksperean Fly-Leaves. Cambridge: H. Wallis Bookseller, Sidney Street, 1866.
Hallam, Henry. Introduction to the Literature of Europe on the Fifteenth, Sixteenth, and Seventeenth centuries. Four volumes. London: John Murray, 1882.
Hallett, Charles A., and Elaine S. Hallett. Analyzing Shakespeare’s Action: Scene versus Sequence. New York: Cambridge UP, 1991.
Halliwell, James Orchard. A Dictionary of Archaic and Provincial Words, obsolete phrases, proverbs and ancient customs, from the XIV century. 2 vol. in one. 7th ed. Printed from the 1847 plates.
Halliwell, J[ames]. O[rchard], ed. Facsimile Copies from the Edition of Hamlet dated 1605 made for the purpose of showing that it is the same impression as that of 1604, the date only being altered. London: Printed for Private Circulation [26 copies], 1860.
Halliwell, J[ames]. O[rchard]. A Few Words in Defence of the Memory of Edward Capell: Occasioned by a Criticism in the Times Newspaper, December the 26th, 1860. London: Printed for Presentation, 1861.
Halliwell-Phillips, J[ames] O[rchard]. Memoranda on the Tragedy of Hamlet. London: James Evan Adlard, 1879.
Halliwell, J[ames]. O[rchard]. “Observations on the correct method of punctuating a line in ‘Hamlet,’ act I., sc. 2, with reference to the exact force of the word "oo-too" [TLN 313]. The Shakespeare Society’s Papers. vol. 1. London: Printed for the Shakespeare Society, 1844. [This article is bound together with others in a single volume entitled The Papers of the Shakespeare Society “Being contributions too short in themselves for separate publication.” London: Printed for the Shakespeare Society, 1853.]
Halliwell, J[ames]. O[rchard]. “Observations on some of the manuscript emendation of the text of Shakespeare, and Are They Copyright?” London: John Russell Smith, 1853. Rpt. NEW YORK; AMS Press, 1974.
Halliwell, J[ames]. O[rchard]. “Shakspeare’s Works with a Digest of all the Readings.” N&Q 1st ser. (12 Nov. 1853): 466.
Halliwell, J[ames]. O[rchard]. Shakesperiana: A Catalogue of the Early Editions.... London, 1841. Rpt. Naarden: Anton W. Van Bekhoven, Pub., 1968.
Halpern, Richard. “Eclipse of Action: Hamlet and the Political Economy of Playing.” SQ 59.4 (Winter 2008): 450-82. Draws on the work of Aristotle, Adam Smith, Hannah Arendt and others, to explore Sh.'s originality.
Halpern, Richard. Shakespeare Among the Moderns. Ithaca, NY: Cornell UP, 1997. He discusses "Hamlet in terms of mechanical failure rather than psychological breakdown"; see de Grazia, 2007, p. 22.
Halstead, William P. Shakespeare As Spoken: A Collation of 5000 Acting Editions and Promptbooks of Shakespeare. 12 vols. Ann Arbor: University Microfilms, 1977-1979. (Hamlet in vol. 11).
Halverson, John. "The Importance of Horatio." Hamlet Studies 16.1-16.2 (1994): 57-70. 
Hamburger, Mark. "'Are you a Party in this Business?' Consolidation and Subversions In East German Shakespeare Productions." Shakespeare Survey 48 (1995): 171-184.
Hamilton, Ihone (James?). A Facile Traictise, Concerning, first: ane infallible reul to discerne trevv from fals religion . . . . Dedicated to James VI of Scotland. Lovan: Laurence Kellam, 1600. See also Fenner, Dvdley. The VVole doctrine of the Sacraments, plainlie and fullie set dovvne and declared out of the word of God. Middleborg: Richard Schilders, Printer to the States of Zealande, 1588. STC 16569 [Bound with A Book of the Forme of common prayers, administration of the [two] Sacraments . . . Middleborg: Richard Schilders, Printer vnto his Excellencie, 1587]
Hamilton, N[icholas] E[sterhazy] S[tephen] A[rmytage]. The Shakespeare Question: An inquiry into the genuineness of the manuscript corrections of Mr. J. Payne Collier’s Annotated Shakespeare, Folio, 1632 [Perkins F2], and of certain Shaksperian Documents, likewise published by Mr. Collier. London: Richard Bentley, 1860. The Perkins F2 is now at the Huntington Library in California.
Hamlet Travestie: In Three Acts. With Annotations by Dr. Johnson and Geo. Steevens, esq. and Other Commentators. New York. David Longworth, 1811.
Hammelmann, Hanns. Book Illustrators in Eighteenth-Century England. Ed. and completed by T. S. R. Boase. New Haven: Published for the Paul Mellon Centre for Studies in British Art (London) by Yale University Press, 1975.
Hammelmann, Hanns. “Shakespeare’s First Illustrators,” Notes on British Art. London: Paul Mellon Foundation for British Art, 1968.
Hammerschmidt-Hummel, Hildegard, ed. Die Shakespeare-Illustration (1594-2000). . . . 3 vols. Akademie der Wissenschaften und der Literatur, Mainz, 2003. [Vol. 3 contains Hamlet pictures arranged by scene]
Hammond, Antony. “The White Devil in Nicholas Okes’s Shop.” Studies in Bibliography 39 (1986): 135-76.
[Hanmer, Thomas.] The Castrated Letter of Sir Thomas Hanmer in the Sixth Volume of Biographia Britannica [1763]. Bound in The Shakespeare Miscellany: Containing a Collection of Scarse and Valuable Tracts; Biographical Anecdotes of Theatrical Performers; with Portraits of Ancient and Modern Actors...A Concise History of the Early English Stage... London: Printed by F. G. Waldron, 1802. [The author seems to be Philip Nichols. Also available in Biographia Brittanica, VI, under Smith, to whom Hanmer wrote his letters.]
Hanmer, Thomas.] The Correspondence of Sir Thomas Hanmer Bart: speaker of the house of commons with a Memoir of his life to which are added other relicks of a gentleman’s family. Sir Henry Bunbury, ed. London: Edward Moxon: 1838. [A footnote describes Henry Bunbury’s discovery of the first known copy of Q1 in a closet, p. 80n. Bunbury thought his forbearer William had bought it, along with other works.]
[Hanmer, Thomas] Some Remarks on the Tragedy of Hamlet Prince of Denmark, Written by Mr. William Shakespeare. London: Printed for W. Wilkins, in Lombard Street, 1736; one of the first extended critiques of Hamlet. [Once ascribed to Hanmer but almost certainly not by him. Now thought to be by George Stubbs.]
Hansen, G. P. The Legend of Hamlet, Prince of Denmark. Chicago: C.H. Kerr & Co., 1887.
Hansen, Niels. “Observations on Georg Brandes's Contribution to the Study of Shakespeare.” Shakespeare and Scandinavia: A Collection of Nordic Studies. Ed. with intro. by Gunnar Sorelius. Newark, DE: U of Delaware P, 2002. 148-67.
Hansen, William F. Saxo Grammaticus and the Life of Hamlet. Lincoln: U of Nebraska P, 1983.
Hapgood, Robert. Hamlet, Prince of Denmark. Shakespeare in Production series. New York: Cambridge UP, 1999. See also Hapgood's essay on hamletworks.org: Hamlet on the Stage in England and the United States.
Hapgood, Robert. “Hamlet Nearly Absurd: The Dramaturgy of Delay.” The Tulane Drama Review 9.4 (Summer 1965): 132-45.
Hapgood, Robert. Shakespeare the Theatre-Poet. Oxford: Clarendon Press, 1988.
Hapgood, Robert. "Shakespeare and the Ritualists." Shakespeare Survey 15 (1962): 111-24.
Hardinge, George. Another Essence of Malone, or, The "Beauties" of Shakespeare’s Editor....London, Printed for T. Becket, 1801.
Hardison, JR., O.B. "Speaking the Speech." Shakespeare Quarterly 34.2 (1983), 133-146.
Hardy, Barbara. Shakespeare’s Storytellers. London: Peter Own, 1997.
Hardy, Barbara. “‘I have a Smack of Hamlet’: Coleridge and Shakespeare’s Characters.” Essays in Criticism 8 (1958): 238-55.
Hardy, John. "Hamlet's 'Modesty of Nature.'" Hamlet Studies 16.1-16.2 (1994): 42-56. 
Harris, John Arthur. "Ophelia's 'Nothing': It is the False Steward that Stole His Master's Daughter." Hamlet Studies 19.1-19.2 (1997): 20-46. 
Harrison, G. B. Shakespeare’s Tragedies. New York: Oxford UP, 1951.
Harrison, Rev. W. A. “Hamlet’s Juice of Cursed Hebona.” New Shakespere Society's Transactions. (1880-6) [read 1882]: 295-322.
Hart, Alfred. “The Number of Lines in Shakespeare’s Plays.” Review of English Studies 8 (1932): 19-28.
Hart, Alfred. Stolne and Surreptitious Copies: A Comparative Study of Sh’s Bad Quarto. Melbourne and London Melbourne UP in assoc w Oxford UP, 1942.
Hart, Hymen Harold. Edward Capell: The First Modern Editor of Shakespeare. U of Illinois Diss. 1967.
Hart, John. An Orthogaphie, contening the due order and reason, howe to write or paintthimage of mannes voice, most like to the life or nature....Imprinted at London: by [Henry Denham? for] William Seres, dwelling at the west ende of Paules, at the signe of the Hedge-hogge], 1569. [Another edition, Danielsson, Bror, ed. John Hart’s Works on English Orthography and pronunciation [1551. 1569. 1570] 2 vols. Stockholm: Almquist & Wiksell, 1955. “Hart,” says Otto Jespersen, “deserves a place of honour as the best representative in the sixteenth century of good, educated English Pronunciation.” quoted in Danielsson (2. 31 and n.1). See also Edmund Dobson, History of English Pronunciation 1600-1700 and Cercignani.]
Hart, Jonathan, ed. Reading the Renaissance: Culture, Poetics, and Drama. New York: Garland, 1996.
Harting, J. E. “Shakespeare and the Garden.” N&Q 12th ser. 5 (July 1919): 193.
Hartman, Geoffrey. Criticism in the Wilderness. New Haven: Yale UP, 1980.
Hartsock, Mildred E. "Major Scenes in Minor Key." Shakespeare Quarterly 21.1 (1970): 55-62.
Hartwig, Joan. “Hamlet and Parodic Polonius.” In Shakespeare’s Analogical Scene. Lincoln: U Nebraska P, 1983. 153-70.
Harvey, Gabriel. Gabriel Harvey’s Marginalia. Collected and Ed. G. C. Moore Smith. Stratford-upon Avon: Shakespeare Head Press, 1913.
Harvey, John. Men in Black. Chicago: University of Chicago Press, 1995.
Hattaway, Michael. Hamlet. The Critics’ Debate Series. London: Humanities, 1987.
Hawkes, Terence. Shakespeare in the Present. London: Routledge, 2000.
Hawkes, Terence. "Shakespeare's Talking Animals." Shakespeare Survey 24 (1971): 47-54.
Hawkes, Terence. “Telmah.” In That Shakespeherian Rag: Essays on a Critical Process. New York: Methuen, 1986. 92-119. Rpt. in various collections.
Hawkins, John. A General History of the Science and Practice of Music. Intro. Charles Cudworth. 2 vols. New York: Dover, 1963.
Hawkins, Thomas. Origins of the English Drama. Illustrated in its Various Species, viz. Mystery, Morality, Tragedy, and Comedy, with Explanatory Notes by Thomas Hawkins. 3 vols. Oxford: Printed for ClarendonPress, For S. Leacroft, Charing-Cross, London. And Sold by D. Prince at Oxford, and J. Woodyer at Cambridge. 1773.
Hayton, Alison G. "'The King of my Father?': Paternity in Hamlet." Hamlet Studies 8.1-8.2 (1987): 53-64. 
Hazlitt, William. Characters of Shakespear’s Plays. London: Printed by C .H. Reynell, for R. Hunter, and C. and J. Ollier, 1817.
[Heath, Benjamin.] A Revisal of Shakespear’s Text, Wherein the Alterations introduced into it by the more modern Editors and Critics are particularly considered. London: Printed for W. Johnston, 1765.
Heffernan, Carol Falvo. The Melancholy Muse: Chaucer, Shakespeare and Early Medicine. Pittsburgh: Duquesne UP 1993.
Hedrick, Donald K. "'It is No Novelty for a Prince to be a Prince': An Enantiomorphous Hamlet." Shakespeare Quarterly 35.1 (1984): 62-76.
Heilbrun. Carolyn G. “The Character of Hamlet’s Mother.” Hamlet’s Mother and Other Women. New York: Columbia UP, 1990. 9-17. Rpt. from Shakespeare Quarterly 8.2 (Spring 1957): 201-6.Foreward to the book by Nancy K. Miller.
Helgerson, Richard. "What Hamlet Remembers." Shakespeare Studies 10 (1977): 67-97.
Henley, Samuel (1740-1815). Contributor to and probable editor of Annotations by Sam. Johnson & George Steevens, and the various commentators, upon Hamlet, written by Will. Shakspere, London, 1787. Folger PR 2807 J58 1787 Cage.
Henderson, Diana E. Passion Made Public: Elizabethan Lyric, Gender, and Performance. Urbana: U of Illinois P, 1995.
Henry VIII. Assertio septem sacramentorum: or, An assertion of the seven sacraments against Martin Luther. . . . Latin original 1521. Trans. into English by T. W. Gent. 1687. [Earlier trans. into English 1533. In 1536, he wrote another pamphlet on the sacraments, with only three. See Stow chronicles.]
Hense, C. C. “Die Darstellung der Seelenkrankheiten in Shakespeare’s Dramen.” Shakespeare Jahrbuch 13 (1878). 240-5 on Ham.
Henslowe, Philip. Henslowe’s Diary. Ed. R. A. Foakes and R. T. Rickert. Cambridge: Cambridge UP, 1961.
Herford, C. H. A Sketch of Recent Shakespearean Investigation, 1893-1923. London: Blackie, 1923. 55 pgs. Rpt. 1923, 1925. [“The Interpretation of the Characters, 46-55. Originally written for the Irving ed.]
Herodotus. With an English Translation by A. D. Godley. Loeb Classics. London: William Heineman, 1921. [vol. 2 of 4]
Herold, Niels. "Pedagogy, Hamlet, and the Manufacture of Wonder." Shakespeare Quarterly 46.2 (1995). 125-134.
Heron, Robert. Letters of Literature (Robert Pinkerton) 8vo. London: Printed for G. G. J. and J. Robinson, 1785.
Herr, Jacob Gilbert. Scattered Notes on the text of Shakespeare. Philadelphia: W. C. Wilson & Co. 1879. [Hamlet section (121-8) includes rather expansive notes on five passages: 331, 621+20, 2656-7, 3473, and 3544]
Hertzbach, Janet S. "Hamlet and the Integrity of Majesty." Hamlet Studies. 5.1-5.2  (1983): 40-51. 
Heywood, John. A dialogue conteynyng the number of the effectuall prouerbs in the Englische tounge, compact in a matter concernynge two maner of maryages, London, 1562. Rpt. John S. Farmer, ed. A Dialogue of the Effectual Proverbs in the English Tongue Concerning Marriage. 1806. London: Gibbings & Co., 1906.
Heywood, John (1497?-1580?). The proverbs and epigrams of John Heywood (A.D. 1562). Reprinted from the original (1562) ed., and collated with the 2d (1566) ed.; with an appendix of variations. [An earlier work, A dialogue conteinying the nomber in effect of all the prouerbes in the Englishe tongue. Better known as proverbs, was published 1546.] New York, B. Franklin, [1967].
Hibbard, G. R. "Henry IV and Hamlet." Shakesdpeare Survey 30 (1977): 1-12.
Hic et Ubique (St. James’s Chronicle no. 1717: Feb. 20/21, 1772; Vickers 5:449-52), TLN 257, 624, 664-5, 765. [Hic et Ubique is the writer’s sobriquet. See above under anon. This could be Steevens according to Vickers.]
Hickson, Samuel. “As stars with trains of fire, etc.” N&Q 1st ser. 5 (14 Feb. 1852): 154-5 [TLN 124+10-11]. A rebuttal to Brae, who in turn responds. See Brae.
Hickson, Samuel. “Replies: Meaning of Eisell.” N&Q 1st ser. 3 (15 Feb. 1851): 119-20. TLN 3473.
Hickson, Samuel "The Shares of Shakspere and Fletcher in The Two Noble Kinsmen. With a confirmation by metrical texts by F. G. Fleay and a comment by F. J. Furnivall denigrating Fleay’s unnecessary confirmation." New Shakspere Society’s Transactions. 1874. Published for the Society by Trübner & Co. London. Series 1, no. 1 (1874): 25* - 64*. [The asterisks indicate material added to the regularly numbered pages of the issue.].
Highfill, Philip H., Kalman A. Burnim and Edward A. Langhans. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800. 16 vols. Carbondale and Edwardsville: Southern Illinois UP, 1991. [Sarah Siddons, 14: 1-67]
Hill, Aaron. "On King Lear and Hamlet." The Prompter, nos. 95, 100, 1735. See Vickers.
Hill, Aaron. "On Polonius." The Prompter (27 May 1735): 1-2. Bod. lib. Shelfmark Hope fol. 82.
Hill, Aaron [1685-1750], and William Popple [1701-1764]. The Prompter: a theatrical paper: (1734-1736). Sel. & Ed. William A. Appleton and Kalman A. Burnim. New York: Benjamin Blom, 1966.
Hill, N. W. “Hamlet [620+20-2].” N&Q 12th ser. 5 (Jan. 1919): 5.
Hillhouse, James T. The Grub-Street Journal. Durham, NC: Duke UP, 1928.
Hillman, Richard. "Shakespeare's Romantic Innocents and the Misappropriation of the Romance Past: The Case of The Two Noble Kinsmen." Shakespeare Survey 43 (1991): 69-79.
Hilton, Arthur Clement. Hamlet; or, not such a fool as he looks. Cambridge: W. Metcalfe & Son, 1882.
Hinman, Charleton, ed. The Norton Facsimile: The First Folio of Shakespeare. New York: Norton and London: Paul Hamlyn, 1968.
Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare. 2 vols. Oxford: Clarendon Press,1963.
Hirsh, James E. “The ‘To be or not to be’ Scene and the Conventions of Shakespearean Drama,” MLQ 42.2 (June 1981): 115-36.
Hirsh, James E. “Shakespeare and the History of Soliloquies,” MLQ 58.1 (March 1997): 1-26.
Hirsh, James E. Shakespeare and the History of Soliloquies. Madison, N.J.: Fairleigh Dickinson University Press and London: Associated University Presses, c2003.
Hirschfeld, Heather. "Hamlet's 'first corse': Repetition, Trauma, and the Displacement of Redemptive Typology." Shakespeare Quarterly 54.4 (2003): 424-448.
Hodges, C. Walter. Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576-1616. Cambridge: Cambridge UP, 1999. [50 drawings]
Hodnett, Edward. Five Centuries of English Book Illustration. Aldershot: Scolar, 1988.
Hoeniger, F. David. Medicine and Shakespeare in the English Renaissance. Newark: U of Delaware P, 1992.
Hoeniger, F.D. "New Harvey Marginalia on Hamlet and Richard III." Shakespeare Quarterly 17.2 (1966): 152-153.
Hogan, Charles Beecher, Shakespeare in the Theatre, 1701-1800. 2 vols. Oxford, 1952, 1957. [Hamlet 1: 105-44; 2: 187-238]
Holbrook, Peter. “Nietzsche’s Hamlet. Shakespeare Survey 50 (1997): 171-86.
Holderness, Graham. "'I Covet Your Skull': Death and Desire in Hamlet." Shakespeare Survey 60 (2007): 223-37.
Holderness, Graham. "Shakespeare Rewound." Shakespeare Survey 45 (1993): 63-74.
Holderness, Graham. Shakespeare: The Histories. New York: St. Martin’s, 2000.
Holland, Norman. Psychoanalysis and Shakespeare. New York: Octagon, 1966.
Holland, Peter. “Modernizing Shakespeare: Nicholas Rowe and The Tempest.” SQ 51.1 (Spring 2000): 24-32.
Holland, Peter, ed. Shakespeare Survey 54. Shakespeare and Religions. Cambridge: Cambridge UP, 2001.
Holland, Peter. “Space: the final frontier” In Scolnicov and Holland, 1989. 45-62.
Holland, Philémon, trans. The Philosophie, commonly called, the Morals written by the learned philosopher Plutarch of Chæronea. . . . London: printed by Arnold Hatfield, 1603.
Holmer, Joan Ozark. "The Poetics of Paradox: Shakespeare's Versus Zeffirelli's Cultures of Violence." Shakespeare Studies 49 (1996): 163-179.
[Holt, John.] An Attempte to Rescue that Aunciente, English Poet, and Play Wrighte, Maister Williaume Shakespere, from the Many Errours, faulsely charged on him, by Certaine New-fangled Wittes, and to let him Speak for Himself, as right well he wotteth, When Freede from the many Careless Mistakeings, of The Heedless first Imprinters, of his Workes. By a Gentleman formerly of Grey’s-Inn. London: printed for the author, and Sold by Messeurs Manby and Cox, on Ludgate-Hill, 1749.
Holinshed, Raphael compiler. The . . . Chronicles of England, Scotlande, and Irelande . . . London: Imprinted for I[ohn]. Harrison, [1577]. [Publishing history is vexed with issues relating to left-out fascicles. See intro. to Chronicles. London: J. Johnson et al, 1807-08. Most scholars believe Shakespeare used the 1587 ed. but some that he used both. The 1587 version was ed. by John Harrison, George Bishop, Rafe Newberrie, Henry Denham, and Thomas Woodcock, who took many liberties and which therefore is less reliable thank 1577 for historical accuracy: see Clarence Brownfield, TLS 1946: 247.]
Holzberger, William G., and Peter B. Waldeck, eds. Perspectives on Hamlet. Lewisburg: Bucknell UP; London: Associated UP, 1975.
Homan, Sidney. When the Theater Turns to Itself: The Aesthetic Metaphor in Shakespeare. Lewisburg: Bucknell UP, c.1981. [Hamlet 152-76]
Homans, Peter, Jung in Context: Modernity and the Making of a Psychology. Chicago: U of Chicago P, 1979. 2nd. ed. 1995.
Homchaudhuri, S. "Hamlet and Samson Agonistes." Hamlet Studies 8.1-8.2 (1986): 52-64. 
Honigmann, E. A. J. “The Date of Hamlet.” Shakespeare Survey 9 (1970): 24-34.
Honigmann, E. A. J. “On the Indifferent and One-Way Variants in Shakespeare,” The Library 5th ser. 22 (1967): 189-204.
Honigmann, E. A. J. “Re-enter the Stage Direction: Shakespeare and Some Contemporaries.” Shakespeare Survey 29 (1976): 117-25.
Honigmann, E. A. J. The Stability of Shakespeare’s Text. Lincoln: U Nebraska P and London: Edward Arnold, 1965.
Honigmann, E. A. J. The Texts of ‘Othello’ and Shakespearian Revision. London and New York: Routledge, 1996.
Hoops, Johannes. “The Chief Difference between the First and Second Folios of Shakespeare.” Englische Studien. v. 30 (1901): 1-20.
Hope, Jonathan. Shakespeare's Grammar.. London: Thomson, 2003.
Hopkins, Lisa. "What's Heracles to Hamlet? The Emblematic Garden in The Spanish Tragedy and Hamlet." Hamlet Studies 21.1-21.2 (1999): 114-143. 
Horace: Satires, Epistles, and Ars Poetica with an English Trans. by H. Rushton Fairclough. Loeb Classical Library. London: Heinemann and New York: Putnam’s Sons, 1932. [Epistle 2.1.262-3 is equivalent to Hamlet 621+7-621+22]
Hortmann, Wilhelm, with Maik Hamburger. Shakespeare on the German Stage: The Twentieth Century. Cambridge: Cambridge UP, 1998.]
Houghton, Walter Edwards, and Jean Harris Slingerland, eds. The Wellesley Index to Victorian Literature, 1824-1900. 5 vol. Toronto: U of Toronto P, c1966-c1989.
Howard, Jean E. Shakespeare’s Art of Orchestration: Stage Technique and Audience Response. Urbana: U Illinois P, 1984.
Howard-Hill, T. H. “The Evolution of the Form of Plays in English during the Renaissance,” Renaissance Quarterly 43 (1990): 112-45.
Howard-Hill, T. H. “New Light on Compositor E of the Shakespeare First Folio,” The Library 6th ser. 2 (1980): 156-78.
Howard-Hill, T. H. Ralph Crane and Some Shakespeare First Folio Comedies. Charlottesville: UP of Virginia, 1972.
Howard-Hill, T. H. A Reassessment of Compositors B and E in the First Folio Tragedies. a pamphlet published privately. Columbia, SC, 1977.
Howard-Hill, T. H. “Shakespeare’s Earliest Editor, Ralph Crane.” Shakespeare Survey 44 (1992): 113-29.
Howard-Hill, T. H. Shakespeare: His Life, Art, and Characters, with an Historical Sketch of the Origin and Growth of the Drama in England. 4th ed., rev. vol. 2. Boston: Ginn, 1872.
Howes, Edmond. The Annales, or General Chronicle of England, begun first by maister John Stow, and after him continued and augmented with matters forreyne, and domestique, auncient and moderne, vnto the ende of this present yeere 1614. by Edmond Howes, gentleman. London: Imprensis Thomas Adams, 1615. [HL C 23338, listed under Stow.
Hudson, H[enry] N. (hudn) Lectures on Shakspeare 2 vols. New York: Baker and Scribner, 1848. Lecture XI is on Hamlet, 2. 86-134. Hamlet (2.86-114), Polonius (2.114-24), Ophelia (2. 125-30), the queen (2.130-32)]
Hughes, John. Letters by several eminent persons deceased including the correspondence of John Hughes, esq. (author of the Siege of Damascus) and several of his friends. [Ed. John Duncombe, his nephew.] London: J. Johnson, 1772. 2 vols. 18 cm.
[Hughes, John] Burling, William J. “John Hughes (29 January 1677-17 February 1720).” Dictionary of Literary Biography vol. 84. Ed. Paula R. Backscheider. Detroit: Gale Research, 1989b.
Hughes, Ted. Shakespeare and the Goddess of Complete Being. New York: Farrar Straus Giroux, 1992.
Huloet's Abcedarium. 1552. Various eds. with augmentations. E.g. Abcedarium Anglico Latinum Huloets dictionarie, newelye corrected, amended, set in order and enlarged, vvith many names of men, tovvnes, beastes, foules, fishes, trees, shrubbes, herbes, fruites, places, instrumentes &c. And in eche place fit phrases, gathered out of the best Latin authors. Also the Frenche therevnto annexed, by vvhich you may finde the Latin or Frenche, of anye English woorde you will. By Iohn Higgins late student in Oxeforde. London, 1572.
Hunt, John. "A Thing of Nothing: The Catastrophic Body in Hamlet." Shakespeare Quarterly 39.1 (1988): 27-44.
Hunt, Marvin H. Looking for Hamlet. New York: Palgrave Macmillan, 2007.
Hunter, Glen D. "Modern Recordings of Hamlet in English." Hamlet Studies 12.1-12.2  (1990): 75-93. 
Hunter, Glen D. “Shakespeare�s Hamlet: A Comprehensive Bibliography of Editions and Paraphrases in English, 1876-1981.” Bulletin of Bibliography 38.4 (1981): 157-72.
Hunter, Joseph. A Few Words in Reply to the Animadversions of . . . Mr. Dyce on Mr. Hunter’s “disquisition on the Tempest” (1839) and his illustrations . . . .” London: John Russell Smith, 1853.
Hunter, Joseph. New Illustrations of the Life, Studies, and Writings of Shakespeare. 2 vols. London: J.B. Nichols, 1845. Rpt. New York: AMS, 1976.
Hurd, R. In his Letter to Mr. Mason; on the marks of imitation. Cambridge : printed for W. Thurlbourn & J. Woodyer; and sold by R. Dodsley, J. Beecroft and M. Cooper, 1757.
Hurdis, James. Cursory Remarks upon the Arrangement of The Plays of Shakespear; occasioned by reading Mr. Malone’s Essay on the Chronological Order of those celebrated Plays. London: Printed for J. Johnson, 1792.
Hynd, John. Eliosto Libidinoso: Described in two Bookes: Wherein Their imminent dangers are declared, who guiding the course of their life by the compasse of Affection, either dash their Ship against most dangerous shelues, or else attaine the Hauen with extreame Preiudice. London: Valentine Simmes, 1606. STC 13509.
Hystorie of Hamblet. London: Imprinted by Richard Bradocke, for Thomas Pauier, and are to be sold at his shop in Corne-hill, neere to the Royall Exchange, 1608. STC 12734.5.
 The I’s
Ichikawa, Mariko. “What to do with a Corpse?: Physical Reality and the Fictional World in the Shakespearean Theatre.” Theatre Research International 29.3 (2004): 201-15.
Imhof, Rudiger. "Fortinbras Ante Portas: The Role and Significance in Hamlet." Hamlet Studies 8.1-8.2 (1986): 8-29. 
Ingarden, Roman. The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic and Theory of Literature. With an Appendix on the Functions of Language in the Theatre. Trans. George G. Grabowicz. Evanston, IL: Northwestern UP, 1973.
Ingleby, C[lement] M[ansfield]. A Complete view of the Shakepere controversy, concerning the authenticity and genuineness of manuscript matter affecting the works and biography of Shakspere, publishing by Mr. J. Payne Collier as the fruit of his researches. London: Nattali and Bond, 1861.
Ingleby, C[lement] M[ansfield]. “Gertrude’s Shoes.” N&Q 2nd ser. 1 (2 Feb. 1856): 88.
Ingleby, C[lement] M[ansfield]. Letters to. Folger c.a. 23 (v.2), c.a. 25 (v. 4). See mIngleby.
Ingleby, C[lement] M[ansfield]. 'On Hamlet’s ‘Some Dozen or Sixteen Lines'" An Attempt to Rebut the Arguments Both of Mr. Malleson and Prof. Selby.” New Shakespere Society Transactions. (1877-9): 413-24
Ingleby, C[lement] M[ansfield]. The Shakspere Allusion-Book; A Collection of Allusions to Shakspere from 1591 to 1700. [see 1874 ed. below.] Originally compiled by C. M. Ingleby, L. Toulmin Smith, and F. J. Furnivall, with the assistance of the New Shakspere Society: re-edited, rev., and re-arr., with an introd., by John Munro (1909), and now re-issued with a preface by Sir Edmund Chambers. 2 vols. London: Oxford UP, 1932. Rpt. Freeport, N.Y.: Books for Libraries Press [1970]. v. 1, -1649; v. 2, 1650- 1700.
Ingleby, C[lement] M[ansfield]. Shakspeare Fabrications, or, The Ms. Notes of the Perkins Folio shown to be of recent origin. With an appendix of the Authorship of the Ireland forgeries. London: John Russell Smith, 1859.
Ingleby, C[lement] M[ansfield]. Shakespeare Hermeneutics; Or, The Still Lion, Being An Essay Towards The Restoration Of Shakespeare's Text. London: Trubner & Co., 1875. Rpt. New York: Haskell House Publishers, 1971.
Ingleby, C[lement] M[ansfield]. [No name on TP but "Forespeech" is signed and dated 1874] Shakespeare’s Centurie of Prayse, Materials for a History of Opinion on Shakespeare and his Works. Culled from Writers of the first Century after his Rise. London: Printed Josiah Allen, and published by Trübner, 1874. [Chronicles Hamlet allusions. See v1877, 2:399]
Ingleby, C. M. Shakespeare’s Centurie of Prayse: being materials for a history of opinion on Shakespeare and his works, Culled from Writrs of the first Cenury after his Rise [1591-1693]. London: Printed by J. Allen of Birmingham & Pub. by Trübner & Co., 1874. 2nd ed. Rev. with many additions, by Lucy Toulmin Smith. London: for the New Shakespere Society by Trübner, 1879.
Ioppolo, Grace. Revising Shakepeare. Cambridge: Harvard UP, 1991. [Hamlet 133-46]
Isaacs, J. “A Note on Shakespeare’s Dramatic Punctuation.” RES 2 (1926): 461-3.
Israel, Fortunato. “Shakespeare en français: être ou ne pas être?” Palimpsestes 3 (Oct. 1990): 11-23. Publications de la Sorbonne nouvelle.
Ives, E.W. "Shakespeare and History: Divergences and Agreements." Shakespeare Survey 38 (1985): 1935.
 The J’s
Jack, Adolphus Alfred (1868-1945). Young Hamlet: a conjectural resolution of some of the difficulties in the plotting of Shakespeare's play. Aberdeen: Aberdeen UP, 1950. Rev in TLS 49 (1950): 407: Jack does not answer the question why Sh. changed his age to 30. The change in age from 19 to 30 “would suggest that Hamlet's age has no bearing at all on his procrastination.”
Jackson, Alfred. “Rowe’s Edition of Shakespeare,” Library Journal. 4th series 10 (March 1930): 455-473.
Jackson, James L. "'They Catch One Another's Rapiers': The Exchange of Weapons in Hamlet." Shakespeare Quarterly 41.3 (1990): 281-298.
Jackson, Macdonald. “Three Disputed Shakespeare Readings: Associations and Contexts.” The Review of English Studies. New Series. 59 (2007): 219-31.
Jackson, Russell, and Robert Smallwood, ed. Players of Shakespeare 3. Cambridge: Cambridge UP, 1993.
Jackson, W. St. James’s Chronicle 1157 (July 28-30, 1768): 4.
Jackson, Zachariah. A Few Obscure Examples of Seven Hundred Errors in Shakspeare’s Plays, Now corrected and Elucidated, . . . . London: Printed for the author . . . . 1818.
Jackson, Z. Shakespeare’s Genius Justified: Being Restorations and Illustrations of Seven Hundred Passages in Shakspeare’s Plays . . . London: J. Johnson, 1819.
Jacobs, Henry. E. “Shakespeare, Revenge Tragedy, and the Ideology of the Memento Mori.” Shakespeare Studies 26 (1993): 96-108.
Jaggard, William. “Shakespeare and the Garden.” N&Q 12th ser. 5 (July 1919): 193.
Jaggard, William. Shakespeare Bibliography: A Dictionary of Every known issue of the Writings of [Shakespeare] and of Recorded Opinion Thereon in the English Language. Stratford-upon-Avon: Shakespeare Press, 1911. Rpt. London: Dawsons, 1971.
Jaggard, William. Shakespearean Frauds: the Story of Some Famous Literary and Pictorial Forgeries. Stratford-upon-Avon: Shakespeare Press, 1911.
Jaidka, Manju and Natasha W. Vashisht. "Of Wiglerus, Feng, Et. Al: Some Variations on the Hamlet Story." Hamlet Studies 24 (2003): 218-233. 
James, D. G. The Dream of Learning. Oxford: Clarendon Press, 1951. Rpt. in Price, 1986.
James, Henry. “Master Eustace.” 1871. The Complete Tales of Henry James. Ed. Leon Edel. Philadelphia: J. P. Lippincott, 1962. 343-73.
[James the Sixth, King of Scotland] Daemonologie, in Forme of a Dialogue, Diuided into three Bookes. Edinbvrgh: Printed by Robert Walde-graue Printer to the Kings Majestoe. An. 1597. STC 14364. Rpt. Amsterdam: Theatrum Orbis Terrarum, 1969.
Jameson, Mrs. [Anna]. Characteristics of Women. Annapolis: J. Hughes, 1833.
Janowitz. Henry D. "'Master Eustace' and Gertrude and Claudius: Henry James and John Updike Rewrite Hamlet." Hamlet Studies 24 (2003): 189-99.In full in HSt collection of hamletworks.org.
Jardine, Lisa. Reading Shakespeare Historically. London: Routledge, 1996.
Jardine, Lisa, and Anthony Grafton. “ ‘Studied for Action’: How Gabriel Harvey Read His Livy.” Past and Present 129 (1990): 30-78.
Jarvis, John W. N&Q 6th ser. 4 (17 Sept. 1881): 225, announces that he has the editions by “Hughs” that Furness had described but had not been able to locate. hamletworks.org cites these as wilk.
Jenkins, Harold. “Hamlet and Ophelia,” 3 April 1963, Proceedings of the British Academy 49, 1963. London, 1964.
Jenkins, Harold. "Hamlet Then Till Now." Shakespeare Survey 18 (1965): 34-45.
Jenkins, Harold. “Playhouse Interpolations in the Folio Text of Hamlet.” Studies in Bibliography 13 (1960): 31-47.
Jenkins, Harold. "The Tragedy of Revenge in Shakespeare and Webster." Shakespeare Survey 14 (1961): 45-55.
Jenkins, Harold. "'To be, or not to be': Hamlet's Dilemma." Hamlet Studies 13.1-13.2 (1991): 8-24. 
[Jennens, Charles.] The Tragedy of King Lear, as Lately Published, Vindicated from the Abuse of The Critical Reviewers.... by the Editor of King Lear. London: W. Bowyer and J. Nichols, 1772.
[Jennens, Charles.] Articles and letters from Critical Review, microfilm at LibC. [Review of Jennen’s Lear, 29 (1770): 436- 39; letter in response, 31 (1771):82; response to the letter 31 (1771):82-84; review of Jennens’s Vindication, 34 (1772): 475-79; review of Jennens’ Hamlet dismissed in one sentence, 35 (1773): 230, and Jennens not mentioned.]
Jephson, J. M. “Glossary.” Clark and Wright, Globe edition, 1864. 1059-79.
Jervis, Swynfen. Proposed Emendations of the Text of Shakespeare’s Plays. London: Longman, Green, Longman, and Roberts, 1860. Second Edition, Revised and Corrected. London: Longman, Green, and Roberts, 1861.
Jess-Cooke, Carolyn. Shakespeare on Film: Such Things as Dreams are Made of. London: Wallflower, 2007. Includes discussions of several Hamlet films.
Jevons, W. S. “Shakespearian Literature.” The Athenæum No. 1898 (March 12, 1864): 373-4.
Joseph, Bertram. Conscience and the King: A Study of Hamlet. London: Chatto and Windus, 1953.
Joseph, Sister Miriam. Shakespeare’s Use of the Arts of Language. New York and London: Hafner, 1966.
Johnson, Barbara A. "The Fabric of the Universe Rent: Hamlet as an Inversion of The Courtier." Hamlet Studies 8.1-8.2 (1987): 34-52. 
Johnson, Lemuel. “Shakespearean Imports: Whatever Happened to Caliban’s Mother? Or, The Problem with Othello’s.” Shakespeare in Africa. Research in African Literature 27 (Spring 1996): 19-63.
Johnson, Samuel. A Dictionary of the English Language in which the Words are deduced from the Originals, and Illustrated in Their Different Significations by Examples from the Best Writers, To which are Prefixed, A History of the Language and an English Grammar. 2vols. London: Printed by W. Strahan, for J. and P. Knapton; T. and T. Longman; C. Hitch and L. Hawes; A Miller: and R. and J. Dodsley. 1755. Rpt. New: York: AMS, 1967.
Johnson, Samuel. Johnson’s Proposals for his Edition of Shakespeare, 1756, printed in type-facsimile. London: Oxford UP, 1923. Rpt. Norwood Editions, 1977.
Johnson, Samuel. The Letters of Samuel Johnson: With Mrs. Thrale’s Genuine Letters to Him. R. W. Chapman, ed. 3 vols. Oxford: Clarendon, 1952. [Volume 1:1719-1774. Letters 1-369]
Johnson, Samuel. Miscellaneous Observations on the Tragedy of ‘Macbeth’: with Remarks on Sir T. H.’s Edition of Shakespeare. London: Cave, 1745.
Johnson, Samuel. Selections from Johnson on Shakespeare. Ed. Bertrand H. Bronson with Jean M. O’Meara. New Haven: Yale UP, 1986.
Johnson, Samuel. Lives of the English Poets. Ed. George Birkbeck Hill. 3 vols. Oxford: Clarendon Pres, 1905.
Johnson S. F. "The Regeneration of Hamlet: A Reply to E. M. W. Tillyard with a Counter-proposal." Shakespeare Quarterly 3.3 (1952): 187-207.
Johnston, Shirley. “From Preface to Practice: Samuel Johnson’s Editorship of Shakespeare.” In Centennial Studies: Essays Presented to Donald Greene in the Centennial Year of the University of Southern California. Ed. Paul J. Korshin and Robert R. Allen. Charlottesville: UP of Virginia, 1984.
Johnston, Shirley. “Samuel Johnson’s Macbeth: ‘Fair is Foul.’ ” In The Age of Johnson: A Scholarly Annual, 3. Ed. Paul J. Korshin. New York: AMS Press, 1990. 180-230.
Jones, Emrys. The Origins of Shakespeare. Oxford: Clarendon Press, 1977.
Jones, Emrys. Scenic Form in Shakespeare. 1971. Oxford: Oxford UP and New York: Clarendon Press, 1985.
Jones, Ernest. Hamlet and Oedipus. London: Victor Gollancz, 1949. Rpt. Garden City, NY: Doubleday, 1954.
Jones, John. Shakespeare at Work. Oxford: Clarendon Press, 1995.
Jones, Richard Foster. Lewis Theobald: His Contribution to English Scholarship with Some Unpublished Letters. New York: Columbia UP, 1919.
Jorgensen, Paul A. “Hamlet’s Therapy,” Huntington Library Quarterly 27 (1964): 239-58.
Joyce, James] Quillian, William H. Hamlet and the New Poetic: James Joyce and T. S. Eliot. Ann Arbor, MI: UMI Research Press, 1983.
Joyce, James. Ulysses. Hamburg: The Odyssey P, 1932. [On Hamlet in 1:192-4. Many reprints.
Jung, C. G. The Structure and Dynamics of the Psyche. New York: Bolingen, 1960.
Juvenal and Persius, with an English trans. by G. G. Ramsay. Loeb Classical Library. London: Heinemann; New York: Putnam’s Sons, 1918. See Satire 13.
Juvenis [pseudonym]. Gentleman's Magazine 46 (1776): 266-7.
Juvenis [pseudonym]. St. James’s Chronicle 2393 (Tuesday, July 9 to Thursday, July 11, 1776): 4.
 The K’s
Kames, Lord. Elements of Criticism. Edinburgh: printed for A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1763. Rpt. with an introduction by Robert Voitle. Hildersheim, New York, G. Olms, 1970.
Kanelos, Peter. "Hamlet and the Art of Memory." Hamlet Studies 24 (2003): 67-80. 
Kantorowicz, Ernst. The King’s Two Bodies: A Study in Mediaeval Political Theology. Princeton: Princeton UP, 1957.
Kastan, David Scott, ed. A Companion to Shakespeare. Oxford: Blackwell, 1999.
Kastan, David Scott. Shakespeare After Theory. New York: Routledge, 1999.
Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge UP, 2001,
Kastan, David Scott. Shakespeare and the Shapes of Time. Hanover, N.H.: University Press of New England, 1982.
Kastan, David Scott, ed. Critical Essays in Shakespeare’s Hamlet. New York: G. K. Hall, 1995.
Kastan, David Scott. “‘His semblable is his mirror’: Hamlet and the Imitation of Revenge.” Shakespeare Survey 19 (1987): 111-23.
Kaul, Mythili. "Hamlet and Polonius." Hamlet Studies 2.1. (1980): 13-24. 
Kaula, David. "Hamlet and Sparing Discoverie." Shakespeare Survey 24 (1971): 71-77.
Kawachi, Yoshiko. "Hamlet in Japan--From Drama to Novel." Hamlet Studies 8.1-8.2 (1986): 65-76.
Kawachi, Yoshiko. "Translating Hamlet into Japanese." Hamlet Studies 23 (2001): 93-102. 
Kawachi, Yoshiko, ed. Shakespeare Worldwide: Translation and Adaptation. vol. 11. Tokyo: Yushodo Shoten, 1986.
Kehler, Dorothea. "The First Quarto of Hamlet: Reforming Widow Gertred." Shakespeare Quarterly 46.4 (1995): 398-413.
Keightley, Thomas. An Account of the Life, Opinions, and Writings of John Milton. London: Chapman and Hall, 1855.
Keightley, Thomas. [ktlyn] The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare’s Plays. London: J.R.Smith, 1867. Rpt. New York: AMS Press, 1973.
Keightley, Thomas. “Shakspeariana.” N&Q 3rd ser. 3 (17 Jan. 1863): 42-3.
Keller, Arthur, Oliver Lissitzyn, and Frederick Mann. Creation of Rights of Sovereignty through Symbolic Acts 1400-1800. New York: Columbia UP, 1938.
Keller, James R. “The Knight of the Post, Horatio, and King Hamlet’s Ghost.” Shakespeare Bulletin (Winter 1992): 42.
Kellett, E. E. “Some Notes on a Feature of Shakspere’s Style.” Suggestions: Literary Essays. Cambridge [England]: University Press, 1923. Rpt. Freeport, N.Y.: Books for Libraries Press [1969].
Kellett, E. E. “Some pitfalls in Shakespearean criticism.” Reconsiderations: Literary Essays. Cambridge [Eng.]: The University Press, 1928.
Kelley, Charles Greg. "'Lend thy serious hearing to what I shall unfold': Legend Dynamics in Hamlet." Hamlet Studies 21.1-21.2 (1999): 89-113. 
Kellner, Leon. Restoring Shakespeare: A Critical Analysis of the Misreadings in Shakespeare’s Works with facsimiles and numerous plates. Leipzig: B. Tauchnitz; [etc., etc.] 1925. Rpt. New York: Biblo and Tannen, 1969.
Kellner, Leon. Shakespeare-wörterbuch.. Leipzig, B. Tauchnitz,1922.
Kellogg, A. O. Shakspeare's Psychological Delineations. Ophelia. Utica, N.Y.: State Asylum, 1864. Kellogg examines Ophelia's character by going through the play Act-by-Act, commenting on specific passages that trace her descent into insanity and providing anecdotal illustrations from Utica Asylum that parallel the behavior of Ophelia.
Kemble] A select British theatre : containing all the plays formerly adapted to the stage by Mr. Kemble / revised by him, with additional alterations 8 vols. London: John Miller, 1814-1815.
Kemble] Anon. A Short Criticism on the Performance of Hamlet by Mr. Kemble. London: Printed for T. Hookham, 1789.
Kennedy, Dennis. Foreign Shakespeare: Contemporary Performance. Cambridge: Cambridge UP, 1993.
Kennedy, Dennis, “The Language of the Spectator,” Shakespeare Survey 50 (1997): 29-40.
Kennedy, H. A. N&Q 5th ser. 4 (1 Sept. 1875): 182.
Kenrick, W[illiam]. A Review of Doctor Johnson’s New Edition of Shakespeare in which the ignorance, or inattention, of that editor is exposed, and the Poet Defended from the Persecution of his commentators. London: Printed for J. Payne, 1765. Rpt. New York: AMS Press, 1974.
Kermode, Frank. Shakespeare’s Language. New York: Farrar, 2000.
Kermode, Frank, ed. Four Centuries of Shakespearian Criticism. New York: Avon, 1965.
Kernan, Alvin B. "Politics and Theatre in Hamlet." Hamlet Studies 1.1. (1979): 1-12. 
Kernan, Alvin. Print Technology, Letters, and Samuel Johnson, Princeton: Princeton UP, 1987.
Kernodle, George R. "The Open Stage: Elizabethan or Existentialist?" Shakespeare Survey 12 (1959): 1-7.
Kerrigan, John. Revenge Tragedy: Aeschylus to Armageddon, Oxford: Clarendon Press, 1996.
Kerrigan, William. Hamlet’s Perfection. Baltimore: Johns Hopkins University Press, 1994.
Kersey, John. Dictionarium Anglo-Britannicum: A General English Dictionary being an Interpreter of Hard Words.. London: J.Wilde, 1708. Rpt. Scolar, 1974.
Keyishian, Harry. The Shapes of Revenge: Victimization, Vengeance, and Vindictiveness in Sh. Atlantic Highlands, N. J.: Humanities Press, 1995.
Kiasashvili, Nico. "The Martyred Knights of Georgian Shakespeariana." Shakespeare Survey 48 (1995): 185-190.
Kidnie, Margaret Jane. “Text, Performance, and the Editors: Staging Shakespeare’s Drama.” Shakespeare Quarterly 51.4 (2000): 456-73.
Kiefer, Frederick. Writing on the Renaissance Stage: Written Words, Printed Pages, Metaphoric Books. Newark, DE: U of Delaware P, 1996.
Kiernan, Pauline. Shakespeare’s Theory of Drama. Cambridge and New York: Cambridge UP, 1996.
Kilroy, Gerard. “Requiem for a prince: rites of memory in Hamlet.” Theatre and Religion: Lancastrian Shakespeare, Richard Dutton, Alison Findlay and Richard Wilson, eds. Manchester and New York: Manchester UP, 2003.
Kincaid, Arthur Noel. "Hamlet's Cue for Passion in the Nunnery Scene." Shakespeare Studies X (1977): 99-113.
King, Mark. �The Theatricality of Rot in Thomas Middleton�s The Revenger�s Tragedy and William Shakespeare�s Hamlet.� The Upstart Crow: A Shakespeare Journal 20 (2000): 58-67.
King, T. J. Casting Shakeseare’s Plays: Actors and their roles, 1590-1642. Cambridge [England] and New York: Cambridge UP, 1991.
Kinnaird, Jonh. "Hazlitt and the 'Design' of Shakespearian Tragedy: A Character Critic Revisited." Shakespeare Quarterly 28.1 (1977): 22-39.
Kinnear, Benjamin Gott. Cruces Shakespearianæ: Difficult Passages in the Works of Shakespeare. The Text of the Folio and Quartos Collated with the Lections of Recent Editions and the Old Commentators with Original Emendations and Notes. London: George Bell and Sons, York Street, Covent Garden, 1883.
Kinney, Arthur F. Shakespeare's Webs: Networks of Meaning in Renaissance Drama. New York and London: Routledge, 2004.
Kirby, Ian J. "The Passing of King Lear." Shakespeare Survey 41 (1989): 145-157.
Kirby-Smith, H. T. The Celestial Twins: Poetry and Music through the Ages. Amherst: U of Mass P, 1999.
Kirsch, Arthur. The Passions of Shakespeare’s Tragic Heroes. Charlottesville and London: UP of Virginia, 1990.
Kirsh, Arthur C. “A Caroline Commentary on the Drama.” Modern Philology 66 (1968): 256-61.
Kirsch, James. Shakespeare’s Royal Self. New York: C. G. Jung Foundation, 1966.
Kishi, Tetsuo. “When the Suicide Becomes an Act of Honour: Julius Caesar and Hamlet in Late Nineteenth-Century Japan.” In Holland, 2001. 108-14.
Kiski, Tetsuo. "When Suicide Becomes an Act of Honour: Julius Caesar and Hamlet in Late Nineteenth-Century Japan." Shakespeare Survey 54 (2001): 108-114.
Kitto, H. D. F. Form and Meaning in Drama. London: Methuen, 1959.
Kittredge, George Lyman. Shakspere: An Address, 1916, Apr. 23. Cambridge, MA: Harvard UP, 1930. [Hamlet sections, pp. 12-14, 36-40] Rpt. in Price, 1986.
Klein, Joan Larsen. "'What is't to leave Betimes?' Proverbs and Logic in Hamlet." Shakespeare Survey 32 (1980): 163-176.
Kliman, Bernice W., ed. Approaches to Teaching Hamlet. New York: MLA, 2001, 2002.
Kliman, Bernice W. “Charles Jennens’ Shakespeare and his Eighteenth-Century Competitors.” Cahiers Elisabéthains: Late Medieval and Renaissance English Studies No. 58 (October 2000): 59-71.
Kliman, Bernice W. “Considering the Terminology of the New Bibliography and After.” Analytical and Enumerative Bibliography n.s. 10.3 (1999): 148-65.
Kliman, Bernice W. “Cum Notis Variorum: “A Nineteenth-Century ‘Restorer’ of Shakespeare’s True Text: David MacLachlan’s Hamlet.Shakespeare Newsletter 53:1 (Spring 2003): 15-16.
Kliman, Bernice W. “Cum Notis Variorum: Samuel Henley, Shakespeare Commentator in Bell’s Annotations.” Shakespeare Newsletter 48.4 (Winter 1998/1999): 91-2; 108, 110.
Kliman, Bernice W. “Cum Notis Variorum: Sucking Honey from Annotations: George Eliot and George Henry Lewes on Shakespeare.” Shakespeare Newsletter 49.3 (Fall 1999): 59-60, 64, 74, 78.
Kliman, Bernice W. “Cum Notis Variorum: Thomas Davies, Eighteenth-Century Commentator on Shakespeare: Marginalia and Published Notes.” Shakespeare Newsletter 51 (Winter 2001/2002): 83-84, 90, 96.
Kliman, Bernice W. The Enfolded Hamlets. New York: AMS Press, 2004.
Kliman, Bernice W. “Explicit Stage Directions (Especially graphics) in Hamlet.” In Stage Directions in Hamlet: New Essays and New Directions. Ed. Hardin L. Aasand. Madison, New Jersey: Fairleigh Dickinson UP, 2003. 74-91.
Kliman, Bernice W. Hamlet: Film, Television and Audio Performance. Madison, New Jersey: Fairleigh Dickinson UP, 1988.
Kliman, Bernice W. “Hamlet Productions Starring Beale, Hawke, and Darling from the Perspective of Performance History.” In A Companion to Shakespeare’s Works. Vol. 1. The Tragedies. Ed. Richard Dutton and Jean E. Howard, Malden, MA and Oxford: Blackwell Publishing, 2003. 136-57.
Kliman, Bernice W. “John Hughes and Shakespeare: The Eighteenth-Century Poet and the Construction of Knowledge. ” The Shakespearean International Yearbook 3: Where are we now in Shakespearean Studies. Ed. Graham Bradshaw et al. 3 (2003): 228-43.
Kliman, Bernice W. "Kozintsev's Hamlet, a Flawed Masterpiece." Hamlet Studies 2.1  (1979): 117-128. 
Kliman, Bernice W. “A Plan for www.hamletworks.org: An Offshoot of the New Variorum Hamlet Project. The Shakespearean International Yearbook 4: Shakespeare Studies Today. Ed. Graham Bradshaw. Tom Bailey and Mark Turner. 4 (2004): 135-67.
Kliman, Bernice W. “Preface” for A Synoptic Hamlet: a Critical-Synoptic Edition of the Second Quarto and First Folio Texts of Hamlet. Ed. Jesús Tronch-Pérez. València: Sederi: Universitat de València. 2002. 13-14.
Kliman, Bernice W. “Print and Electronic Editions Inspired by the New Variorum Hamlet Project.” Shakespeare Survey 59 (2006): 157-67.
Kliman, Bernice W. “Samuel Johnson and Tonson’s 1745 Shakespeare: Warburton, Anonymity and the Shakespeare Wars.” Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century, Joanna Gondris, ed. Madison, New Jersey: Fairleigh Dickinson UP, 1998. 299-317.
Kliman, Bernice W., and Kenneth S. Rothwell, co-founders and co-editors. The Shakespeare on Film Newsletter. Published by the University of Vermont and Nassau Community College, from 1976-1992. Index. Illus. Merged with The Shakespeare Bulletin in 1992. The complete SFNL will soon be on hamletworks.org.
Kliman, Bernice W. “Television.” The Oxford Companion to Shakespeare. Ed. Michael Dobson and Stanley Wells. Oxford: Oxford UP, 2001. 464-6.
Kliman, Bernice W. “Three Notes on Polonius: Position, Residence and Name.” Shakespeare Bulletin 20.2 (Spring 2002): 5-7.
Kliman, Bernice W. and Paul Bertram, eds. The Three-Text Hamlet: Parallel texts of the First and Second Quartos and First Folio. 2nd, revised ed. With Introduction by Eric Rasmussen. New York: AMS, 2003. See Bertram and Kliman.
Kliman, Bernice W. “The Unkindest Cuts: Flashcut Excess in Kenneth Branagh’s Hamlet.” Talking Shakespeare: Shakespeare into the Millennium. Ed. Deborah Cartmell and Michael Scott. Houndmills: Palgrave, 2001. 151-67.
Kliman, Bernice W. "Video in Andrzej Wajda's Stage Hamlet IV." 14.2 (April 1990):7.
Knapp, Robert S. Shakespeare—The Theater and the Book. Princeton: Princeton UP, 1989.
Knight, Charles. “Compositorial error.” N&Q 1st ser. 3 (4 Jan. 1851): 10.
Knight, Charles [kntn]. Studies in Shakspere: Forming a Companion Volume to Every Edition of the Text. London: Charles Knight, 1849.
Knight, G. Wilson. Byron and Shakespeare. London: Routledge & K. Paul, 1966.
Knight, G. Wilson. The Imperial Theme: Further Interpretations of Shakespeare's Tragedies including he Roman plays. London, H. Milford, Oxford UP, 1931.
Knight, G. Wilson. Myth and Miracle; an Essay on the Mystic Symbolism of Shakespeare. London: E. J. Burrow, 1929.
Knight, G. Wilson. Principles of Shakespearian Production: with Especial Reference to the Tragedies. London: Faber and Faber, [1936].
Knight, G. Wilson. Shakespearian Dimensions. Sussex and New Jersey: The Harvester Press and Barnes & Noble Books, 1984.
Knight, G. Wilson. Shakespeare and Religion: Essays of Forty Years. New York: Barnes & Noble, [1967].
Knight, G. Wilson. The Shakespearian Tempest. London: H. Milford; Oxford UP, 1932.
Knight, G. Wilson. Shakespeare’s Dramatic Challenge: On the Rise of Shakespeare’s Tragic Heroes. London: Croom Helm; New York: Barnes & Noble Books, c1977.
Knight, G. Wilson. The Sovereign Flower, on Shakespeare as the Poet of Royalism, Together with Related Essays and Indexes to Earlier Volumes. London: Methuen, [c. 1958].
Knight, G. Wilson. The Wheel of Fire: Essays in Interpretation of Shakespeare’s Sombre Tragedies. London: Oxford UP, 1930. Rpt. 1949, with 3 new essays.
Knights, L. C. An Approach to Hamlet. Stanford, CA: Stanford University Press, 1961. Rpt. in his Hamlet and Other Shakespearean Essays (Cambridge: Cambridge UP, 1979), pp. 55-9).
Knights, L. C. Explorations: Essays in Criticism, Mainly on the Literature of the Seventeenth Century. London, Chatto & Windus, 1946.
Knowles, Richard. As You Like It. A New Variorum Edition of Shakespeare. New York: MLA, 1977.
Knowles, Richard. “Dates for Some Serially Published Shakespeares.” Studies in Bibliography 40 (1987), 187-201.
Knutson, Roslyn L. "Falconer to the Little Eyases: A New Date and Commercial Agenda for the 'Little Eyases' Passage in Hamlet." Shakespeare Quarterly 46.1 (1995). 1-31.
König, Wilhelm. “Die Grundzüge der Hamlet-Tragödie.” Jahrbuch der Deutchen Shakespeare-Gesellschoft 6 (1871): 277-316.
Korshin, Paul J., ed. Johnson After Two Hundred Years. Philadelphia: UP Pennsylvania, 1986.
Korshin, Paul J. The Widening Circle: Essays on the Circulation of Literature in Eighteenth-Century Europe. Includes essays by Robert Darnton, Bernhard Fabian and Roy McKeen Wiles. [Philadelphia]: University of Pennsylvania Press, 1976.
Kott, Jan. Shakespeare Our Contemporary. London: Methuen, 1964.
Kozikowski, Stanislaus J. "The Three Medieval Plots of Hamlet: Psychomachia, Ars Moriendi, Memento Mori." Hamlet Studies 20.1-20.2 (1998): 63-70. 
Kraft, Barry, corresponding commentator; dramaturg and actor.
Krutch, Joseph Wood. “The Tragic Fallacy.” The Modern Temper. New York: Harcourt Brace Jovanowich, 1957. 79-97.
Kuist, James. M. The Nichols File of the Gentleman’s Magazine: Attributions of Authorship and Other Documentation in Editorial Papers at the Folger Library. Madison, Wis.: University of Wisconsin Press, 1982.
 The L’s
L. H. letter to Watts for Theobald, 15 Dec. 1732. Folger ms. W.b. 75, fol. 154.
Lacan, Jacques. “Desire and the Interpretation of Desire in Hamlet,” Yale French Studies 55/56 (1977): 11-52.
Lacan, Jacques. Feminine Sexuality: Lacan and the école freudienne. Juliet Mitchell and Jacqueline Rose, eds. Trans. Jacqueline Rose. New York: Norton, 1982.
Lacan, Jacques. Jacques Lacan. Ed. Jonathan Scott. Twayne World Authors Series 817. Boston: Twayne, 1990. [On Hamlet 108-22]
Lal, Sikandar. "Secular Tragedy--The Case of Claudius." Hamlet Studies 18.1-18.2  (1996): 49-64. 
Lamb, Charles. Charles Lamb on Shakespeare. Joan Coldwell, ed. New York: Barnes & Noble Books, 1978.
Lamb, Charles. On the Tragedies of Shakespeare Considered with Reference to their Fitness for Stage Representation. 1811.
Lamb, Charles, [and Mary Lamb]. Tales from Shakespear: designed for the use of young persons. London: Printed for Thomas Hodgkins, 1807.
Lancashire, Ian. “The Early Modern English Renaissance Dictionaries Corpus.” English Language Corpora: Design, Analysis and Exploitation. Papers from the Thirteenth International Conference on English Language Research on Computerized Corpora. Jan Aarts, Pieter de Haan and Nelleke Oostdijk, eds. Nijmegan, 1992.
Landis, Joan. “Shakespeare’s Poland,” Hamlet Studies 6 (1984): 8-17.
Landry, Hilton. “The Leaven of Wickedness: Hamlet, I. iv. 1-18 [TLN 603-21].” Pacific Coast Studies in Shakespeare. Ed. Waldo F. McNeir and Thelma N. Greenfield. Eugene, OR: U of Oregon P, 1966. 122-33.
Langbaine, Gerard. An Account of the English Dramatic Poets. Oxford: Printed by L[eonard]. L[ichfield] for George West, and Henry Clements, 1691. Augustin Reprint Society. Special series no. 5. Los Angeles: William Andrews Clark Memorial Library, 1971. [See also Vickers, 1974, 1: 417-23]
Langbaine, Gerard [Gildon, Charles]. The Lives and Characters of the English Dramatic Poets....First begun by Mr. Langbaine, improved and continued down to this Time, by a Careful Hand. London: Nich. Cox and William Turner, 1699.
Langston, Beach. “Essex and the Art of Dying.” Huntington Library Quarterly 13 (1950): 109-29.
Lansdowne, George Granville. “Unnatural Flights in Poetry, Explained and Illustrated.” In Buckingham, John Sheffield.
The Laws of Poetry, as laid down by the Duke of Buckinghamshire in his Essay on Poetry, by the Earl of Roscommon in his Essay on Translated Verse, and by the Lord Lansdowne on Unnatural Flights in Poetry, Explained and Illustrated. London: printed for W. Hinchliffe; and J. Walthoe, 1721. [See George Henry Lewes, Quarterly Review 105 (Jan., Apr. 1859): 62]
Larson, Kenneth E. “Introduction: Tradition and New Directions in the Study of French and German Shakespeare Reception,” Michigan Germanic Studies; Special Issue on The Reception of Shakespeare in Eighteenth-Century France and Germany. Kenneth E. Larson and Hansjoerg R. Schelle, eds. U. of Michigan Dept. of Germanic Languages and Literature. 15.2 (Fall 1989): 103-13.
Latham, R. G. Ms. letter to C. M. Ingleby, Jan. 18, 1864. Folger c. a. 25 (2) (vol. iv of Ingleby letters).
Latham, R. G. Two Dissertations on the Hamlet of Saxo Grammaticus and of Shakespear. I. The Historical Personality of Hamlet. II. The Relation of the "Hamlet" of Shakespear to the German Play, ‘Prinz Hamlet Aus Dänemark,’ etc.. London: Williams and Norgate, 1872.
Lavater, Ludwig [ard2 says “Lewis”]. Of Ghostes and Spirites walking by Nyght,” Parte the Seconde, pp. 106, 107, 4to. B.L. 1572. Latin original published in Zurich, 1570. English trans. by R. H., 1572, Of Ghostes and Spirites walking by Nyght. 2nd ed. 1596. [Drake, 2: 413n quotes “From the chapter entitled, ‘The Papistes doctrine touching the soules of dead men, and the appearing of them.’ and later, p. 416, from ch. 2, p. 103]. See also Wilson and Yardley, below, and Hoy, ed. Norton Critical Edition of Hamlet.
Lavater, Ludwig (1527-1586). Of Ghostes and Spirites Walking by Nyght, 1572. Ed. with introduction and appendix by J. Dover Wilson . . . and May Yardley. Oxford: For the Shakespeare Association at the UP, 1929.
Lawrence, D. H. “Amleto.” Twilight in Italy and Other Essays. Cambridge: Cambridge UP, 2002.
Lawrence, W[illiam] J[ohn]. Pre-Restoration Stage Studies. Cambridge: CUP, 1927.
Lawrence, W[illiam]. J[ohn]. Shakespeare's Workshop. Oxford, B. Blackwell, 1928.
Leacroft, Richard. The Development of The English Playhouse: An Illustrated Survey Of Theatre Building In England From Medieval To Modern Times. London: Methuen, 1988.
Leacroft, Richard and Helen. Theatre and Playhouse: An Illustrated survey of theatre building from Ancient Greece to the present day, with isometric reconstructions by Richard Leacroft. London: Methuen, 1984.
Leavenworth. Russell E., ed. Interpreting Hamlet: Materials for Analysis. San Francisco: Howard Chandler, 1960.
Lee, Sidney. Elizabethan and Other Essays. Sel. and Ed. Frederick S. Boas. Oxford: Clarendon Press, 1929.
Leech, Clifford. Shakespeare's Tragedies and Other Studies in Seventeenth-Century Drama. London: Chatto &: Windus, 1950. Rev. TLS 49 (1950): 724. The thesis, that tragedy and Christinaity are incompatible, is not proven.
Leech, Clifford. “Studies in Hamlet, 1901-1955.” Shakespeare Survey 9 (1956): 1-15.
Lee-Riffe, Nancy M. "What Fortinbras and Laertes Tell About Hamlet." Hamlet Studies. 3.2 (1981): 103-109.
Legh, Gerard. The Accedence of Armorie. Newly corrected and augmented. 1612. STC 15393. [First published in 1562 (STC 15388), and several times reprinted before this corrected and augmented edition].
Legis, R. H. “Age of Horatio,” N&Q 5th ser. 6 (5 Aug. 1876): 103-4.
Leigh, James Henry. The New Rosciad, in the Manner of Churchill: Containing A Judicious, Humorous and Critical Description of our Present Dramatic Characters. Dedicated to George Colman, Esq. London: Printed for E. Macklew, 1785. [A poem of the same title, dated 1786, but only about half the length of this one appears in Leigh’s collection of poems]
Leinwand, Theodore B. "Conservative Fools in James's Court and Shakespeare's Plays." Shakespeare Studies 19 (1987): 219-237
Le Loyer, Pierre. IIII Liures des Spectres ou Apparitions et Visions d’Espirits, Anges et Demons. Angers, 1586.
[Lennox, Charlotte (Ramsay)]. Shakespear Illustrated : Or the Novels and Histories on which the Plays of Shakespear are Founded, Collected and Translated from the Original Authors with Critical Remarks. By the Author of the Female Quixote. 3 vols. London: A. Millar, 1758. Rpt. New York: AMS, 1973. [Hamlet vol. 2]
Lenz,Carolyn Ruth Swift Lenz, Gayle Greene, and Carol Thomas Neely, eds. The Woman's Part: Feminist Criticism of Shakespeare. Urbana: U of Illinois P, 1980.
Leo, F. A. Die Dilius’sche Kritik der von J. Payne Collier ausgesonderen alten handschriftlichen Enendationen zum Shakespeare. Berlin: A. Asher, 1853.
Leo, F. A. “Passages in Hamlet [3:2:269]” N&Q 3rd ser. 2 (27 Dec. 1862), 502; N&Q 3rd ser. 7 (19 Nov. 1864): 410-11
Leo, F. A. "Shakespeare’s Frauen-Ideale." Fest-Vortrag am 23. April 1868 vor der General-Versammlung der deutschen Shakspeare-Gesellschaft zu Weimar gehalten von F. A. Leo. Halle: G. Emil Barthel. 1868.
Leo, F. A. “Rosenkrantz und Guldenstern,” Shakespeare Jahrbuch 25 (1890): 281-6. [Includes two facsimiles]
Leo, F.A. Shakespeare-Notes. London: Trübner & Co., 1885.
Lerner, Lawrence, ed. Shakespeare’s Tragedies: An Anthology of Modern Criticism. Harmondsworth: Penguin, 1963.
le Trouveur, Jean. “Passages in Hamlet.” N&Q 3rd ser. 2 (27 Dec. 1862): 502.
Levenson, Jill L. "'Hamlet' Andante/'Hamlet' Allegro: Tom Stoppard's Two Versions." Shakespeare Survey 36 (1983): 21-28.
Leverenz, David. “The Woman in Hamlet: An Interpersonal View.” Representing Shakespeare: New Psychoanalytic Essays. Ed. Coppelia Kahn and Murray Schwartz. Baltimore: Johns Hopkins, 1980.
Levin, Harry. The Question of Hamlet. London: Oxford, 1959.
Levin, Richard Louis. The Multiple Plot in English Renaissance Drama. Chicago: U Chicago P, 1971.
Levitsky, Ruth M. “Rightly to be Great.” Shakespeare Studies 1 (1965): 142-67.
Lewes, Charles Lee. Memoirs of Charles Lee Lewes, containing anecdotes historical and biographical, of the English and Scottish stages, during a period of forty years. Written by himself. in four volumes. London: Printed for Richard Phillips . . . 1805 by T. Gillet, Salisbury-square.
Lewes, George Henry. “Hamlet and the German Critics.” John Forster, George Henry Lewes: Dramatic Essays Reprinted from the “Examiner” and the “Leader.” Ed. William Archer and Robert W. Lowe. London: Walter Scott, 1897. 206-42.
Lewes, George Henry] The Letters of George Henry Lewes. 3 vols. Ed. William Baker. English Literary Studies. Victoria, B.C., 1995-1999.
Lewes, George Henry. “Modern English Dramatists,” British and Foreign Review; or, European Quarterly 17 (1844?): 502-41.
Lewes, George Henry. “On the Character and Works of Göthe. London: Printed by Richard and John E. Taylor, 1842. 78-135. [Extracted from the British and Foreign Review or European Quarterly Journal, No. 27]
Lewes, George Henry. On Actors and the Art of Acting. London: Smith, Elder, & Co., 1875.
Lewes, George Henry.On madness p. 137 in “Foreign Actors on our Stage,” New York: Greenwood Press, 1968. [Hamlet, 126-77]
[Lewes, George Henry.] “Recent Editions of Shakespeare.” Quarterly Review 79 (1847): 310-35.
[Lewes, George Henry.] Quarterly Review 105 (Jan, April 1859): 45-74. [Review of dyce ed. 1858]
Lewes, George Henry. “Shakespeare in France.” Cornhill Mag. 11 (1865): 33-51.
Lewes, George Henry. “Shakspeare’s Critics: English and Foreign.” Edinburgh Review (July 1849): 21-41.
Lewis, C. M. to be filled in.
Lewis, C. S. “Hamlet: The Prince or the Poem?” Proceedings of the British Academy. London: Oxford UP, 1942. 28: 147-52.
Lichtenberg, Georg Christian. Lichtenberg’s Visits to England, as Described in His Letters and Diaries. Ed. and trans. Margaret L. Mare and W. H. Quarrell. Oxford: The Clarendon Press, 1938.
Lidz, Theodore. Hamlet’s Enemy: Madness and Myth in Hamlet. New York: Basic Books, 1975. Examined but not noted.
Liebler, Naomi Conn. “Hamlet’s Hobby-Horse,” Cahiers Élisabéthains 45 (April 1994): 33-45.
Liebler, Naomi Conn. Shakespeare’s Festive Tragedy: The Ritual Foundations of Genre. London and New York: Routledge, 1995.
Liepert, I. Shakespeare's Hamlet. Straubing: C. Attenkoser, 1892. [Rev. in Anglia 4 (1894): 40]
Livingston, Howard. "Hamlet, Ernest Jones, and the Critics." Hamlet Studies 2.1 (1980):
             25-34. 
Lloyd, Robert. The Actor: A Poem of Robert Lloyd. [1760] London: Beaumont, 1926.
Lloyd, William Watkiss. Critical Essays on the Plays of Shakespeare. London: George Bell, 1904.
Lloyd, William Watkiss. Essays on the Life and Plays of Shakespeare. London: C. Whittingham, 1858.
Lodge, Thomas. Wits miserie and the worlds madnesse. Amsterdam, Theatrum Orbis Terrarum; New York, Da Capo Press, 1969. Original TP: VVils miserie, and the VVorlds madnesse: discouering the deuils incarnat of this age. London, Printed by Adam Islip, and are to be sold by Cutbert Burby, at his shop by the Roiall-Exchange, 1596. STC 16677.
Loades, David. The Tudor Court. Totowa, NJ: Barnes & Noble, 1987.
Loewenstein, Joseph. “Plays Agonistic and Competitive: The Textual Approach to Elsinore.” Renaissance Drama, n.s. 19 (1988): 63-96.
Lofft, Capel. Aphorisms from Shakespeare; Arranged According to the Plays. Printed for Longman, Hurst, Rees, Orme, and Brown, Paternoster-Row. London: Gedge and Barker, Bury, 1812.
Long, Michael. The Unnatural Scene: A Study in Shakespearean Tragedy. London : Methuen, 1976. [“Denmark and Its Prince,” 124-57]
Long, William B. “‘Precious Few’: English Manuscript Playbooks.” A Companion to Shakespeare. Ed. David Scott Kastan. Oxford: Blackwell, 1999.
Loraux, Nicole. Mothers in Mourning. Trans. Corinne Pache. Ithaca and London: Cornell UP, 1998. [French ed.1990]
Loraux, Nicole. Tragic Ways of Killing a Woman. Trans. Anthony Forster. Cambridge: Harvard UP, 1987.
Lounsbury, Thomas R. The First Editors of Shakepeare (Pope and Theobald).The Story of the First Shakespearian Controversy and of the Earliest Attempt at Establishing a Critical Text of Shakespeare. London: David Nutt, 1906.
Low, Anthony. “Hamlet and the Ghost of Purgatory: Intimations of Killing the Father." English Literary Renaissance 29.3 (1999): 443-67.
Lowth, Robert. A Short Introduction to English Grammar. 1763. Rpt. Scolar, 1967. The premier English grammar between 1763-1840.
Lukacher, Ned. Daemonic Figures: Shakespeare and the Question of Conscience. Ithaca: Cornell UP, 1994.
Lunt, Forrest S. Shakespeare Explained: A Reader’s Guide. New York: Hearst’s International Library Co., 1915.
Lusardi, James P. "Hamlet on the Postmodernist Stage" The Revisionings of Bergman and Wagda." Hamlet Studies 19.1-19.2 (1997): 64-77. 
Lupton, Julia Reinhard and Kenneth Reinhard. After Oedipus: Shakespeare in Psychoanalysis. Ithaca: Cornell UP, 1993.
Lyons, Bridget Gellert. “The Iconography of Ophelia.” English Literary History 44 (1977): 60-74.
Lyons, Bridget Gellert. “Melancholy and Hamlet.Voices of Melancholy: Studies in Literary Treatments of Melancholy in Renaissance England. New York: Barnes and Noble, 1971.
Lynch, Kathleen M. Jacob Tonson. Kit-Cat Publisher. Knoxville: U. of Tennessee P, 1971:132.
Lytton, Robert. “Old Criticism on Old Plays and Old Players,” Fortnightly Review 15 (Feb 1, 1871): 221-39.
 The M’s
MacDonald, George. A Dish of Orts. Chiefly Papers on the Imagination, and on Shakspere. Enlarged Edition. London: Sampson Low Marston & Co, Ltd., 1893.
MacDonald, George, LLD. A Dish of Orts: Chiefly Papers on the Imagination and on Shakespeare. London: Edwin Dalton, 1908. Rpt. 1977.
MacDonald, Michael. "Ophelia's Maimed Rites." Shakespeare Quarterly 57.3 (1986): 309-317.
MacDonell, P. “An essay on the tragedy of Hamlet. Embracing a view of Hamlet’s character--his feigned or real madness--conduct to Ophelia--the soliloquy on suicide, &c., &c., interspersed with reflections on the writings and genius of Shakespeare." London: Cunningham and Mortimer, 1843.
Mack, Maynard. Alexander Pope: A Life. New Haven: Yale UP, 1985.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln: U of Nebraska P, 1993. [“‘The Readines Is All’: Hamlet” 107-27]
Mack, Maynard. “The World of Hamlet,” The Yale Review 41 (1952): 502-23. Rpt. Price, 1986.
Mackay, Charles. "Celtic or Gaelic Words in Shakespeare and His Contemporaries�Miching Mallecho," The Athenaeum October, 1875, in vol. July-Dec. No. 2503. London: J. Francis, 1875.
Mackay, Charles. A Glossary of Obscure Words and Phrases in the Writings of Shakespeare and his Contemporaries. London: Sampson Low, Marston, Searle, and Rivington, 1887.
Mackay, Charles. New Light On Some Obscure Words And Phrases In The Works Of Shakspeare and His Contemporaries. London: Reeves & Turner, 1884.
[Mackenzie, Henry. ] The Mirror 3, no. 99 (Tues. April 18, 1780), 227-37; pt. 2, The Mirror 3, no. 100 (Sat. April 22, 1780): 238- 46. The Mirror (April 18 and 25, 1780). Rpt. in British Essayists (London, 1827): 24:420-3. Mackenzie, Henry. “Observations on Shakespeare’s Hamlet.” The Mirror No. 99 (18 and 22 April 1780): 393-9. Rpt. Price, 1986. [On Hamlet, pt. 1]
[Mackenzie, Henry.] [On sensibility, melancholy, jocularity and Hamlet] The Lounger no. 91 (Sat. Oct. 28, 1786): 361-4.
MacKenzie, V. St. Clair. “Shakespeariana.” N&Q 9th ser. 12 (24 Oct. 1903): 323.
Macintyre, Jean. "Hamlet and the Comic Heroine." Hamlet Studies. 4.1-4.2 (1982): 6-18. 
Madariaga, Salvador de. On Hamlet. London: Hollis & Carter, 1948. Rpt. Frank Cass, 1964. See also de Madariaga, above.
Magnus, Laury. “Tragic Closure in Hamlet.Connotations: A Journal for Critical Debate 11 (2001/2002): 180-200.
Magnusson, Lynne. “Introduction.” Shakespeare and Social Dialogue: Dramatic Literature and Ellizabethan Letters. Cambridge: Cambridge UP, 1999.
Maguin, Jean-Marie, and Michèle Willems, eds. French Essays on Shakespeare and His Contemporaries.: ‘What would France with us?” Newark: U of Delaware P, 1995.
Maguire, Laurie E., ed. How to Do Things with Shakespeare: New Approaches, New Essays. Maldon, MA: Blackwell, 2008. On sources, history, text (editing), Animals, Posterity.
Maguire, Laurie E. Shakespeareare’s Suspect Texts: The Bad Quartos And Their Contexts. Cambridge: Cambridge UP, 1996.
Maher, Mary Z. "Hamlet's BBC Soliloquies." Shakespeare Quarterly 36.4 (1985): 417-426.
Mahon, John W. "Providential Visitations in Hamlet." Hamlet Studies. 8.1-8.2 (1986):  40-51. 
Mahoud, M. M. Shakespeare’s Wordplay. London: Methuen, 1968.
Mahoud, M[olly] M[aureen]. “Unblotted Lines: Shakespeare at Work” Annual Shakespeare Lecture of the British Academy 1972. Proceedings of the British Academy 58. London: Oxford UP, 1972.
Malleson, J. P. “Was King Claudius A Usurper?” TLS 1936, p. 15. A counter argument to Dover Wilson's claim that Claudius was a usurper.
Malleson, W.T. “Which are Hamlet’s ‘Dozen or Sixteen Lines’? A Paper read before The New Shakspere Society at the eleventh meeting, Friday, December 11, 1874, at University College, London. Published in New Shakespeare Transactions1874. London: Trübner, n.d. 466-98. [A response to J. R. Seeley, p. 465]
[Mallet, David. Of Verbal Criticism: An Epistle to Mr. Pope. Occasioned by Theobald’s Shakespear, and Bentley’s Milton. London: Printed for Lawton Gulliver..... 1733.
Mallet, Paul Henri. Introduction a l’histoire de Dannemarc. Trans. Thomas Percy. Northern Antiquities . . . 2 vols. London: Printed for T. Carnan and Co., 1770.
Mallin, Eric S. “Happy Suicide.” Godless Shakespeare. London: Continuum, 2007. 59-63.
Mallin, Eric S. “Succession, Revenge, and History: The Political Hamlet.” and “Word and Plague in the Second Quarto Hamlet.” In Inscribing the Time: Shakespeare and the End of Elizabethan England. Berkeley: U of California P, 1995. 62-105 and 106-66, respectively.
Mallin, Eric S. “‘You Kilt My Foddah’: or Arnold, Prince of Denmark.” Shakespeare Quarterly 50.2 (Summer 1999): 127-51.
Malone, Edmond. A Letter to Rev. Richard Farmer, D.D. Master of Emanuel College, Cambridge; Relative to the Edition of Shakspeare, Published in 1790. And Some Late Criticisms on That Work. London: Printed for G.G.J. and J. Robinson, T. Payne, and R. Faulder, 1792.
Malone, Kemp. The Literary History of Hamlet. Heidelberg: C. Winter, 1923.
Mander, Raymond, and Joe Michenson, compilers. Hamlet through the Ages: A Pictorial Record from 1709. 2nd ed. rev. Ed. Herbert Marshall. Freeport, NY: Books for Libraries P, 1971.
Mangan, Michael. A Preface to Shakespeare’s Comedies: 1594-1603. London and New York: Longman, 1996.
Mangan, Michael. A Preface to Shakespeare’s Tragedies. London and New York: Longman, 1991.
Marienstras, Richard. New Perspectives on the Shakespearean World. 1981. Trans. Janet Lloyd. Cambridge and New York: Cambridge UP; Paris: Editions de la maison des sciences de l’homme, 1985. [Rev. by Brian Vickers, Renaissance Quarterly 43.2 (Summer 1990): 438-341]
Marks, Robert. Hamlet: Another Interpretation Mahoney City, PA: Raven Pub. Co., 1980.
Marsh, John B., compiler. The Reference Shakspere: A Memorial Edition of Shakspere’s Plays, containing 11,600 References. Simpkin, Marshall and Co.[etc., etc.], 1864.
Marshall, Frank A. A Study of Hamlet. London: Longmans, Green, & Co., 1875.
Maslen, Elizabeth. “Scenes Unseen in Hamlet.” New Comparison 2 (1986): 14-30.
Maslen, Elizabeth. “Yorick’s Place in Hamlet.” Essays and Studies by Members of the English Association 36 (1983): 1-13.
Mason, John Monck. Comments on the Last Edition of Shakespear’s Plays. Dublin: Printed by P. Byrne, 1785.
Mason, John Monck. Comments on the Plays of Beaumont and Fletcher: with an Appendix Containing Some Further Observations on Shakespeare, Extended to the Late Editions of Malone and Steevens. London: Printed for E. Harding, 1797.
Mason, John Monck. Comments on the Several Editions of Shakespeare’s Plays extended to those of Malone and Steevens. Dublin: Printed by Graisberry & Campbell, 1807.
Massey. Gerald. The Secret Drama of Shakspeare’s Sonnets. London: Clay, 1888. Quoted by Anon. 1884.
Massey. Gerald. The Secret Drama of Shakspeare’s Sonnets Unfolded with the Characters Identified. 2nd ed. enlarged. 100 copies. Privately printed, 1872. 2nd ed. with supplement identifies Hamlet with Essex.
Matheson, Mark. "Hamlet and 'A Matter Tender and Dangerous'." Shakespeare Quarterly 46.4 (1995): 383-397.
Matheson, Mark. "Venetian Culture and the Politics of Othello." Shakespeare Survey 48 (1995): 123-133.
Matheson, Tom. "Hamlet's Last Words." Shakespeare Survey 48 (1995): 113-121.
Mätzner, Eduard Adolf Ferdinand. Altenglischen Sprachbroben mit etymologischen Wörterbuch. Folger has 2nd ed. Mittelengilische Sprach und Literaturproben: Neuausgabe von Mätzers Altenglsichen Sprachproben . . . 2nd ed. A. Brandl and O. Zippel eds. Berlin: Weidmannsche Buchh., 1927.
Maus, Katharine Eisaman. Inwardness and Theater in the English Renaissance. Chicago and London: U of Chicago P, 1995.
Maxwell, Baldwin. "Hamlet's Mother." Shakespeare Quarterly 15.2 (1964): 235-246.
Maxwell, Herbert. “On the Gentle Art of Blazon.” Blackwood’s Magazine 178 (July 1905): 26-41.
Maxwell, J. C. "Rev. Grebanier’s Heart of Hamlet and Lökse’s Outrageous Fortune." N&Q 207, n.s. 9 (1962: 152-4.
Mazrui, Alamin M. “Shakespeare in Africa: Between English and Swahili Literature.” Research in African Literature 27 (Spring 1996): 64-79.
McAlindon, T. "Indecorum in Hamlet." Shakespeare Studies 5 (1969): 70-96.
McCombie, Frank. "Hamlet and the Moriae Encomium." Shakespeare Survey 27 (1974): 59-69.
McCoy, Richard C. "A Wedding and Four Funerals: Conjunction and Commemoration in Hamlet." Shakespeare Survey 54 (2001): 122-139.
McDonald, Russ. "Osric." Hamlet Studies. 5.1-5.2 (1983): 59-65. 
McDonald, Russ, ed. Shakespeare Reread: The Texts in New Contexts. Ithaca: Cornell UP, 1994.
McElroy, Bernard. Shakespeare’s Mature Tragedies. Princeton, NJ: Princeton UP, 1973.
McGann, Jerome. A Critique of Modern Textual Criticism. Charlottesville and London: UP of Virginia. 1992.
McGann, Jerome. The Textual Condition. Princeton, NJ: Princeton UP, 1991.
McGee, Arthur. The Elizabethan Hamlet. New Haven: Yale UP, 1987.
McGuire, Philip C. “Bearing ‘A Wary Eye’: Ludic Vengeance and Doubtful Suicide in Hamlet.” From Page to Performance: Essays in Early English Drama. Ed. John A. Alford. East Lansing: Michigan State UP, 1995. 235-53.
McKenzie, D. F. “Printers of the Mind: Some Notes On Bibliographical Theories and Printing-House Practices.” Studies in Bibliography. 22 (1969): 1-75.
Mckerrow, Ronald B. An Introduction to Bibliography For Literary Students. Oxford: OUP, 1928.
Mckerrow, Ronald B. Query in N&Q 6.2 (May 1946): 24-5.
Mckerrow, Ronald B. Prolegomena for the Oxford Shakespeare. Oxford: Oxford UP, 1939.
Mckerrow, Ronald B. The Treatment of Shakespeare’s Text by His Earlier Editors: 1709-1768. Annual Sh Lecture of the British Academy, 1933. From Proceedings of the British Academy 20. London: 1934. Rpt. Folcroft, PA: Folcroft Library Editions, 1974.
McLaughlan, Juliet. "The Prince of Denmark and Claudius's Court." Shakespeare Survey 27 (1974): 43-57.
McLeod, Randall, ed. [a.k.a. Random Cloud] Crisis in Editing: Texts of the Engish Renaissance. Papers given at the twenty-fourth annual Conference on Editorial Problems, University of Toronto, 4-5 November 1988. New York: AMS Press, 1994.
[McLeod, Randall] Random Cloud. “What’s the Bastard’s Name?” Shakespeare’s Speech-Headings: Speaking the Speech in Shakespeare’s Plays: The papers of the Seminar in Textual Studies: Shakespeare Association of America, March 29, 1986, Montreal. Ed. George Walton Williams. Newark, Del.: U of Delaware P, 1997. 131-209.
McManaway, James G. Publications of the Bibliographical Society of America, 43 (1949): 315.
McManaway, James G. “‘Excerpta Quaedam per A. W. Adolescentem.’” In Studies in Honor of DeWitt Starnes. Ed. Thomas P. Harrison [and others]. Austin, Published for the University of Texas by the Humanities Research Center, 1967. 117-29.
McManaway, James G. "Recent Studies in Shakespeare's Chronology." Shakespeare
Survey 3 (1950): 22-33.
McManaway, James Gilmer. “The Two Earliest Prompt books of Hamlet.” The Papers of the Bibliographical Society of America 43 (1949): 288-320.
McMullin, B. J. “T. Johnson, Bookseller in The Hague.” In An Index of Civilization: Studies of Printing and Publishing in Honour of Jeith Maslen. Ed. R. Harvey, W. Kirsop, and B. J. McMullin. Clayton, Victoria, Australia: Centre for Bibliographical and Textual Studies: Monash University, 1993.
Henkin-Melzer, Annabelle, and Kenneth S. Rothwell Shakespeare on Screen: An International Filmography and Videography.. New York: Neal-Schuman, 1990. See also Rothwell, below.
Menzer, Paul. "The Tragedians of the City? Q1 Hamlet and the Settlements of the 1590s." Shakespeare Quarterly 57.1 (2006): 162-182.
Mercer, Peter. Hamlet and the Acting of Revenge. Iona City: University of Iowa Press, 1987.
Merchant, W. M[oelwyn]. “Francis Hayman’s Illustrations of Sh.” Shakespeare Quarterly 9 (1952): 140-47.
Merchant, W. M[oelwyn]. Shakespeare and the Artist. London: Oxford UP, 1959.
Meres, Francis. Palladis Tamia, Wits Treasvry Being the Second part of Wits Common wealth. By Francis Meres Maister of Artes of both Vniuersities. London: Printed by P. Short, for Cuthbert Burbie, and are to be solde at his shop at the Royall Exchange, 1598. Rpt. with an introduction by Don Cameron Allen. New York: Scholars’ facsimiles & reprints, 1938.
Middle English Dictionary (MED). Ed. Robert E. Lewes et al. Ann Arbor: U of Michigan P, 1952-c2001. Available free on line: http://quod.lib.umich.edu/m/med/
Miles, George H. A Review of Hamlet. Baltimore: Kelly, Piet & Co., 1870.
Miles, Vernon Garth. "Hamlet's Search for Philosophic Integration: A Twentieth Century View." Hamlet Studies 7.1-7.2 (1985): 27-37. 
Miller, Aura Maud. "Varia on The Text of Hamlet." Inaugural Dissertation for the Degree of Doctor of Philosophy at the University of Michigan. Ann Arbor, Michigan June 1905.
Mills, John A. Hamlet on Stage: The Great Tradition. Westport, CT: Greenwood Press, 1985.
Milne, Joseph. "Hamlet: The Conflict between Fate and Grace." Hamlet Studies 18.1-18.2 (1996): 29-48. 
Milward, Peter. “Two Biblical Soliloquies.” N&Q ns 38.4 (Dec. 1991): 486-9.
Mincoff, Marco. "Shakespeare, Fletcher and Baroque Tragedy." Shakespeare Survey 20 (1967): 1-15.
Mincoff, Marco. “The Structural Pattern of Shakespeare’s Tragedies,” Shakespeare Survey 3 (1950): 58-62.
Minsheu [or Minshew], John. Ductor in linguas (Guide into the tongues) and Vocabularium hispanicolatinum (1617). A facsimile reproduction with an intro. by Jürgen Schäfer. Delmar, NY: Scholars' Facsimiles & Reprints, 1978. 18th-century editors mention Minsheu frequently.
Miola, Robert. Shakespeare’s Rome. New York: Cambridge University Press, 1983. [On Hecuba 30n, 31, 34-5, 48, 60-1, 74, 171, 201, 224-5]
[Mitford, J. ] “Conjectural Emendations on the Text of Shakspere, with Observations on the Notes of the Commentators,” Gent. Mag. 22 (Aug. 1844): 115-36. [Continued (Nov. 1844): 451- 72 (he calls this Pt. 3, continued from p. 136); this essay that continues in v. 23 (Feb.1845): 115-132 is entirely on Ham. Then continues (June 1845): 571-85 where it concludes “for a time” and which has more on Ham.]
[Mitford, J.] “Review of Joseph Hunter’s New Illustrations of the Life . . .” Gent. Mag. 24 (Aug. 1845): 107-19.
Mitford, John. Cursory Notes on Various Passages in the Text of Beaumont and Fletcher, as edited by the Rev. Alexander Dyce, and on his “Few Notes on Shakespeare.” London: John Russell Smith, 1856.
Modenessi, Alfredo Michel. "Of Shadows and Stones: Revering and Translating 'The Word' Shakespeare in Mexico." Shakespeare Survey 54 (2001): 152-64.
Mommsen, Tycho. “‘Hamlet,’ 1603; and ‘Romeo and Juliet,’ 1597,” Athenæum 7 Feb. 1857, rpt. v1877 2:25-6. [According to Jill Levenson, Mommsen was the first to use the phrase “memorial reconstruction,” Oxford ed., 2000, p. 117 and 117 n. 3]
Montagu, Elizabeth [Robinson]. An Essay on the Writing and Genius of Shakespear, Compared with the Greek and French Dramatic Poets....1769. Rpt. New York: Augustus Kelley pub., 1970.
Montaigne, Michael De. Essays. Trans. John Florio. London, 1603.
Moody, Jane. "Writing for the Metropolis: Illegitimate Performances of Shakespeare in Early Nineteenth-Century London." Shakespeare Survey 47 (1994): 61-69.
Moore, Edward M. "William Poel." Shakespeare Quarterly 23.1 (1973): 21-36.
Moore, Jeanie Grant. "'In my mind's eye': Postmodern (Re)visions of Hamlet." Hamlet Studies 22 (2000): 40-76.
Moorman, F. W. “The Pre-Shakespearean Ghost.” Modern Language Review 1 (1906): 85-95,
Moorman, F. W. “Shakespeare’s Ghosts.” Modern Language Review 1 (1906): 192-201.
More, St. Thomas. The Complete Works of St. Thomas More. Ed. Louis A Schuster, Richar Marius, Jame Lusardi, and Richard J. Schoeck. New Haven: Yale UP, 1973.
Morgan, David C.H. "'When mercy seasons justice': How and (Why) Hamlet Does Not Kill Claudius." Hamlet Studies 10.1-10.2 (1988): 47-78.
Morgan, Forrest (1852-. “Hamlet. I. iv. 36-8.” N&Q 12th ser. 5 (May 1919), 115-16
Morison, Stanley. John Bell, 1745-1831: Bookseller, Printer, Publisher, Typefounder, Journalist, &c. . . . Original Proprietor of The British Library, Bell’s British Letter Foundry, Bell’s British Theatre, Bell’s Poets of Great Britain, Bell’s Edition of Shakespere. Printed for the author: UP Cambridge, 1930.
Moritzen, Julius. Life of Shakespeare. Girard, KS: Haldeman-Julius Co., [c1924].
Morozov, Mikhail M. "The Individualization of Shakespeare's Characters Through Imagery." Shakespeare Survey 2 (1949): 83-106.
Moschovakis, Nicholas. “Partial Views: Literary Allusion. Teleological Form, and Contingent Readings in HamletShakespeare and Historical Formalism. Ed. Stephen Cohen. Aldershot, Hampshire; Burlington, VT: Ashgate, 2007. 147-75; including end notes 164-75. Moschovakis suggests that educated readers would have been able to discern in Hamlet parallels to Vergil's Aeniad that affect their understanding of Hamlet's actions and his ending, identifying both as positive achievements regardless of the death and mayhem the hero causes.
Mowat, Barbara, A. “The Form of Hamlet’s Fortunes,” Renaissance Drama 19 (1989): 97-126.
Mowat, Barbara, A. “Nicholas Rowe and the Twentieth-Century Shakespeare Text,” paper presented at ISA, Tokyo, August 1991. In Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakesepeare World Congress, Tokyo, 1991. Ed. Tetsuo Kishi, Roger Pringle, and Stanley Wells. Newark, DE: Delaware UP, 1994. 314-22.
Mphande, Lupenga. “Dr. Hastings Kamuzu Banda and the Malawi Writers Group: The (un)Making of a Cultural Tradition.” “Shakespeare in Africa.” Research in African Literature 27 (Spring 1996): 80-101.
Muir, Edward. “The Double-Binds of Manly Revenge in Renaissance Italy.” Gender Rhetorics: Postures of Dominanace and Submission in History. Medieval & Renaissance Texts & Studies 113. Binghamton, NY: Medieval & Renaissance Texts & Studies, 1994. 65-82.
Muir, Edward. “Dupe or Forger?” Sewanee Review 92 (1984), 270. [Rev. of Dewey Ganzel book on Collier]
Muir, Kenneth, and S. Schoenbaum, eds. A New Companion to Shakespeare Studies. Ed. Kenneth Muir and S. Schoenbaum. Cambridge: Cambridge UP, 1971. [Includes essay by Vickers on rhetoric, 83-98]
Muir, Kenneth. "Fifty Years of Shakespearian Criticism: 1900-1950." Shakespeare
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Muir, Kenneth. "Freud's Hamlet." Shakespeare Survey 45 (1993): 75-77.
Muir, Kenneth. "Shakespeare the Professional." Shakespeare Survey 24 (1971): 37-46.
Muir, Kenneth. "Shakespeare's Open Secret." Shakespeare Survey 34 (1981): 1-9.
Mull, Matthias. Hamlet, Prince of Denmark. Supplementary Notes, Emendations, and Explanations to My Edition of the Play. London: Kegan Paul, Trench, & Co., 1888.
Mullaney, Steven. "Mourning and Misogyny: Hamlet, The Revenger's Tragedy, and the Final Progress of Elizabeth I, 1600-1607." Shakespeare Quarterly 45.2 (1994): 139-162.
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16.3 (1975): 6-18.
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Murray, J. T. English Dramatic Companies, 1558-1642. 2 vols. London, Constable and company limited, 1910.
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 The N’s
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Nath, Prem. "Hamlet in the Eighteenth Century, 1701-1750: From John Dennis to Arthur Murphy." Hamlet Studies 6.1-6.2 (1984): 30-67. 
Naylor, Edward W. Shakespeare and Music. rev. ed. London and Toronto: J. M. Dent, New York: E.P.Dutton, 1931. [1st published 1896]
Neele, Henry. The Literary Remains of the Late Henry Neele . . . Lectures on English Poetry. London: Smith, Elder, and Co., 1829.
Neely, Carol Thomas. “Documents in Madness: Reading Madness and Gender in Shakespeare’s Tragedies and Early Modern Culture.” Shakespeare Quarterly 42 (1991): 315-38. Rpt. Shakespearean Tragedy and Gender. Ed, Shirley Nelson Garner and Madelon Sprengnether. Bloomington: Indiana UP, 1996. 75-104.
Hamlet: A Modern Perspective.” Oxford: Oxford UP, 1997.
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Newell, Alex. The Soliloquies in Hamlet: The Structural Design. Rutherford, NJ: Fairleigh Dickinson UP, 1991.
Newman, Eric P. “Sh’s Fun with a Pun on Bunghole,” Shakespeare Bulletin 9.2 (Sp 1991): 33-34.
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 The O’s
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 The P’s
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Parker, Patricia, and Geoffrey Hartman, eds. Shakespeare and the Question of Theory. New York and London: Methuen, 1985. Part IV is devoted to Hamlet 275-332.
Parkes, M. B. Pause and Effect: An Introduction to the History of Punctuation in the West. Berkeley: U of California P, 1993.
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Parsons, Howard. Shakespearian Emendations and Discoveries. London: Ettrick, 1953.
Partee, Henry Morriss. "Hamlet and the Persistance of Comedy." Hamlet Studies 14.1-14.2 (1992): 9-18.
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Paul, Henry N. “Mr. Hughs’ Edition of Hamlet.” MLN 49 (1934): 438-43.
Paul, Henry N. “Players’ Quartos and Duodecimos of Hamlet.” Modern Language Notes 49 (1934): 369-75.
Peacham, Henry. The Compleat Gentleman. London, Printed for F. Constable, 1627.
Peck, Francis. New Memoirs of the Life and Poetical Works of Mr. John Milton....London, 1740.
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Pengelly, W[illia]m. “As if it were Cain’s Jaw-bone.” N&Q 6th ser. 4 (24 Sept. 1881): 245.
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Pepys, Samuel] Enslie, MacDonald. “Pepys’s Songs and Songbooks in the Diary Period,” Library 5th ser. 12 (1957): 240-55.
Pepys, Samuel. The Diary of Samuel Pepys. Vol. 8. Ed. Henry B. Wheatley. London: MacMillan, 1918. p. 90. Rpt. Price, 1986.
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Percy, Thomas. See Mallet, Paul Henri, Northern Antiquities.
Pechter, Edward. “The New Historicism
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Philip, Ranjini. "The Shattered Glass: The Story of (O)phelia." Hamlet Studies 13.1- 13.2 (1991): 73- 84. 
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Pollard, A[lfred] W[illiam] & J. Dover Wilson. Shakespeare Problems. 2 vols. Problem 4. The Manuscript of Sh’s Hamlet and the Problems of its Transmission. New York: The Macmillan Company; Cambridge, Eng.: The University Press, 1934.
Pollard, A. W. Shakespeare’s Fight with the Pirates and the Problems of the Transmission of His Text. London: Moring, 1917.
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Pollard, David L. "Belatedness in Hamlet." Hamlet Studies 11.1-11.2 (1989): 49-59.
Pollin, Burton R. “Hamlet, a Successful Suicide.” Shakespeare Studies 1 (1965): 240-60.
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Poole, Josua [sic]. The English Parnassus: Or, a help to English poesie. Containing a collection of all the rhythming monosyllables, the choicest epithets and phrases. With some general forms upon all occasions, subjects, and themes, alphabetically digested.. . . . London: Printed for Tho. Johnson, at the golden Key in St. Pauls Church-yard, 1657; 2d ed. London: Printed for Henry Brome, Thomas Bassett, and John Wright, 1677. Rpt. Scolar, 1972
Poole, Joshua [sic]. The English Accidence, 1646. Leeds: Scolar, 1967.
Poole, William. "All At Sea: Water, Syntax, and Character Dissolution in Shakespeare." Shakespeare Survey 52 (2001): 201-213.
Pope, Alexander. Letters of Alexander Pope. sel. John Butt. London: Oxford, 1960.
Pope, Alexander. The Correspondence of Alexander Pope, ed. George Sherburn. 5 vols. Oxford: Clarendon, 1956.
Pope, Alexander. [1742-1750] The Dunciad. Ed. James Sutherland. 2nd ed. rev. London: Methuen, 1953.
Pope, Maurice. "Shakespeare's Falconry." Shakespeare Survey 44 (1992): 131-143.
Pope, Willard B. &ldquoDucis's Hamlet &rdquo. Shakespeare Quarterly 5.2 (Spring 1954): 209-11. About Robert Haydon's opinion of the Ducis performances he saw in Versailles i 1814, and more.
Popovic, Vladeta. "Shakespeare in Post-War Yugoslavia." Shakespeare Survey 4 (1951): 117-122.
Popple, William. The Prompter 27 May1735, no. 57 [In Vickers, Brian. “William Popple on Polonius.” Shakespeate: The Critical Heritage 3: 22-8]
Pott, [Constance, Mary Feron], Mrs. Henry. Obiter Ducta of Bacon and Shakespeare on Manners, Mind, Morals. London: Robert Banks & Son, 1900.
Pott [Constance, Mary Feron], Mrs. Henry. The Promus of Formulairies and Elegancies . . . by Francis Bacon . . . . Boston, Houghton, Mifflin, 1883.
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Pückler-Muskau, Prince Hermann von. A Regency Visitor: The English Tour of Prince Pückler-Muskau Described in his Letters 1826-1828. Trans. Sarah Austin [orig. in 1830]. Ed. E. M. Butler. London: Collins, 1957.
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Pye, Henry James. Comments on the commentators on Shakespear. With preliminary observations on the genius and writings; and on the labors of those who have endeavoured to elucidate them. London, Printed for Tipper and Richards, by J. D. Dewick, 1807.
 The Q’s
 
Quincy, J. P. Manuscript Corrections from a Copy of the Fourth Folio of Shakespeare’s Plays. Boston: Ticknor, Reed, and Fields, 1854.
 The R’s
 
Rabey, David Ian. "Pay, Satire, Self-Definition and Individuation in Hamlet." Hamlet  Studies 5.1-5.2 (1983): 6-26.  Elsewhere on HW.
Rabkin, Norman. Shakespeare and the Common Understanding. Chicago: U of Chicago P, 1984, c. 1967.
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Ramsay, Rev. Arthur. On the Character of Hamlet. Liverpool: T. Brakell, Printer, 1856.
Ranald, Margaret Loftus. "'As Marriage Binds, and Blood Breaks': English Marriage and Shakespeare." Shakespeare Quarterly 30.1 (1979): 68-81.
Randolph, Thomas. The Jealous Lovers. A Comedie presented to their gracious Majesties at Cambridge, by the students of Trinity College. [Cambridge]: Printed by Roger Daniel, printer to the Universitie of Cambridge: 1640.
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Raynolds, John. Dolarny’s Primerose, or the first part of the passionate Hermit: wherein is expressed the liuely passions of zeale and love, with an alluding discourse to valours ghost. Both pleasant and profitable, if judiciously read, and rightly vnderstood. 1606. Rpt. in Occasional Issues of Unique or Very Rare Books. Ed. Alexander B. Grosart. 17 volumes. 1880. [13: 55-131]
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Rees-Mogg, Lord. "The Politics of Hamlet." Hamlet Studies 17.1-17.2 (1995): 43-53.
Reno, Raymond H. "Hamlet's Quintessence of Dust." Shakespeare Quarterly 12.2 (1961): 107-113.
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Richardson, William. Essays on Shakespeare’s Dramatic Characters with an Illustration of Shakespeare’s Representation of National Characters, in that of Fluellen. 6th ed. London: Samuel Bagster, 1812.
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Righter, Anne. Shakespeare and the Idea of the Play. London: Chatto and Windus, 1962.
Ritson, Joseph. Ancient Songs and Ballads . . . 3rd ed. rev. by W. Carew Hazlett., London: Reeves and Turner, 1877. Rpt. Singing Tree Press, 1968.
[Ritson, Joseph]. Cursory Criticism on the Edition of Shakespeare Published by Edward Malone, 1792. Reprinted Together with A Letter to the Rev. Richard Farmer, D.D. Relative to the Edition of Shakespare published in 1790, and Some Late Criticisms on that Work. by Edmond Malone. New York: Augustus M. Kelley, 1970.
Ritson, Joseph, 1752-1803. The Letters from Joseph Ritson. Ed. Joseph Frank. London: W. Pickering, 1833.
Ritson, Joseph. Observations on the Three First Volumes of the History of English Poetry in a familiar letter to the author. London: Printed for J. Stockdale and R. Faulder, 1782. [Folger copy bound into Warton’s History of English Poetry]
Ritson, Joseph. The Quip Modest. A Few Words by way of Supplement to Remarks, Critical and Illustrative. London: J. Johnson, 1788. [Folger copy bound together with Richard Farmer’s An Essay on the Learning of Shakespeare. Cambridge: London: T. Cadell, 1767]
[Ritson, Joseph]. Remarks, Critical and Illustrative, on the Text and Notes of the Last Edition of Shakspeare [i.e., v1778]. London: Printed for J. Johnson. 1783. Rpt. New York: AMS, 1973.
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Rivers, John. “Shakespeare à la Française,” Library n.s. 6 (1905).
Rizvi, Pervez. “Shakespeare’s Neologisms: beetles”: shaksper 17 Nov. 1997.
Roberts, Jeanne Addison. “Women Edit Shakespeare,” ShSur. 59 (2006): 136-46. See p&c ed.
[Roberts, John]. An Answer to Mr. Pope’s Preface to Shakespear. In a Letter to a Friend. Being a Vindication of the Old Actors who were the Publishers and Performers of that Author’s Plays. Whereby The Errors of their Edition are further accounted for, and some Memoirs of Shakespear and Stage-History of His Time are inserted, which were never before collected and publish’d. By a Strolling Player. London: [n.p.] 1729.
[Roberts, John]. “An Essay on the Dunciad, an Heroick Poem." London: Printed for J. Roberts, near the Oxford-Arms in Warwick-Lane, 1728. [Facsimile rpt. in Popeiana, Vol. 7. Garland series The Life and Times of Seven Major British Writers]
Robertson, J. M. Hamlet Once More. London: Cobden-Sanderson, 1923.
Robertson, J. M. The Problem of “Hamlet.” London: Allen & Unwin, 1919.
Robertson, Thomas. “An Essay on the Character of Hamlet." In Shakespeare’s Tragedy of Hamlet. By the Rev. Mr. Thomas Robertson, F. R. S. Edin. and Minister of Dalmeny." [Read by Mr. Dalzel, Secretary, July 21, 1788.] Transactions of the Royal Society of Edinburgh 2 (1790): 251-67.
Robinson, John V. "Hamlet's Evil Ale: Hamlet 1.4.36-38." Hamlet Studies 24 (2002): 10-25. 
Robson, W. W. "Did the King See the Dumb-Show?" The Cambridge Quarterly 6.4 (1975), 303-26.
Rochester. John Wilmot, Second Earl of Rochester (1647-80). “A correction of the First act of Shakespear’s Hamlet: From an amended Copy in his Lordship’s own Hand-Writing.” [pp. 191-206] in the Poetical Works of that Witty lord John Earl of Rochester: Left in Ranger’s Lodge in Woodstock Park, where his lordship died, and never before Printed; with Some Account of the Life of that Ingenious Nobleman. Extracted from Bishop Burnet, and other Eminent Writers. London: [n.p.], 1761. The notes for Ham. are a forgery by someone writing close to 1761, but some are original. Search "Rochester" for the suggested emendations and notes.
Rock, D. A. “Eisell.” N&Q 1st ser. 3 (17 May 1851): 397.
Rock, D. A. “The ‘Eisell’ Controversy.” N&Q 1st ser. 4 (30 Aug. 1851): 156-7.
Roffe, Alfred. An Essay upon the Ghost-Belief of Shakespeare. London: Hope and Co., 1851. Folger Library PR3004 R6. 31 pp.
Roffe, A. “Gertrude’s Shoes.” N&Q 2nd ser. 1 (17 May 1856): 384.
Rogers, J. K. “The Folio Compositors of Julius Caesar,” AEB (1982): 143-71.
Rolfe, Alfred. “Shakespeare's Music.”N&Q 2nd series, 12 (Oct 1891): 265-6.
Rolfe, W. J. “A Shakespearian Table.” Reported in N&Q 4 (June 1892): 58 [with errata 25 June 1892, p. 96 by W. J. Rolfe].
Rolle, Richard , of Hampole [?-1349]. English Prose Treatises. ed. George Perry. Early English Text Society. London: N Trübner, 1866.
Romdahl, Axel. Obsolete Words in Shakespeare’s Hamlet. Upsala: W. Schultz, Printer to the University, 1869. PhD dissertation.
Romm, Joseph J. "Why Hamlet Dies." Hamlet Studies 10.1-10.2 (1988): 79-94. 
Rommen, Heinrich. The Natural Law: A Study in Legal and Social History and Philosophy. Indianapolis: Liberty Fund, 1998.
Ronan, Clifford J. "Homo Multiplex and the 'Man' Equivocation in Hamlet." Hamlet  Studies. 4.1-4.2 (1982): 33-53. 
Rose, Edward. “The Inconsistency of the Time in Shakspere’s Plays. Read at the 57th meeting of the Society, Friday, Jan. 23, 1880." New Shakspere Society's Transactions. 1st ser., no. 8 (1880-82): 33-52.
Rose, Edward. “Sudden Emotion: Its Effect Upon Different Characters, as shown by Shakspere.” New Shakspere Society's Transactions, 1st ser., no. 8, (1880-82): 1-20.
Rose, Jacqueline. “Hamlet—the Mona Lisa of Literature.” Critical Quarterly 28 (1986): 35-49. Rpt. Barker and Kamps, Shakespeare and Gender, 104-19.
Rose, Jacqueline. “Sexuality in the Reading of Shakespeare: Hamlet and Measure for Measure.” Alternative Shakespeare. Ed. John Drakakis. London and New York: Methuen. 1985. 95-118.
Rose, Mark. “Hamlet and the Shape of Revenge.” English Literary Renaissance 1 (1971): 132-43.
Rose, Mary Beth. "Where Are the Mothers in Shakespeare? Options for Gender Representation in the English Renaissance." Shakespeare Quarterly 42.3 (1991): 291-314.
Rosenberg, Marvin. "Sign Theory and Shakespeare." Shakespeare Survey 40 (1988): 33-40.
Rosenberg, Marvin. The Masks of Hamlet. Newark, DE: U of Delaware P. 1992.
Rosenblatt, Jason P. “Aspects of the Incest Problem in Hamlet.” Shakespeare Quarterly 29 (1978), 349-364.
Ross, Charles. The Custom of the Castle: From Malory to Macbeth. Berkeley: U of California P, 1997.
Rossiter. A. P. Angels with Horns and other Shakespeare Lectures. Ed. Graham Storey. New York: Theatre Arts Books, 1961.
Rossky, William. "Hamlet as Jeremiah." Hamlet Studies 2.1. (1979): 101-108.
Roston, Murray. "Hamlet and Suicide." Hamlet Studies 24 (2003): 16-40. 
Rothwell, Kenneth S. "Hamlet, Duplessis-Mornay, and the 'Irenic' Vision." Hamlet Studies 3.1. (1981): 13-31. HSt complete is on the site.
Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. Cambridge: Cambridge UP, 1999.
Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. 2nd ed. Cambridge: Cambridge UP, 2004.
Rotman, Brian. Signifying Nothing: The Semiotics of Zero. London, 1987; Stanford: Stanford UP, 1993.
Rozett, Martha Tuck. "Holding Mirrors Up To Nature: First Readers as Moralists." Shakespeare Quarterly 41.2 (1990): 211-220.
Rozett, Martha Tuck. “‘How now Horatio, you tremble and look pale’: Verbal Cues and the Supernatural in Sh’s Tragedies.” Theatre Survey 29.2 (Nov. 1988): 127-138.
Rozett, Martha Tuck. Talking Back to Shakespeare. Newark, DE: U of Delaware P, 1994.
Rubenstein, Frankie. A Dictionary of Shakespeare’s Sexual Puns. and Their Significance. London: Macmillan, 1984.
Rundall, Thomas. Narratives of Voyages Towards the North-West in Search of a Passage to Cathay and India, 1496-1631, with selections from the early records of the honourable The East India Company and from Mss. in the British Museum. London: Printed for the Hakluyt Society, 1849.
Rushton, William L[owes]. Shakespeare A Lawyer. London: Longman Brown Green Longmans and Roberts, 1858.
Rushton, William L[owes]. Shakespeare an Archer. London: Truslove & Hanson, 1897.
Rushton, William L[owes]. Shakespeare and The Arte of English Poesie. Liverpool: Henry Young & Sons, 1909.
Rushton, William L[owes]. Shakespeare Illustrated by Old Authors. The First Part. London: Longmans, Green, and Co., 1867. The Second Part. London: Longmans, Green, and Co., 1868.
Rushton, William L[owes]. Shakespeare Illustrated by the Lex Scripta. The First Part. London: Longmans, Green, and Co., 1870.
Rushton, William L[owes]. “Shakespeare’s Books.” N&Q 10th ser. 2 (10 Dec. 1904): 464.
Rushton, William L[owes]. Shakespeare’s Euphuism. London: Longmans, Green, and Co. Liverpool: Adam Holden, Church Street, 1871.
Rushton, William L[owes]. Shakespeare’s Legal Maxims. Liverpool: Henry Young & Sons, 1907.
Rushton, William L[owes]. Shakespeare’s Testamentary Language. London: Longmans, Green, and Co., 1869.
Russell, Bertrand. Introduction to Mathematical Philosophy. London, G. Allen and Unwin, 1919. 2nd ed. 1920. New York: Dover, 1993.
Russell, D. A. “Hamlet Costumes from Garrick to Gielgud.” Shakespare Survey 9 (1956): 54-58.
Ryan, Kiernan. Shakespeare. London: Palgrave, 2002, pp. 168-9.
Rylands, George. "The Poet and the Player." Shakespeare Survey 7 (1954): 25-34.
Ryley, Robert M. “Warburton’s Copy of Theobald’s Shakespeare.” Transactions of the Cambridge Bibliographical Society, VII.4 (1980): 449-56.
Ryley, Robert M. William Warburton. Twayne’s English Authors Series. Boston: Twayne, 1984.
Rymer, Thomas. A Short View of Tragedy; It’s Orignal Excellency, and Corruption. With Some Reflections on Shakespear, and other Practitioners for the Stage. London: Richard Baldwin, 1693. rpt. New York: AMS, 1970.
Rymer, Thomas. The Tragedies of the Last Age. London, R. Tonson, 1678. [Facsimile of 1st ed., Menston: Scolar Press, 1972. Excerpt in Vickers 1: 186-96, with a response by Dryden, 1: 196-203]
 The S’s
 
Sacks, Claire, and Edgar Whan, eds. Hamlet: Enter Critic. New York: Appleton-Century-Crofts, 1962.
Sahel, Pierre. "The Cease of Majesty in Hamlet." Hamlet Studies 2.1. (1979): 109-117. 
Sajdak, Bruce T., ed. Shakespeare Index: An Annotated Bibliography of Critical Articles on the Plays, 1959-1983. Millwood: Kraus International Publications, 1992. 2 vols.
Salingar, Leo. "Shakespeare and the Ventriloquists." Shakespeare Survey 34 (1981): 51-59.
Sams, Eric. "Taboo, or not Taboo? The Text, Dating and Authorship of Hamlet, 1589-1623." Hamlet Studies 10.1-10.2 (1988): 12-46.
San, J. “Shaksperiana: Proper Names in ‘Hamlet’: Yorick: Yaughan.” N&Q 2nd ser.12 (5 Oct. 1861): 264.
San, J. “Shaksperiana: ‘A sword unbated.’” N&Q 2nd ser. 12 (5 Oct. 1861): 264.
Sanchez, Reuben. "'Thou com'st in such a questionable shape': Interpreting the Textual and Contextual Ghost in Hamlet." Hamlet Studies 18.1-18.2 (1996): 65-84. 
Santayana, George. “The Absence of Religion in Shakespeare.” Interpretations of Poetry and Religion. New York: Scribner, 1900. 147-65.
Santayana, George (1863-1952). The Genteel Tradition: Nine Essays. Ed. Douglas L. Wilson. Intro to Bison Books, ed. by Robert Davidoff. Lincoln: U of Nebraska P., 1998. Includes "Shakespeare: made in America."
Santayana, George. "Intro." Hamlet. Ed. Sidney Lee. The Caxton Shakespeare in 20 volumes. London, Caxton, c.1900. 15: ix-xxxiii. The text is based on the Cambridge ed.
Satin, Joseph. Shakespeare and His Sources. Boston: Houghton Mifflin Co., 1966. Satin includes the Elton translation of Saxo and the Furness Variorum translation of Der Bestrafte Brudermord, as well as his own modernized translation of the 1582 edition of Belleforest.  There is a brief headnote to these sources and appended to these three translations is a list of "Some Sources for Further Study," which includes the Oresteia of Aeschylus, Oedipus Tyrannus by Sophocles, Seneca's Oedipus, and Kyd's Spanish Tragedy.
Savage, Richard. Shakespearean Extracts from ‘Edward Pudsey’s Booke’. London: Simpkin and Marshall, 1888.
Schell, E.T. "Who Said That—Hamlet or Hamlet?" Shakespeare Quarterly 24.2 (1973): 135-146.
Schiffer, James. “Mnemonic Cues to Passion in Hamlet.” Renasissance Papers (1995): 65-79.
Schipper, L. Shakspeare’s Hamlet. Münster; E. Regensberg, 1862.
Schlegel, August Wilheim von. Lectures on dramatic art and literature. [orig. 1808; trans. by John Black, 1846] London: G. Bell & sons, 1902.
Schleiner, Louise. “Latinized Greek Drama in Shakespeare’s Writing of Hamlet.” SQ 41 (1990): 29-48. See also, on Horatio, Schleiner, Louise. “Voice, Ideology, and Gendered Subjects: The Case of As You Like It and Two Gentlemen.SQ 50.3 (Fall 1999): 285-309.
Schmidt, Alexander. Shakespeare-Lexicon. A Complete Dictionary of all the English Words, Phrases and Constructions in the works of the Poet. 2 vols. Berlin and London: Williams & Norgate, 1874. See the PDF file of the 2 volumes on this website.
Schmitt, Jean-Claude. Ghosts in the Middle Ages: The Living and the Dead in Medieval Society. Trans. Teresa Lavender Fagan. Chicago: U of Chicago P, 1998.
Schmitz, L. Dora. “Zu Hamlet, I,2 [376-7].” Shakespeare Jahrbuch 5 (1870): 364-5.
Schoenfeldt, Michael C. Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton. Cambridge: Cambridge UP, 1999.
Schüking, Levin L. Character Problems in Shakespeare’s Plays. London: George C. Harrop & Co., 1922. [Pp. 153-67 rpt. in Price, 1986]
Schüking, Levin L. The Meaning of Hamlet. Trans. Graham Rawson. London: Oxford UP, 1937.
Schwartz, Elias. "The Idea of the Person and Shakespearian Tragedy." SQ 18.1 (1965): 40-47.
Scofield, Martin. "Shakespeare and Clarissa: 'General Nature,' Genre and Sexuality." Shakespeare Survey 51 (1998): 27-43.
Scofield, Martin. The Ghosts of Hamlet: The Play and Modern Writers. Cambridge: Cambridge UP, 1980.
Scolnicov, Hanna, and Peter Holland, eds. The Play out of Context: Transferring Plays from Culture to Culture. Cambridge: Cambridge UP, 1989.
Scolnicov, Hanna. “Mimesis, mirror, double.” In Scolnicov and Holland, 1989. 89-98.
Scoloker, Anthony, ed. Daiphantvs, or the Passions of Loue. Comicall to Reade, But Tragicall to Act: As full of Wit, as Experience. London, 1604. Rpt. Vol. 13: 3-51. Ed. Alexander B. Grosart. Sixty-two copies only. Printed for the Subscribers, 1880.
Scot, Reginald. Discoverie of Witchcraft. London: Printed for A. Clark, 1584.
Scott, Mark W. Shakespeare for Students: Critical Interpretations of As You Like It, Hamlet, Julius Caesar, Macbeth, A Midsummer Night’s Dream, The Merchant of Venice, Othello, and Romeo and Juliet. Detroit: Gale Research, 1992. [Ham. 72-163]
Scouten, Arthur H. et al. The London Stage: 1600-1800. Carbondale: So. Illinois UP, 1965.
Schoenbaum, S. Shakespeare’s Lives. New Ed. Oxford: Clarendon Press, 1991.
Scott, Michael. “Hamlet, Castiglione and the Renaissance Courtier.” Italian History & Culture 4 (1998): 29-38.
Scragg, Leah. Shakespeare’s Mouldy Tales: Recurrent Plot motifs in Shakespearian Drama. London and New York: Longman: 1992.
Scriblerus, Martinus [pseud. for Robert Morehead]. Explanations and Emendations of Some Passages in the Text of Shakespeare and of Beaumont and Fletcher. Edinburgh: Printed by George Ramsay and Co., 1814.
Seary, Peter. “The Early Editors of Shakespeare and the Judgments of Johnson.” Johnson after Two Hundred Years. Ed Paul J. Korshin. Philadelphia: U of Penn P, 1986. 175-186.
Seary, Peter. Lewis Theobald and the Editing of Shakespeare. Oxford: Clarendon Press, 1990.
Seeley, J. R. “Which are Hamlet’s ‘Dozen or Sixteen Lines’: 2. Professor Seeley’s Comments on Mr. Malleson’s Paper, and on the Play.” New Shakspere Society’s Transactions (1874, pt. 2): 474-81. See Malleson, 465-93.
Seltzer, Daniel. "Prince Hal and Tragic Style." Shakespeare Survey 30 (1977): 13-27.
Semper, I. J. Hamlet Without Tears. Dubuque, Iowa: Loras College P, 1946.
Sergeaunt, W. D. “Hamlet’s Solid Flesh.” TLS (18 July 1918): 337-8.
Sewell, George, ed. [Sewell’s glossary is in v.10 of Pope2. The Works of Mr. William Shakespeare. 10 vols. Publish’d by Mr. Pope and Dr. Sewell. London: J. and J. Knapton, et al, 1728. Glossary is nearly identical to that of Gildon in Rowe, 1714 ed.]
Seymour, E. H. Remarks, Critical, Conjectural, and Explanatory, upon the Plays of Shakespeare; resulting from a collation of the early copies, with that of Johnson and Steevens, edited by Isaac Reed, Esq. together with some valuable extracts from the MSS. of the late right honorable John, Lord Chedworth. 2 vols. London: Printed by J. Wright, for Lackington, Allen & co. [etc.] 1805.
Shaftsbury, Earl of [Anthony Ashley Cooper]. Characteristics of Men, Manners, Opinions, Times...1710. rev. ed 1714. Edited, with an introduction and notes, by John M. Robertson. Gloucester, Mass., Peter Smith, 1963.
Shaheen, Naseeb. Biblical References in Shakespeare’s Plays. Newark, DE: U of Delaware P, 1999.
Shand, G. B. ed., with Raymond C. Shady. Play-Texts in Old Spelling. Papers from the Glendon Conference (1978). New York: AMS, 1984.
Sharma, Ghanshiam. "The Function of Horatio in Hamlet." Hamlet Studies 8.1-8.2  (1986): 30-39. 
Sharpham, Edward. Cupids Whirligig. 1607. Ed. from the first quarto of 1607, with an introduction & textual notes, by Allardyce Nicoll [Waltham Saint Lawrence, Berkshire]: The Golden Cockerel Press, 1926.
Shattuck, Charles H. The Hamlet of Edwin Booth. Urbana: U of Illinois Press, 1969.
Shattuck, Charles H. The Shakespeare Promptbooks: A Descriptive Catalogue. Urbana: U Illinois P, 1965.
Shaughnessy, Robert. "Introduction to the Fourth Edition." Shakespearean Tragedy . . . by A. C. Bradley. Houndsmills and New York: Palgrave Macmillan, 2007. xii-xlix. More appreciative than John Russell Brown's introduction for the 3rd ed.
Shaughnessy, Robert. "Shakespearian Utopias." Shakespeare Survey 53 (2000): 233-43.
Shaw, George Bernard. Dramatic Opinions and Essays. Vol. 2. New York: Brentano’s, 1909. [Hamlet 313-22] Rpt. in Price, 1986.
Shaw, John. "What is the Matter in Othello?" Shakespeare Quarterly 17.2 (1966): 158-161.
Shawe-Taylor, Desmond. "Eighteenth-Century Performances of Shakespeare Recorded in the Theatrical Portraits at the Garrick Club." Shakespeare Survey 51 (1998): 107-123.
Sheidley, William E. "Anti-Hamlets: Motive and Meaning in a Radical Parodic Mode." Hamlet Studies 24 (2003): 200-217. 
Sheidley, William E. "Hamlet as a Vision of Renewal." Hamlet Studies 12.1-12.2 (1990): 8-27. 
Sheidley, William E."Hamlet, Tragic Pantomime in Three Acts, A Ballet Libretto by Louis Henry, Translated from French by William E Sheidley." Hamlet Studies 15.1-15.2  (1993): 54-70. 
Sheidley, William E. William E. "Making Hamlet Pirouette: Louis Henry's Hamlet Pantomime Tragique of 1816." Hamlet Studies 15.1-15.2 (1993): 54-70. 
Sherbo, Arthur. The Achievment of George Steevens. New York: Peter Lang, 1990.
Sherbo, Arthur. The Birth of Shakespeare Studies: Commentators from Rowe (1709) to Boswell-Malone (1821). East Lansing, Mich.: Colleagues, 1986. See Mowat, “Form,” 122 n14.
Sherbo, Arthur. “George Steevens’s 1785 Variorum Shakespeare,” Studies in Bibliography 32 (1979): 241-46.
Sherbo, Arthur. “John Kynaston (1728-83). a Neglected Shakespearean.” Shakespeare Quarterly 48.1 (1997): 80-3. Identifies “Q.” in Gentleman’s Magazine c. 1772-5.
Sherbo, Arthur. “Samuel Johnson, Editor of Shakespeare.” Illinois Studies in Language and Literature, 42 (Urbana: U Illinois P, 1956).
Sherbo, Arthur. Richard Farmer, Master of Emmanuel College, Cambridge: A Forgotten Shakespearean. Newark: U of Delaware P, 1992.
Sherbo, Arthur. Shakespeare’s Midwives: Some Neglected Shakespeareans. Newark, DE: U of Delaware P, 1992.
Sherbo, Arthur. “Warburton and the 1745 Shakespeare.” JEGP 51 (1952): 71-82.
Sheridan, Richard Brinsley. The Critic: Or, A Tragedy Rehearsed [1779]. The Dramatic Works of Richard Brinsley Sheridan. With an Intro. by Joseph Knight. London: Oxford UP, 1946. 281-333.
Sherman, William H. John Dee. The Politics of Reading and Writing in the English Renaissance. Amherst. U of Massachusetts P, 1995.
Shershow, Scott. “The Appearance of a Soul: Puppets and Performance in Renaissance Drama.” Paper presented at Ohio Shakespeare Conference, Bowdoin College, June 1991.
Sherwen, John. Introduction to an Examination of Some Part of the Internal Evidence, Reflecting the Antiquity and Authenticity of Certain Publications. Bath: Meyler and Son, 1809.
Sherzer, Jane. “XXIII.—American Editions of Shakespeare: 1753-1866,” PMLA 22 [ns 15] (1907): 633-696.
Shiga, Naoya. Claudius' Diary. 1912. Introduced and translated from the Japanese by Kaori Asizu, Shakespeare Jahrbuch 140 (2004): 165-79.
Shirley, Frances A. Swearing and Perjury in Shakespeare’s Plays: London; Boston: Allen & Unwin, 1979.
Shoemaker, Neille. "The Aesthetic Criticism of Hamlet." Shakespeare Quarterly 18.1 (1965): 99-103.
Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism,” Shakespeare and the Question of Theory, ed. Patricia Parker and Geoffrey Hartman. London: Methuen, 1985. 77-94.
Shuger, Debora. The Renaissance Bible: Scholarship, Sacrifice and Subjectivity. Berkeley, CA: U of Cal P, 1994.
Shurgot, Michael. “‘Get you a Place’: Staging the Mousetrap at the Globe.” Stages of Play: Shakespeare’s Theatrical Emergies in Elizabethan Performance. Newark, DE: U of Delaware P, 1998. 199-213.
Sidney, Sir Philip. Elegies for Sir Philip Sidney (1587): Facsimile Reproductions with an Introduction by A. J. Colaianne and W. L. Godshalk. Delmar, New York: Scholars’ Facsimiles & Reprints, 1980.
Siegel, Paul N. "'Hamlet, Revenge!': The Uses and Abuses of Historical Criticism." Shakespeare Survey 45 (1993): 15-26.
Siegel, Paul N. “The Substance of Shakespearean Tragedy and the Elizabethan Compromise. His Infinite Variety: Major Shakespearean Criticism since Johnson. Philadelphia and New York: J. B. Lippincott, 1964. 251- 66.
Siegel, Paul N. Shakespeare in His Time and Ours. Notre Dame: U of Notre Dame P, 1968.
Sigismund, Reinhold. “Ursprung der Stelle: ‘Was ist ihm Hekuba?’” Shakespeare Jahrbuch 17 (1882): 288-90.
Silver, George. Paradoxes of Defence. London, 1599. The English Experience: Its Record in Early Printed Books Published in Facsimile. Amsterdam: Theatrum Orbis Terrarum; New York: De Capo Press, 1968.
Simpson, Percy. Shakespearian Punctuation. Oxford: Clarendon Press, 1911.
Simpson, Richard. The School of Shakspere. Ed. Richard Simpson. 2 vols. London: Chatto and Windus, 1878.
Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Oxford: Oxford UP, 1992.
Sinfield, Alan. "Hamlet's Special Providence." Shakespeare Survey 33 (1980): 89-97.
Singer, Samuel. The Text of Sh. Vindicated from the Interpolations and Corruptions advocated by J. P. Collier. London, 1853. 8vo. [According to Lowndes, this is the 1st suggestion that the Perkins ms. is not genuine]
Singer, S.W. “Eisell and Wormwood Wine.” N&Q 1st ser. 2 (12 Oct. 1850): 315.
Singer, S.W. “The Meaning of ‘Drink Up Eisell’ in Hamlet.” N&Q 1st ser. 2 (14 Sep. 1850): 241-42.
Singer, S.W. “Replies: Meaning of Eisell.” N&Q 1st ser. 3 (15 Feb. 1851): 120.
Sisson, Charles. New Readings in Shakespeare. Cambridge Shakespeare Problem Series. Cambridge: Cambridge UP, 1956.
Sjögren, Gunnar. “The Geography of Hamlet.Shakespeare and Scandinavia: A Collection of Nordic Studies. Ed. with intro. Gunnar Sorelius. Newark, DE: U of Delaware P, 2002. 64-71.A reprinted essay (no date given).
Sjögren, Gunnar. "Hamlet and the Coronation of Christian IV." Shakespeare Quarterly 16.2 (1965): 155-60.
Sjögren, Gunnar. Hamlet the Dane. Ten essays by Gunnar Sjögren. Publications of the New Society of Letters at Lund 77. Lund: CWK Gleerup, 1983.
Sjögren, Gunnar. "Producing the First Quarto of Hamlet." Hamlet Studies 1.1 (1979):  35-44. 
Sjögren, Gunnar. "The Danish Background in Hamlet." Shakespeare Studies 4 (1968): 221-30.
Skeat, W. W. Etymological Dictionary.. Eds. from 1881. Used by NED as the OED was known at first and Century, which is on this website. Both the full and the 1882 Concise Ed. rpt. several times.
Skeat, Walter W. Early English Proverbs: Chiefly of the Thirteenth and Fourteenth Centuries. Oxford: Clarendon Press, 1910.
Skinner, Stephen. Etymologicon Linguæ Anglicanæ .... London: T. Roycroft, etc., 1671. Rpt. Anglistica & Americana 58. Hildensheim and New York: Olms. 1970.
Skura, Meredith. “Marlowe’s Edward II: Penetrating Language in Shakespeare’s Richard II .” Shakespeare Survey 50 (1997): 41-56.
Slights, Camille Wells. The Causuistical Tradition in Shakespeare, Donne, Herbert, and Milton. Princeton: Princeton UP, 1981.
Slights, William W. E. The Heart in the Age of Shakespeare. Cambridge: Cambridge UP, 2008.
Smidt, Kristian. “Repetition, Revision, and Editorial Greed in Shakespeare’s Play Texts.” Cahiers elisabethains. 34 (1988): 25-37.
Smith, Barbara. “Neither Accident nor Intent: Contextualizing the Suicide of Ophelia.” South Atlantic Review 73.2 (2008): 96-112.
Smith, Bruce R. “Prickly Characters.” Reading and Writing in Shakespeare. Ed. David M. Bergeron. Newark, DE: U of Delaware P., 1996. 25-44.
Smith, C., Alphonso. “The Chief Difference between the First and Second Folios of Shakespeare.” Englische Studien 3.1 (1902): 1-20.
Smith, D[avid] Nichol. Eighteenth Century Essays on Shakespeare. 2nd ed. Oxford: Clarendon, 1963.
Smith, G. C. Moore, ed. and collector. Gabriel Harvey’s Marginalia. Stratford-upon-Avon: Shakespeare Head Press, 1913.
Smith, Gordon Ross. "Hamlet: The Transitional Play between Shakespeare's Two Major Dramatic Methods." Hamlet Studies. 1.1 (1979): 13-22. 
Smith, Irwin. "Their Exits and Reentrances." Shakespeare Quarterly 18.1 (1967): 7-16.
Smith, John Hazel. “Styan Thirlby’s Shakespearean Commentaries: A Corrective Analysis.” Shakespeare Studies 11 (1978): 219-41.
Smith, Peter J. and Nigel Wood, ed. Hamlet. Theory in Practice. Buckingham and Philadelphia: Open University P, 1996.
Smith, Rebecca. “A Heart Cleft in Twain: The Dilemma of Shakespeare's Gertrude.” In Woman's Part. 194-210.
Smith, Teena Rochfort. “The Relation of the First Quarto of Hamlet to the Second, and Some of the Textual Difficulties of the Play.” Paper presented to the Society, 10 Nov. 1882. “Monthly Abstract of Proceedings.” New Shakspere Society’s Transactions: 1880-5. Part 2. London: Trübner, n.d.
Smith, William, trans. and ed. Dionysius Longinus On the Sublime . . . . London: J. Watts., 1739. Rpt. Delmar, New York: Scholars’ Facsimiles & Reprints, 1975.
Smith-Bannister, Scott. Names and Naming Patterns in English: 1538-1700. Oxford: Clarendon Press, 1997.
Smithes, Sir Thomas. Voiage and Entertainment in Russia. With the tragicall ends of two Emperors, and one Empresse, within one Moneth during his being there: And the miraculous preseruation of the now raigning Emperor, esteemed dead for 18. yeares. London: Printed for Nathanyell Butter. 1605. STC 22869.
Smollett, Humphrey Clinker. London, 1966. [See Vickers, 5:49 n53. Vickers describes Smollett as an anti-Shakespearean, 5:23]
Snyder, Susan. The Comic Matrix of Shakpeare’s Tragedies. Princeton: Princeton UP, 1979. 91-136. Rpt. in Price, 1986.
Snyder, Susan. "Ideology and the Feud in Romeo and Juliet." Shakespeare Survey 49 (1996): 87-96.
Sokolova, Boika. "Between Religion and Ideology: Some Russian Hamlets of the Twentieth Century." Shakespeare Survey 54 (2001): 140-51.
Somers, Edward. An Address on Hamlet’s Ecstasy: Hysteria the True Cause. Manchester: M Carr & Co., 1916.
Somerset, Alan. "'How Chances it they Travel?' Provincial Touring, Playing Places, and The King's Men." Shakespeare Survey 47 (1994): 45-60.
Somner, William. Dictionarium Saxonico-Latino-Anglicum. 1659. Rpt. Scolar, 1970. No. 247.
Sorenson, Peter J. "Hamlet's Ghost and the Dramatic Function of Shakespeare's Ambiguous 'Apparitions.'" Hamlet Studies 12.1-12.2 (1990): 51-58. 
Southall, Raymond. "The Hamlet Syndrome." Hamlet Studies 3.1. (1981): 3-12.
Spalding, Thomas Alfred Elizabethan Demonology. London: Chatto and Windus, 1880. General remarks on paying attention to Elizabethan ideas, mentioned by WHH, 1935, p. 54; qtd by Joseph, 1953, pp. 22-3.
Spargo, R. Clifton. The Ethics of Mourning: Grief and Responsibility in Elegiac Literature. Baltimore and London: The Johns Hopkins UP, 2004.
Spelman, Sir Henry. Archæologus Glossarii. London: Iohann Beale, 1626.
Spelman, Sir John. The Life of ælfred the Great. Oxford: Thomas Hearne, 1709.
Spence, Joseph. Observations, Anecdotes, and Charatcers of Books and Men: Collected from Conversations. Ed. James M. Osborn. 2 vols. Oxford: Clarendon P, 1966.
Spencer, Christopher, and John W. Velz, “Styan Thirlby: A Forgotten ‘Editor’ of Shakespeare, ” Shhakespeare Studies, 6 (1970), 327-33.
Spencer, Hazelton. Shakepeare Improved: The Restoration Versions in Quarto and on the Stage. Cambridge, Mass: Harvard UP, 1927.
Spencer, Theodore. “Hamlet and the Nature of Reality.” English Literary History 5 (Dec. 1938): 253-77.
Spencer, Theodore. Shakespeare and the Nature of Man. Lowell Lectures, 1942. New York: Macmillan, 1942.
Spevack, Marvin, with Michael Steppat and Marga Munkelt. A New Variorum Edition of Shakespeare: Antony and Cleopatra. New York: MLA, 1990.
Sprague, Arthur Colby. Shakespeare and the Actors. Cambridge, Mass.: Harvard UP, 1944.
Sprengnether, Madelon. Confession of the Critics. Ed. Aram Veeser. New York: Routledge, 1996. 17-28.
Sprinchorn, Evert. "Hamlet's 'Dram of Eale.'" Hamlet Studies 19.1-19.2 (1997): 7-19.
Spurgeon, Caroline F. E. Shakespeare’s Imagery and What It Tells Us. Cambridge: 1933. Cambridge UP, 1988.
Spurgeon, Caroline F. E. Shakespeare’s Iterative Imagery. 1931. Proceedings of the British Academy 17 (1931). Rpt. n.p.: Folcroft, 1973.
Srigley, Michael. “ 'Heavy-Headed Revel East and West': Hamlet and Christian IV of Denmark.” Shakespeare and Scandinavia: A Collection of Nordic Studies. Ed. with intro. Gunnar Sorelius. Newark, DE: U of Delaware P, 2002. 168-92.
Srigley, Michael. The Probe of Doubt: Scepticism and Illusion in Shakespeare's Plays. Uppsala: Uppsala University, 2000. Hamlet is not a main topic but Srigley refers to the play fairly often.
Stabler, A.P. "More on the Search for Yorick's Skull; or, The Goths Refuted." Shakespeare Studies 7 (1974): 203-208.
>Stabler, A.P. "The Source of the German Hamlet." Shakespeare Studies 5 (1969): 97-105.
Stanley, William. “Plan for Regenerating and Modernising Shakespeare.” St. James’s Chronicle no. 4808 (17-19 Jan. 1792): 2.
Stanton, Kay. “Hamlet’s Whores.” New Essays on Hamlet Ed. Mark Thornton Burnett and John Manning. New York: AMS Press, 1994. 167-88.
States, Bert O. Hamlet and the Concept of Character. Baltimore: Johns Hopkins UP, 1992.
States, Bert O. “Phenomenology of the curtain call,” Hudson Review 34.3 (Autumn 1981), 371-80.
Staunton, H[enry]. “Unsuspected Corruptions of Shakespeare’s Text.” The Athenaeum. Part 1 (April 1873): 473. London: J. Francis, 1873.
Staunton, H. "Unsuspected Corruptions of Shakespeare's Text." The Athenaeum. Part 2 (October 1872):530. London: J. Francis, 1872.
Staunton, H. "Unsuspected Corruptions of Shakespeare's Text." The Athenaeum. Part 2 (Dec. 1872): 867. London: J. Francis, 1872.
Staunton, H. “Unsuspected Corruptions of Shakspeare’s Text.” The Athenauem. No. 2420 (March 6 1874): 357-8. London: J. Francis, 1874.
Stearns, Charles W. Shakespeare Treasury of Wisdom and Knowledge. NY: Putnam, 1869.
Stearns, Charles W. Shakespeare’s Medical Knowledge. New York: Appleton, 1865.
Steevens, George] Anon. Hic et Ubique TLN 765. 1772] (St. James’s Chronicle no. 1717: Feb. 20/21, 1772; Vickers 5:449-52), TLN 257, 624, 664-5, 765. [According to Vickers, Hic et Ubique is the writer’s sobriquet and could be Steevens.]
Steevens, George. “Shakespeare to the Public.” February 1, 1766. [Folger copy is bound together with Richard Farmer’s An Essay on the Learning of Shakespeare. Cambridge: London: T. Cadell, 1767. Ms. notes in the handwriting of J. Nichols appear throughout this assembly of items, which includes Edmond Malone’s A Letter to the Rev. Richard Farmer...Relative to the Edition of Shakspeare. London: G.G.J. and J.Robinson, 1790; and John Ritson’s The Quip Modest. A Few Words by way of Supplement to Remarks, Critical and Illustrative. London: J. Johnson, 1788; Henry James Pye’s Comments on the Commentator on Shakespear. London: J.D. Dewick, 1807]
Steevens, George] The Manuscripts and Correspondence of James, First Earl of Charlemont. Historical Manuscripts Commission. 2 vols. Vol. 1 (1745-1783), 12th Report, App. Pt 10; Vol 2 (1784-1799), 13th Report, App. Pt. 8. vol. 1. London; vol. 2. Binghamton: Printed for her Majesty’s Stationery Office, 1891, 1894.
Stegner, Paul D. "'Try what repentance can': Hamlet, Confession, and the Extraction of Interiority." Shakespeare Studies 35 (2007): 105-129.
Sterling, Eric. "Teaching Hamlet." Hamlet Studies 24 (2003): 234-246. 
Stern, Tiffany. “Watching As Reading.” In Maguire (2008).136-59.
Sternlicht, Stanford. "Hamlet--the Actor as Prince." Hamlet Studies. 4.1-4.2 (1982): 19-32. 
Stevens, Martin. "Hamlet and the Pirates. A Critical Reconsideration." Shakespeare Quarterly 26.3 (1976): 274-84.
Stewart, Charles D. Some Textual Difficulties in Shakespeare. New Haven: Yale UP; London, Humphrey Milford; Oxford UP, 1914. Rpt. New York: AMS, 1975.
Stoll, Elmer, Edgar. Art and Artifice in Shakespeare: A Study in Dramatic Contrast and Illusions. New York: Barnes & Noble, 1962. [This is a bound 1934 rpt. of original Cambridge UP, 1933].
Stoll, Elmer Elgar. Hamlet: An Historical and Comparative Study. Research Publications of the U of Minnesota. Vol 8, no. 5. Minneapolis: U of Minnesota P, 1919. Rpt. Price, 1986: 22-5, 47-54, 57-60, 63-9.
Stoll, E. E. Hamlet the Man. The English Assoc. Pamphlet 91 (1935): 1 and 17.
Stoll, Elmer, Edgar. Shakespeare Studies: Historical and Comparative in Method. New York: Ungar, 1960.
Stone, George Winchester. “Garrick’s Handling of Shakespeare’s Plays and his influence upon the changed attitude of Sh. critics during the eighteenth century." Vol. 1. Dissertation typescript Harvard Univ., 1938.
Stone, George Winchester. “Garrick’s long lost alteration of Hamlet,” PMLA 49 (1934): 890-921.
Stone, James W. "Androgynous 'Union' and the Woman in Hamlet." Shakespeare Studies 33 (1995): 71-99.
Stone, Lawrence. The Family, Sex and Marriage in England 1500-1800. New York: Harper and Row, 1977.
Stoppard, Tom. “Fifteen-Minute Hamlet,” and “Encore.” in Dogg’s Hamlet, Cahout’s Macbeth. An Inter-Action Playscript. London: Inter-Action Imprint, 1979. 27-40. [Also The Fifteen-Minute Hamlet. London: Samuel French, 1976]
Strachey, Edward. Shakespeare’s Hamlet: an attempt to find the key to a Great Moral Problem by Methodical Analysis of the Play. London: J. W. Parker, 1848.
Strathmann, Ernest A. "The Devil Can Cite Scripture." Shakespeare Quarterly 15.2 (1964): 17-23.
Stratman, Carl J., David G. Spencer, and Mary Elizabeth Devine, eds. Restoration and Eighteenth Century Theatre Research: A Bibliographic Guide, 1900-1968. Carbondale: So. Illinois UP, 1971.
Street, B. “Shakspeare Jottings – Let Hercules himself do what he may. The cat will mew and dog will have his day.” Athenaeum. (September 1868: 314) July-Dec. London: J. Francis, 1868.
Stríbŕný, Zděněk. "Shakespearian Rates of Exchange in Czechoslovakia 1945-1989." Shakespeare Survey 48 (1995): 163-169.
Stříbrný, Zdenek. Shakespeare and Eastern Europe. Oxford; New York: Oxford UP, 2000.
Strier, Richard. Resistant Structures: Particularity, Radicalism, and Renaissance Texts Berkeley: U of Cal P, 1995.
Strong, Roy. The Tudor and Stuart Monarchy: Pageantry, Painting, Iconography. 3 vols. Woodbridge, Suffolk: Boydell, 1995. “The Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraiture.” [1964] 2: 295- 302.
Stroud, T. A. “Familial Triads in Hamlet.” Hypotheses: Neo-Aristotelian Analysis 19 (Fall 1996): 18-19.
[Stuart, Henry, Prince of Wales]. The Funerals of the High and Mighty Prince Henry, Prince of Wales, Duke of Cornewaile and Rothsay, Count Palatine of Chester, Earle of Caricke, and late Knight of the most Noble Order of the Garter. Which Noble Prince deceased at St. James, the sixt day of November, 1612. and was most Princely interred the seventh day of December following, within the Abbey of Westminster, in the Eighteenth yeere of his Age. London: Printed for T. S., 1613. STC 13157.
Stubbs, George.] Some Remarks on the Tragedy of Hamlet Prince of Denmark, Written by Mr. William Shakespeare. London: Printed for W. Wilkins, in Lombard Street, 1736. [Once thought to have been by Hanmer. Rpt. New York: AMS 1975. [Jaggard, Sh. Bib. says, “Said to be the earliest piece of express Shn criticism.” This is true only if the criticism in Theobald's 1726 work and in editions like Gildon's are discounted.]
Styan, J. L. "On Seeing Hamlet in Performance." Hamlet Studies 8.1-8.2 (1987): 9-20.
Styan, J. L.. "The Actor at the Foot of Shakespeare's Platform." Shakespeare Survey 12 (1959): 56-63.
Styan, J. L. The Shakespeare Revolution: Criticism and Performance in the Twentieth Century. Cambridge: Cambridge UP, 1983.
Sullivan, Edward, “Hamlet’s Age.” Read in1886. New Shakepsere Society Transactions. (1880-86): 629-45.
Sullivan, Mary Isobelle. “Hamlet and Dr. Timothy Bright.” PMLA 41 (1926): 667-79.
Summers, David. "'--the proverb is something musty': The Commonplace and Epistemic Crisis in Hamlet." Hamlet Studies 20.1-20.2 (1998): 9-34.
Sutherland, John, and Cedric Watts. Henry V, War Criminal? and Other Shakespeare Puzzles. Oxford World Classics. Oxford: Oxford UP, 2000.
Swifte, Edmund Lenthall. N&Q 5th ser. 4 (1 Sept. 1875): 181-2.
Swinburne, Algernon Charles. A Study of Shakespeare. London: Chatto & Windus, 1880.
Swinburn, Henrie, Bachelar of Civill Lawe. A Briefe Treatise of Testaments and Last Willes. London: Printed by John Windet, 1590.
Symmons, Charles. "A Life of the Poet." The Dramatic Works of William Shakespeare. Ed. Samuel Weller Singer, 1826 (see sing1). 1: 1-91.
Symons, Arthur. [Commentator on Hamlet &c.] The Works of William Shakespeare. Ed. Henry Irving and Frank A. Marshall. New York: Scribner and Welford, 1890.
 The T’s
Takahashi, Yasunari. "Hamet and the Anxiety of Modern Japan." Shakespeare Survey 48 (1995): 99-111.
Tanger, Gustav. “The First and Second Quartos and the First Folio of Hamlet: Their Relation to Each Other.” The New Shakspere Society's Transactions 1.8 (1880-2): 109-202.
Tannenbaum, Samuel. “Five Notes on Hamlet.Anglia: Zeitschrift für Englische Philologie, 40.4 (1928): 373-8.
Taranow, Gerda. The Bernhardt Hamlet: Culture and Context. New York: Peter Lang, 1996.
Tarkovsky, Andrey. �On Hamlet.� Time within Time: The Diaries 1970-1986. London: Verso. 1993. 378-84. Influenced Almereyda's 2000 film
Tatler] The Tatler, ed. Donald F. Bond. 3 vols. Oxford: Clarendon Press, 1987.
Taufer, Alison. Holinshd’s Chronicles. New York: Twayne, 1999.
Taylor, Gary. Reinventing Shakespeare: A Cultural History, From the Restoration to the Present. New York: Weidenfeld & Nicolson, 1989.
Taylor, Gary. "The Folio Copy for Hamlet, King Lear, and Othello." Shakespeare Quarterly 34.1 (1983): 44-61.
Taylor, Gary, and John Jowett. Shakespeare Reshaped: 1606-23. Oxford: Clarenden P, 1993. See below. Taylor, Gary. "'Swounds Revisited: Theatrical, Editorial, and Literary Expurgation." Shakespeare Reshaped: 1606-23. Oxford: Clarenden P, 1993. 51-106.
Taylor, John. All the Workes of Iohn Taylor The Water Poet . . . . Collected into One Volume by the Author with Sundry new Additions, Corrected, Reuised and newly Imprinted. 1630. Rpt. London: Scholar Press Facsimile, 1973.
Taylor, Michael. "The Conflict in Hamlet." Shakespeare Quarterly 22.2 (1971): 145-161.
Taylor, Neil. “The Films of ‘Hamlet’,” Shakespeare and the moving image: the plays on film and television. ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994.
Taylor, Neil and Ann Thompson. Hamlet. Writers and Their Work. Plymouth: Northcote; Jackson: UP of Mississippi, 1996.
Taylor, Neil and Ann Thompson. “Obscenity in Hamlet III.ii: ‘Country Matters’.” Textus IX (1996), pp. 485-500.
Teague, Frances. “Hamlet in the Thirties.” Theatre Survey 26.1 (May 1985): 63-79.
Teague, Frances. "Mr Hamlet of Broadway." Shakespeare Survey 57 (2004): 249-57.
Teague, Frances. Shakespeare’s Speaking Properties. Lewisburg: Bucknell UP, 1991.
Teichmann, E. On Shakespeare’s Hamlet: History of the old Tale of Hamlet, on the old Play of Hamlet, and on the two editions of 1603 and 1604. Borna: Fr. Bode, 1880.
Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare’s Genres. London: Methuen, 1986. New-Historicist critic in a Foucauldian mode, according to Griffiths, p. 124.
Tennenhouse, Leonard. “Violence Done to Women on the Renaissance Stage.” The Violence of Representation: Literature and the History of Violence. Ed. Nancy Armstrong and Leonard Tennenhouse. London; New York: Routledge, 1989. 77-97.
Terence, with an English Trans. by John Sargeant. 2 vols. Loeb Classical Library. London: Heinemann; New York: Putnam’s Sons, 1931. [See The Self-Tormentor. 1: 221 for link with 5.2. 992]
Thatcher, David. "The Killing of Polonius." Hamlet Studies 12.1-12.2 (1990): 59-74. 
Theobald, Lewis. [theon] Shakespeare Restored: Specimen of the Many Errors, as well committed, as unamended, by Mr. Pope in his late edition of this poet. Designed not only to correct the said Edition, but to restore the True Reading of Shakespeare in all the Editions ever yet publish’d. 1726. Rpt. Series Eighteenth Century Shakespeare. London: Frank Cass and Co., 1971.
Thimm, Franz. Shakspeariana from 1564 to 1864. An Account of Shakspearian Literature of England, Germany, France during Three Centuries, with Bibliographical Introduction. London: F. Thimm, 1865. Rev. in N&Q 3rd ser. 7 (29 April, 1865): 332. 2nd ed. London, 1872: annotated copy at Ohio U, Athens, OH. Thimm (1872, p. 62) lists 31 eds. of Hamlet in German from 1773 to 1863 as well as various studies, adaptations and parodies.
Thirlby, Styan. An Account of the Authority of the Arabick Manuscript in the Bodleian Library. London: Printed for H. Clements, 1712.
Thiselton, Alfred Edward. Notulae Criticae. London: Printed and Published for the Author by R. Folkard, 1904.
Thom, W. Taylor. “chiefe in that.” [539] Note presented 10 Nov. 1882. “Monthly Abstract of Proceedings.” New Shakspere Society’s Transactions: 1880-5. Part 2. London: Trübner, n.d. pp. 51 *-2 *.
Thom, William Taylor. Shakespeare Examinations [on Hamlet]: With Some Remarks on the Class-room Study of Shakespeare. Boston: Ginn, Heath & Co., 1883. Interesting for the prejudices he reveals and for his commitment to educate his young Southern women students, some of whom won first prize from the New Shakspere Society [England]. See Bowman.
Thomas, Sir Henry. Shakespeare in Spain. Annual Shakespeare Lecture of the British Academy, 1949. OUP, London: Cumberlage. Rev. TLS 49 (1950): 446. Thomas mentions Sr. Astrana Marin, author of Vida inmortal de William Shakespeare who believs that Sh. must have been "one of the 506 Englishmen who accompanied the Earl of Nottingham on his mission to Valladolid in 1605. Also de Madjaraga.
Thomas, Sidney. "The Mute Voltemar: Q1 Hamlet, 5.2." Shakespeare Quarterly 43.1 (1992): 72
Thomas, Sidney. "The Myth of the Authorized Shakespeare Quartos." Shakespeare Quarterly 27.2 (1976): 186-192.
Thomas, William. “Minor Queries Answered.” N&Q 1st ser. 3 (22 Mar. 1851): 225.
Thompson, Ann. " 'I'll have grounds more relative than this': the puzzle of John Ward's Hamlet promtbook." Yearbook of English Studies 29 (1999): 138-50.
Thompson, Ann. "Infinite Jest: The Comedy of Hamlet, Prince of Denmark." Shakespeare Survey 56 (2003): 93-104.
Thompson, Ann. “Teena Rochfort Smith, Frederick Furnivall, and the New Shakspere Society’s Four-Text Edition of Hamlet.Shakespeare Quarterly 49 (1998): 125-139.
Thompson, Ann, and Sasha Roberts, ed. Women Reading Shakespeare 1660-1900: an anthology of criticism. Manchester: Manchester UP, 1997.
Thompson, Ann, and Neil Taylor. Hamlet. Writers and Their Work. Plymouth: Northcote; Jackson: UP of Mississippi, 1996.
Thompson, Ann, and Neil Taylor. “Obscenity in Hamlet III.ii: ‘Country Matters’.” Textus IX (1996), pp. 485-500.
Thompson, Ann, and Neil Taylor. “ ” 'Your sum of parts': doubling in Hamlet. Textual Performances: The Modern Reproduction of Shakespeare's Drama. Ed. Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge UP, 2004. 111-26.
Thompson, Ann, and John O. Thompson. Shakespeare, Meaning and Metaphor. Brighton and Iowa City: U of Iowa P, 1987.
Thomsen, Kerri Lynne. “Ovidian References in Hamlet’s First Soliloquy.” English Language Notes 33.2 (Dec. 1995): 19-24.
Thorne, Barry. "'Stand and unfold yourself': Metaphysical Satisfactions in Hamlet and Troilus and Cressida." Hamlet Studies 24 (2003): 133-142. 
Tiffany, Grace. “Anti-Theatricalism and Revolutionary Desire in Hamlet (Or, The Play Without the Play).” Upstart Crow 15 (1995): 61-74.
Tilley, Morris Palmer. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries: A Collection of the Proverbs Found in English Literature and the Dictionaries of the Period. Ann Arbor: U of Michigan P, 1950.
Tilley, Morris Palmer. Elizabethan Proverb Lore in Lyly’s Euphues and in Pettie’s Petite Palace: With Parallels from Shakspeare. New York: MacMillan, 1923.
Tillotson, Geoffrey. “Eighteenth-Century Capitalization,” Library 5th ser. 9 (1954): 268-70.
Tillyard, E. M. W. Shakespeare's Problem Plays. London: Chatto & Windus, 1950. Ham., Tro., MM, AWW. Reviewed in TLS 47 (1950): 154.
Tobin, J. J. M. "Apuleius and the Bradleian Tragedies." Shakespeare Survey 31 (1978): 33-43.
Tobin, J. J. M. "More Elements from Nash." Hamlet Studies. 5.1-5.2 (1983): 52-58. 
Tobin, J. J. M. "Nashe and Hamlet, Yet Again. Hamlet Studies. 2.1. (1980): 35-46.
Todd, Henry John, ed. Johnson's 1755 Dictionary. “With numerous corrections, and with ... additions ... by H. J. Todd.” London, 1818; 1827. Todd's editions of Spenser and Milton also informed the work of nineteenth-century commentators.
Tolman, Albert H. “A View of the Views about Hamlet.” PMLA 13.2 (1898): 155-84. Lists 18 explanations for Hamlet's delay. See Tolman's book, below.
Tolman, Albert H. The Views about Hamlet and Other Essays. Boston and New York: Houghton, Mifflin, 1904. Rpt. New York: AMS, 1973.
Tomarken, Edward. Johnson, Rasselas, and the choice of criticism. Lexington: U of Kentucky P, 1989.
Tomarken, Edward. Samuel Johnson on Shakespeare: The Discipline of Criticism. Athens and London: U of Georgia Press, 1991.
Tomlinson, Charles. On Goethe’s Proposed alterations of Shakspere’s Hamlet. A lecture read at the North-West London Division of the Goethe Society, on Wednesday Evening, 30th January, 1889. London: David Nutt, 1889.
Tooke, John Horne. EπEA πTEROENTA [Epea Pteroenta] or The Diversions of Purley. [1st ed. 1786]. 2nd. ed. 1798 (v.1), 1805 (v.2). In Two Volumes. Rpt. Menston (Yorks.): Scolar Press, 1968.
Tooke, John Horne (1736-1812). Ms. notes in ed. 1790. Folger Shelf Mark PR2752 1790c sh. col. c.4.
Tourneur, Cyril. The Revenger’s Tragedy. Ed. R. A. Foakes. The Revels Plays series. Manchester: Manchester UP, 1966.
Traub, Valerie. “Jewels, Statues, and Corpses: Containment of Female Erotic Power in Shakespeare’s Plays.” Shakespeare Studies (1988): 215-40. Rpt. in Barker, 1995.
Trench, Wilbraham Fitzjohn, Shakespeare’s Hamlet: A New Commentary.With a Chapter on First Principles. London: Murray, 1913. Commended by CAM3b, p. 291, which refers to publication by Smith, Elder and Co., and quoted by Wilson in several add. notes. See mixed review in TLS1913: 265.
Trewin, J. C. Five & Eighty Hamlets. New York: New Amsterdam, 1987.
Trexler, Richard C. Gender Rhetorics: Postures opf Dominanace and Submission in History. Medieval & Renaissance Texts & Studies 113. Binghamton, NY: Medieval & Renaissance Texts & Studies, 1994.
Trivedi, Poonam. "'Play[ing]'s the thing': Hamlet on the Indian Stage." Hamlet Studies 24 (2002): 56-80. 
Tronch, Jesús. [Perez] Un Primer Hamlet. Manuel Angel Conejero, Gen. ed. [Spain]: Fundacion Shakespeare de España, 1994.
Trousdale, Marion. Shakespeare and the Rhetoricians. London, Chapel Hill: U of N. Carolina P, 1982. 43-51.
Tschischwitz, Benno. Shakspere’s Hamlet in seinem verhältniss zur gesammtbildung namentlich zur theologie und philosophe der elisabeth-zeit. Halle: Emil Barthel, 1867.
Tschischwitz, Benno. Shakspere’s Hamlet, vorzugsweise nach historischen Gesichtspuncted erläutert. Halle: G. Emil Barthel, 1868.
Tuck, Richard. Natural Rights Theories: Their Origin and Development. Cambridge: Cambridge UP, 1979.
Turing, John. My Nephew Hamlet. Drawings by Jill McDonald. London: Dent, 1967.
Turner, Robert Y. Shakespeare's Apprenticeship. Chicago, U of Chicago P, [1974].
[Tyrwhitt, Thomas.] Observations and Conjectures on Some Passages of Shakespeare. 8vo. Oxford: Clarendon Press, 1766. Rpt. New York: AMS Press, 1974. In Bibliotheca Steevensiana. Malone mentions Tyrwhitt on p. 34 and elsewhere, of his Letter to Farmer. In a letter to Percy (Letters, 1,33), Malone mentions that Tyrwhitt’s mss and books are at the BM, where he was Curator. In another letter (July 1785, #VIII, vol.1, 28-29), Percy refers to a sensible note signed TT in Gents (Nov. 1784, 817-18) that he thinks may be by Tyrwhitt, a response to Ritson. He assumes Malone will know. It does not relate to Ham.
Tyler, Thomas. The Philosophy of Hamlet. London: Williams and Norgate, 1874.
 The U’s
Uéno, Yoshiko, ed. Hamlet in Japan. New York: AMS, 1995.
Uhde-Bernays, Dr. Hermann. Der Mannheimer Shakespeare: Ein Betrag zur geschichte der ersten deutschen Shakespeare-Übersetzungen. Berlin: Emil Felber, 1902. Rpt. Kraus, 1976.
Uhker, John E. “Goethe and Shakespeare.” Goethe—After Two Centuries, Baton Rouge, LA: Luisiana State UP, 1952.
Ulrici, Hermann. Shakspeare’s Dramatic Art: and his Relation to Calderon and Goethe. London: Chapman, 1846.
Ulrici, Hermann. Shakespeare’s Dramatic Art : History and character of Shakespeare’s Plays. Tr. from the 3d ed. with additions and corrections by the author, by L. Dora Schmitz. London, G. Bell and sons, 1876. [Folger has Edward Dowden's copy]
Underhill, A. Shakespeare’s England. 1: 381-412. New York: Oxford UP, 1917.
Updike, John.Gertrude and Claudius. New York: Knopf, 2000. A prequel.
Upton, John. Critical Observations on Shakespeare. London: Printed for G. Hawkins, in Fleet-street. 1746.
Upton, John. Critical Observations on Shakespeare. 2nd ed., with alterations and additions. London: Printed for G. Hawkins, in Fleet-street. 1748.
Upton, John, ed. Spenser’s Faerie Queene. A New Edition with a Glossary and Notes explanatory and critical. London: J. and R. Tonson, 1758.
Urkowitz, Steve. “‘Well-sayd olde Mole’: Burying Three Hamlets in Modern Editions.” In Shakespeare Study Today, ed. Georgianna Ziegler. New York: AMS, 1986. 37-70.
Urry, John, ed. The Works of Geoffrey Chaucer. . . Together with a Glossary by a student of the same college [identified by DNB as Timothy Thomas]. . . London: Printed for Bernard Lintot . . . 1721.
 The V’s
Van Dam, B. A. P. The Text of Shakespeare’s Hamlet. London: John Lane, 1924. [Edition and full-length study]
Van Laan, Thomas F. The Idiom of Drama. Ithaca: Cornell UP, 1970.
Vanderhoof, Mary B. “Hamlet. a Tragedy Adapted from Shakespeare (1770) by Jean François Ducis. A Critical Edition.” Proceedings of the American Philosophical Society. 97.1 (14 Feb 1953): 88-142. Reviewed H. Carrington Lancaster. SQ 4 (Oct. 1953): 470-1.
Vandersee, Charles. "The Hamlet in Henry Adams." Shakespeare Survey 24 (1971): 87- Hamlet Studies 17.1-17.2 (1995): 63-77. 
van Lennep, C. On Hamlet the Man, a lecture given to raise money for British citizens incarcerated in Switzerland during WWII, then published, by the author evidently, in 1950. No title page in the NYPL copy.
van Lennep, William, ed. London Stage 1660�1800: A Calendar of Plays, Entertainments and After- pieces Together with Casts, Box-receipts and Contemporary Comment Compiled from the Playbills, Newspapers and Theatrical Diaries of the Period. Part 1, 1660�1700. Illinois: Southern Illinois UP, 1965.
Vendler, Helen. “Hamlet Alone: A Celebration of Skepticism.” The New York Times Magazine 18 April 1999: 123.
Verma, Rajiva. "Hamlet on the Hindi Stage." Hamlet Studies 24 (2002): 81-93. 
Vernede, R.E. "Hamlet at a Bengal Fair." Hamlet Studies 24 (2002): 94-107. 
Very, Jones. Poems and Essays. Boston and New York: Houghton, Mifflin and Co. 1886.
Vickers, Brian. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven: Yale UP, 1993.
Vickers, Brian. The Artistry of Shakespeare’s Prose. London: Methuen, 1968.
Vickers, Brian. Returning to Shakespeare. London and New York: Routledge, 1989.
Vickers, Brian, ed. Shakespeare: The Critical Heritage. 6 vols. London & Boston: Routledge & Kegan Paul, 1974.
Vickers, Brian. "The Emergence of Character Criticism, 1774-1800." Shakespeare Survey 34 (1981): 11-21.
Vico, Giambattista. The New Science of Giambattista Vico. 3rd ed. 1744. Trans. Thomas Goddard Bergin and Marx Harold Fisch. Ithaca: Cornell UP, 1968.
Videbaek, Bente. The Stage Clown in Shakespeare’s Theatre. Contributions in Drama and Theatre Studies, no 69. Westport: Greenwood, 1996.
Vining, Edward P. The Mystery of Hamlet: An Attempt to Solve an Old Problem. Philadelphia: Lippincott, 1881.
Vischer, Friedr. Theod. “Die realistische Shakspere-Kritisk und Hamlet.” Shakespeare Jarbuch 2 (1867): 132-54.
Viswanathan, S. "'Illeism With a Difference' in Certain Middle Plays of Shakespeare." Shakespeare Quarterly 20.4 (1969): 408-415.
Voltaire. Letters concerning the English Nation. Intro. Charles Whibley. New York: B. Franklin Reprints, 1974. Rpt. of London: P. Davies. 1926. [First English edition. Letters concerning the English Nation. by Mr. De Voltaire. London: Printed for C. Davis in Pater-Noster-Row, and A. Lyon in Russel-Street, Convent-Garden, 1733. Published in France as Lettres philosophiques. Rouen: 1734.
Voss, Paul J. "To Prey or Not to Prey: Prayer and Punning in Hamlet." Hamlet Studies
 The W’s
Waddington, Raymond B. “Lutheran Hamlet.” English Language Notes (Dec 1989): 27-42.
Wade, Thomas. What does Hamlet mean? A Lecture delivered before the president and members of the Jersey Mechanics’ Institute. Jersey: The British Press, 1855.
Wadsworth, Frank W. "Hamlet and Iago: Nineteenth-Century Breeches Parts."
Shakespeare Quarterly 17.2 (1966): 129-139.
Wagner, Joseph B. "Hamlet Rewriting Hamlet." Hamlet Studies 23 (2001): 75-92. 
Waith, Eugene M. The Two Noble Kinsmen by William Shakespeare and John Fletcher. Oxford: Clarendon, 1989.
Walder, Ernest. Shakespearian Criticism: Textual and Literary, from Dryden to the End of the Eighteenth Century, Being the essay which obtained the Narness Prize, 1895, 1895, rpt. AMS Press, 1972.
Waldock, A[rthur] J[ohn] A[lfred]. Hamlet: A Study in Critical Method. Cambridge: Cambridge UP, 1931. Rpt. New York: AMS 1973. Expted in Price, 1986. Thesis: the problem of Hamlet derives from Sh's incomplete integration of old elements from the sources into Hamlet's new characterization. Efforts to force these elements into consistency are doomed to distort the play.
Walker, Alice. “Edward Capell and his Edition of Shakespeare,” Proceedings of the British Academy 46 (1960): 131-45.
Walker, Alice. “The Textual Problem of Hamlet: A Reconsideration,” Review of English Studies n.s. 2 (1951): 328-38.
Walker, Alice. Textual Problems of the First Folio: Richard III, King Lear, Troilus & Cressida, 2 Henry IV, Hamlet, Othello. Cambridge: Cambridge UP, 1953.
Walker, J.S. [J.S.W.]. “Shakspeare’s Use of ‘Eisell.’” N&Q 1st ser. 4 (26 July 1851): 64-68.
Walker, John. A Critical Pronouncing Dictionary and Expositor of the English Language. . . . London, 1791. Rpt. Menston (Yorks.): Scolar P., 1968.
Walker, William Sidney. A Critical Examination of the Text of Shakespeare, with Remarks on his Language and that of his Contemporaries. 3 vols. London: John Russell Smith, 1860.
Walker, William Sidney. Shakespeare’s Versification its apparent irregularities explained by examples from early and late English writers. London: John Russell Smith,1854. [The edition was completed by William Nanson Lettsom]
Walpole] Notes by Horace Walpole on Several Characters of Shakespeare. ed. W. S. Lewis. Farmington, Conn.: Privately printed, 1940.
Walpole, Horatio. MS annotations in The Works of Shakespeare. Pope, ed. London: J. Tonson, 1728.
Walsh, Marcus. "Eighteenth-Century Editing, 'Appropriation,' and Interpretation." Shakespeare Survey 51 (1998): 125-139.
Walsh, Martin W. "'This same skull, Sir': Layers of Meaning and Tradition in Shakespeare's Most Famous Prop." Hamlet Studies 8.1-8.2 (1987): 65-77. 
Walton, J[ames] K[irkwood]. The Quarto Copy for the First Folio of Shakespeare. Dublin: Dublin UP, 1971.
Ward, David. "The King and Hamlet." Shakespeare Quarterly 43.3 (1992): 280-302
Warburton, William. The Alliance between Church and State, or, the necessity and equity of an established religion and a test-law demonstrated. London: Printed for Fletcher Giles, over against Gray’s Inn in Holborn, 1736.
Ward, David, “The King [James I] and Hamlet,” Shakespeare Quarterly 43.3 (Fall 1992): 280-302.
Ward, Patricia H. “The ‘Witchcraft of His Wits’: Claudius’ Manipulation of the Arts of Rhetoric.” Shakespeare Bulletin (Summer 1991):31-33.
Warner, William Beatty. Chance and the Text of Experience: Freud, Nietzsche, and Shakespeare’s Hamlet. Ithaca: Cornell UP, 1986.
Warren, Michael J. , ed. The Parallel King Lear, 1608-1623. Berkeley: U of California P, 1989.
Warren, Michael J. “Repunctuation as Interpretation in Editions of Shakespeare.” ELR 7 (1977): 155-69.
Warton, Thomas . History of English Poetry from the close of the eleventh to the Commencement of the eighteenth century. 4 vols. 1774-81. Vol. 2: 1778; Vol. 3: 1778. Vol. 4. Rpt. Anglistica & Americana 18. Hildesheim & New York: Olms, 1968.
Warwick, Eden. “Shakespeare, Hamlet, Act V., Sc.2—.” N&Q 3rd ser. 1 (5 Apr. 1862): 266.
Watkins, Ronald, and Jeremy Lemmon. In Shakespeare’s Playhouse. Hamlet. Totowa, NJ: Rowman and Littlefield, 1974.
Watson, Joseph. A Lecture on Shakespeare’s Enigmatical Work, Embracing a New Theory. Newport, R.I.: Davis and Pitman, Steam Printers, 1878.
Watson, John Selby. The Life of William Warburton. London: Longman, Green, Longman, Roberts & Green, 1863.
Watson, J[ohn]. S[elby]. [John Selby?] Life of Richard Porson, M.A. Professor of Greek in the University of Cambridge from 1792 to 1808. London: Longman, Green, Longman, and Roberts, 1861.
Watson, Robert N. “Giving up the Ghost in a World of Decay: Hamlet, Revenge, and Denial.” Renaissance Drama 21 (1990): 199-223.
Watson, Robert N. The Rest is Silence: Death as Annihilation in the English Renaissance. Berekley: U of California P, 1994.
Watson, William Van. “Shakespeare, Zeffirelli, and the Homosexual Gaze” Literature/Film Quarterly 20.4 (1992): 308-25. Rpt. in Shakespeare and Gender: A History. Ed. Deborah Barker and Ivo Kamps. London and New York: Verso, 1995. 235-62.
Watterson, William Collins. "Hamlet's Lost Father." Hamlet Studies 16.1-16.2 (1994):  10-23. 
Watts, Cedric Thomas. Hamlet. Boston: Twayne, 1988.
Wayne, Valerie, ed. The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ithaca: Cornell UP, 1991.
Wayne, Valerie, ed. The Flower of Friendship: A Renaissance Dialogue Concerning Marriage by Edmund Tilney. Ithaca: Cornell UP, 1992. [Orig., pub. 1568]
Wedgwood, Hensleigh (1803-1891). A Dictionary of English Etymology. 2nd, rev. ed. London: Trübner, 1872.
Weimann, Robert. “Hamlet and the Purposes of Playing. Author's Pen and Actor's Voice. Cambridge: Cembridge UP, 2000. Ch. 6: 151-79.
Weimann, Robert. “Mimesis in Hamlet.” In Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. New York: Methuen, 1985. 275-91.
Weimann, Robert. “Playing with a Difference: Revisiting ‘Pen’ and ‘Voice’ in Shakespeate’s Theater.” Shakespeare Quarterly 50 (1999): 415-32.
Weimann, Robert. “Performance and Authority in Hamlet (1603). Author's Pen and Actor's Voice. Cambridge: Cembridge UP, 2000. Ch. 1: 18-28.
Weimann, Robert. “Representation and Performance: The Uses of Authority in Shakespeare’s Theatre.” In Materialist Shakespeare: A History. Ed. Ivo Kamps. New York: Verso, 1995.
Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Ed. Robert Schwartz. Baltimore: Johns Hopkins UP, 1978.
Weimann, Robert. "Shakespeare on the Modern Stage: Past Significance and Present Meaning." Shakespeare Survey 20 (1967): 113-120.
Weiner, Albert B. “Two ‘Hamlet’ Emendations .” N&Q 207, n.s. 9 (April 1962): 143-5.
Weiner, Albert B., ed. William Shakespeare: Hamlet, the First Quarto, 1603. with a foreward by Hardin Craig. Great Neck, New York: Barron’s Educational Series, 1962.
Weitz, Morris. Hamlet and the Philosophy of Literary Criticism. Chicago: U of Chicago P, 1964.
Welcher, Robert. "The Art of the Comic Duologue in Three Plays by Shakespeare." Shakespeare Survey 35 (1983): 87-100.
The Wellesley Index to Victorian Periodicals, 1824-1900. Vol. 1-4, ed. Walter E. Houghton; vol. 5, ed. Jean Harris Slingerland. Toronto: U of Toronto P; London: Routledge &: K. Paul, c. 1966-1989.
Wellesley, Henry. Stray Notes on the Text of Shakespeare. London: John Murray, Albemarle-Street, 1865.
Wells, Stanley. Shakespeare, A Bibliographical Guide. Oxford: Clarendon Press, 1990.
Wells, Stanley. Re-Editing Shakespeare’s Texts for the Modern Reader. Oxford: Clarendon Press; New York: Oxford UP, 1984.
Wells, Stanley. Shakespeare Around the Globe. International Shakespeare Association Occasional Paper no. 6. Chipping Campden: Printed for the ISA by Clouds Hill Printers, 1998.
Wells, Stanley. "Shakespeare in Hazlitt's Theatre Criticism." Shakespeare Survey 35 (1983): 43-55.
Wells, Stanley, and Gary Taylor, with John Howett and William Montgomery. “Hamlet.” William Shakespeare: A Textual Companion. Oxford: Clarendon Press, 1987. 396-420.
Welsh, Alexander. “The Task of Hamlet,” Yale Review 69 (1980): 481-502.
Wenterdorf, Karl F. “Hamlet: Ophelia’s Long Purples.” Shakespeare Quarterly 29 (1978): 413-17.
Werder, Karl. The Heart of Hamlet’s Mystery. Trans. Elizabeth Wilder. Intro. W. J. Rolfe. c. 1907. Rpt. Norwood, PA: Norwood Editions, 1975.
Werner, H. A. “Ueber das Dunkel in der Hamlet-Tragödie.” Jahrbuch der Deutchen Shakespeare-Gesellschoft 5 (1870): 31-81.
Werstine, Paul. "A Century of 'Bad' Shakespeare Quartos." Shakespeare Quarterly 50.3 (1999): 310-333.
Werstine, Paul. “Narratives about Printed Sh Texts: ‘Foul Papers’ and ‘Bad ’ Quartos,” Shakespeare Quarterly 41.1 (Spring 1990): 65-86.
Werstine, Paul. "The Textual Mystery of Hamlet." Shakespeare Quarterly 39.1 (1988): 1-26.
West, Gilian. “Hamlet: The Pearl in the Cup,” N&Q, n.s. 38.4 (Dec. 1991): 479.
West, Rebecca. The Court and the Castle. New Haven: Yale UP, 1958. Excerpted in Greenhaven 1999, 106-11.
Weston, Stephen. Short Notes on Shakspeare by Way of Supplement to Johnson, Steevens, Malone and Douce. London: Printed by C. and R. Baldwin, 1808.
Wetherell, J. "Shakspearean Readings. -- 'Hamlet,' Act i. Sc. iv. -- of a doubt." The Athenæum. No. 2195 (20 November 1869): 672. July-Dec. London: J. Francis, 1869.
Whalley, Peter. An Enquiry into the Learning of Shakespeare with Remarks on Several Passages of his Plays. In a Conversation between Eugenius and Neander. London: Printed for T. Waller. at the Crown and Mitre, 1748.
Whately, Rev. E. W. The Character of Hamlet. Dublin: William Curry and Co., 1863.
Whately, Thomas. Remarks on some of the Characters of Shakespere. Ed. Richard Whately. 3rd ed. London: B. Fellowes, 1839.
Wheale, Nigel, “‘Unfold your selfe’: Jacques Lacan and the Psychoanalytic Reading of Hamlet.” Hamlet. Ed. Peter J. Smith and Nigel Wood. Buckingham: Open UP, 1996. 108-32.
Wheatley, “Johnson’s Edition of Shakespeare,” Athenæum (11 Sept.1909): 298.
Whetstone, George. The Rocke of Regard, diuided into foure parts. London: for R. Waley, 1576. Rpt.1867 (reputedly by J.P. Collier).
Whiston, W. N&Q 5th ser. 5 (19 Feb. 1776): 143.
White, R.S. "Marx and Shakespeare." Shakespeare Survey 45 (1993): 89-100.
White, R. S. Natural Law in English Renaissance Literature. Cambridge: Cambridge UP, 1996.
White, R. S. "The Spirit of Yorick, Or the Tragic Sense of Humor in Hamlet." Hamlet Studies 7.1-7.2 (1985): 9-26.
White, Richard Grant. Shakespeare’s Scholar: Being Historical and Critical Studies of his Text, Characters, and Commentators, with an Examination of Mr. Collier’s Folio of 1632. New York: D. Appleton and Co., 1854.
White, Richard Grant. “Shakespearian Mares’-Nests.” Galaxy 8 (Oct. 1969): 546-57.
White, Richard Grant. Studies in Shakespeare. 9th ed. Boston and New York: Houghton, Mifflin and Company, 1896.
White, Richard Grant. “The Two Hamlets.” The Atlantic Monthly 48: 288 (Oct. 1881): 167-79.
[Whiter, Walter (1758-1832)]. Etymologicon Universale; or, Universal Etymological Dictionary. On a new plan. In which it is shewn that consonants are alone to be regarded in discovering the affinities of words, and that the vowels are to be wholly rejected; that languages contain the same fundamental idea; and that they are derived from the EARTH, and the operations, accidents, and properties, belonging to it. With illustrations from the various languages: [listed]. v. 1. Part 1. Cambridge UP, 1811; v.2 1822, v. 3 1825. Ed. note: The title conveys the whole strange idea.
Whiter, Walter. A Specimen of a Commentary on Shakspeare containing...An Attempt to Explain and illustrate Various Passages, on a new Principle of Criticism, derived from mr. Locke’s Doctrine of The Association of Ideas. London: Printed for T. Cadell, 1794. See lead article TLS 5 Sept. 1936 (pp. 701-2), which identifies Whiter as perhaps the first critic to understand and value Sh.'s use of metaphor.
Whiting, Bartlett Jere. Proverbs in the Earlier Engish Drama. Cambridge: Harvard UP, 1938.
Wickham, Glynne. Early English Stages: 1300-1600. 3 vols (in 4). London: Routledge & Kegan Paul, [1966]-1991.
Wiles, R. M. Serial Publications in England Beforen 1750. Cambridge UP, 1957. [Rev. by Henry Petitt. Library 5th ser. 12 (1957): 208-211]
Wilks, John S. "The Discourse of Reason: Justice and the Erroneous Conscience in Hamlet." Shakespeare Studies 18 (1986): 117-144.
Wilks, Robert, actor] [Curll, E.] The Life of That Eminent Comedian Robert Wilks, Esq. London: Printed for E. Curll, 1733.
Wilks, Robert, actor] O’Bryan, Daniel. Authentic Memoirs or, the Life and Character of that most Celebrated Comedian, Mr. Robert Wilks. 2nd. ed. London: Printed for S. Slow, 1732.
Willbern, David. Poetic Will: Shakespeare and the Play of Language. Philadelphia: U of Pennsylvania P, 1997.
Willems, Michèle. “The Mouse and the Urn: Re-visions of Shakespeare from Voltaire to Ducis.” ShSur 60 (2007): 214-22. See TLN 15 and the essay by Willems in the Global Hamlet section of hamletworks.org.
Williams, George Walton. “With a little shuffling.” Fanned and Winnowed Opinions”: Ed. John W. Mahon and Thomas A. Pendleton. London and New York: Methuen, 1987. 151-59.
Williams, George Walton, and Amy Riess. “Hamlet and Lucianus—Nephew to the King,” Shakespeare Newsletter 42 (Spring 1992), 3-4.
Williams, Simon. Shakespeare on the German Stage, Vol. I: 1586-1914. Cambridge: Cambridge UP, 1990.
Williamson, C[laude].C., ed. Readings in the Character of Hamlet 1661-1947. London: George Allen & Unwin, 1950.
Willson Jr., Robert F. "Shakespeare's Tragic Prefigures." Shakespeare Studies 16 (1983): 143-151.
Wilson, Edkin Calhoun. “Polonius in the Round” SQ 9 (1958): 83-5.
Wilson, Edkin Calhoun. Shakespeare, Santayana, and the Comic. London: Unwin; U of Alabama Press, 1973.
Wilson, John. “Dies Borealis III: Christopher under Canvass,” Blackwood’s 66 (1849): 235-62.
W[ilson], J[ohn]. Shaksperiana. Catalogue of all the Books, Pamphlets, &c. Relating to Shakspeare to which are subjoined an Account of the Early Quarto Editions of the Great Dramatist�s Plays and Poems. London: Printed for John Wilson, 1827. Denigrated by Thimm, above.
Wilson, John. “Dies Borealis V: Christopher under Canvass,” Blackwood’s 66 (Nov. 1849): 620-54.
Wilson, John Dover. The Copy for "Hamlet": 1603 Transcript. London: Moring, 1919, 60 pp. A collection of essays from The Library. rev. in TLS 1919, 374.
Wilson, John Dover. The Essential Shakespeare: a Biographical Adventure. Cambridge: Cambridge UP, 1932.
Wilson, John Dover. “Hamlet’s Solid Flesh.” TLS (16 May 1918): 233.
Wilson, John Dover. “Hamlet’s Solid Flesh.” TLS (25 July 1918): 349.
Wilson, John Dover. The Manuscript of Shakespeare’s Hamlet and the Problems of Its Transmission: An essay in critical bibliography. 2 vols. Cambridge: Cambridge UP, 1934; rpt. 1963. In 1932, Wilson read the lectures published in 1934. The editorial intention in Hamlet Works is to provide the earliest date for any work even when the later date is on the copy used.
Wilson, John Dover. “The Parallel Plots in ‘Hamlet’: A Reply to Dr. W. W. Greg.” MLR 13 (1918): 129-56.
Wilson, John Dover. “Shakespeare’s Versification and the Early Texts.” TLS (1 July 1918): 313.
Wilson, John Dover. Spellings and Misprints in Hamlet Q2. English Association Essays and Studies 10 (1924): 36-60.
Wilson, John Dover. “Thirteen Volumes of Shakespeare: A Retrospect.” MLR 25 (1930): 397-414.
Wilson, John Dover. What Happens in Hamlet. 1st ed., 1935; 2nd ed. 1937, with trivial changes and additions marked with asterisks; 3rd ed. 1951. Paperback ed. Cambridge: Cambridge UP, 1986.
Wilson, Richard. Secret Shakespeare: Studies in Theatre. Religion and Resistance. Manchester and New York: Manchester UP, 2004.
Wilson, Richard. Shakespeare in French Theory: King of Shadows. ch. 7, 'When the Cock Crows: The Imminence of Hamlet.' 227-41. London and New York: Routledge, 2007. Discusses ideas by many recent writers on the play and its eponymous character.
Wilson, Robert R. "Narratives, Narrators, Narratees in Hamlet." Hamlet Studies 6.1-6.2 (1984): 30-40. 
Wilson, Scott. “Reading Shakespeare with Intensity: A Commentary on Some Lines from Nietzsche’s Ecce Homo.Philosophical Shakespeares. Ed. John J. Joughin. London; New York: Routledge, 2000.
Wilson, Thomas. The state of England, anno Dom. 1600, by Thomas Wilson. Edited from the manuscripts among the state papers in the Public Record Office, by F. J. Fisher. London: Offices of the Society, 1936.
Winstanley, Lilian, “Hamlet” amd the Scottish Succession: Being an Examination of the Relations of the Play of “Hamlet” to the Scottish Succession and the Essex Conspiracy. Cambridge: Cambridge UP, 1921.
Wise, John R. Shakspere: His Birthplace and Neighbourhood. London: Smith, Elder and Co., 1861. On Ophelia's songs, TLN 2790-2803.
Whitmore, C. E. The Supernatural in Tragedy. Cambridge: Harvard UP, 1915.
Witt, Robert W. "Reason is Not Enough: Hamlet's Recognition." Hamlet Studies 2.1.     (1980): 47-58.
Witt, Robert W. "The Duel in Hamlet as Play-within." Hamlet Studies 20.1-20.2 (1998): 50-62. 
The Woman's Part: Feminist Criticism of Shakespeare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene, and Carol Thomas Neely. Urbana and Chicago: U of Illinois P., 1980. See Rebecca Smith.
Wood, Stanley. Hamlet. Questions and Notes. 2nd ed. London: Relfe Brothers, Ltd., [n.d.]. [Folger: Sh. Misc. 1476. This pamphlet is part of the Dinglewood Shakespeare Manuals, “Intended for the use of Candidates preparing for the Oxford and Cambridge Locals and for the College of Preceptors’ Examinations.”]
Wood, W. Dyson. Hamlet: From a Psychological Point of View. London: Longmans, Green, Reader, and Dyer, 1870. After taking some time to explain psychology as “the philosophy of mind,” Wood turns his attention specifically to Hamlet in order to illustrate and explain his principles. See Hamlet doc.
Woodall, Henry. Hamlet & Macbeth: Oppositely Interpretive. [London]: St. Catherine Press, [ca.1916].
Woodhead, M. R. “Deep Plots and Indiscretions in ‘The Murder of Gonzago.’” Shakespeare Survey 32 (1979): 151-61.
Woods, Leigh. "Crowns of Straw on Little Men: Garrick's New Heroes." Shakespeare Quarterly 32.1 (1981): 70-79.
Woodson, William C. “The Printer’s Copy for the 1785 Variorum Shakespeare,” Studies in Bibliography 31 (1978): 208-210.
Woodward, Jennifer. The Theatre of Death: The Ritual Management of Royal Funerals in Renaissance England. Woodbridge, Suffolk, and Rochester, New York: The Boydell Press, 1997.
Worden, Blair. "Shakespeare and Politics." Shakespeare Survey 44 (1992): 1-15.
Wordsworth, Charles. Shakespeare’s Knowledge and Use of the Bible. London,1864. 4th ed. London; Sydney: Eden, Remington & Co., 1892.
Worthen, W. B. Shakespeare and the Authority of Performance. Cambridge: Cambridge UP, 1997.
Woudhuysen, H. R., ed. New Penguin Sh Library: Samuel Johnson on Shakespeare. London: Penguin, 1989.
Wright, Eugene P. "Hamlet: From Physics to Metaphysics." Hamlet Studies 14.1-14.2 (1992): 19-31. 
Wright, George T. “Hendiadys and Hamlet,PMLA 96.2 (March 1981): 168-193.
Wright, George T. “The Play of Phrase and line in Sh’s Iambic Pentameter.” Shakespeare Quarterly 34.2 (1983): 147-158.
Wright, George T. Shakespeare’s Metrical Art. Berkeley: U of California P, 1988.
Wright, Louis B. “The Reading of Plays during the Puritan Revolution.” Huntington Library Bulletin no. 6 (Nov. 1934):73-108.
Wright, Thomas, ed. La Mort d’Arthure: The History of King Arthur and the Knights of the Round Table...Edited from the Text of the Edition of 1634, with Introduction and Notes. 3 vols. London: John Russell Smith, 1865.
Wyman, Lillie Buffum Chace. Gertrude of Denmark: An Interpretive Romance. Intro. Courtney Langdon. Boston: Marshall Jones Co., 1924.
Wyman, William Henry. A Bibliography of the Bacon-Shakespeare Controversy. Cincinnati: Peter G. Thomson, 1884. [ms. Printer’s copy, with notes, extracts, and index]
 The Y’s
Yachnin, Paul. Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value. U of Pennsylvania P, 1997.
Yamada, Akihiro. The First Folio of Shakespeare: A Transcript of Contemporary Marginalia in a Copy of the Kodama Memorial Library of Meisei University. Tokyo: Yoshodo Press, 1998. See link to Meisei site: http://shakes.meisei-u.ac.jp
Yamada, Naomichi. “Omissions in the First Quarto of Hamlet.” Hitotsubashi Journal of Arts and Sciences 38.1 (Dec. 1997): 1-12.
York, Neil L. "Hamlet as American Revolutionary." Hamlet Studies 15.1-15.2 (1992):  40-53.
Yorston, John C. An Essay on Charles Knight’s Imperial Shakspere, Embracing biographical sketches of author, editor, artists, Engravers, etc. With R. H. Stoddard’s Poem recited by Edwin Booth at the unveiling of the Shakspere Monument. Central Park, NY, May 23, 1872. Printed exclusively for private circulation, 1876.
Young, Edward. Conjectures on original composition. In a letter to the author of Sir Charles Grandison. London: Printed for A. Millar; and R. and J. Dodsley, 1759.
Young, Bruce. "Parental Blessings in Shakespeare’s Plays.” Studies in Philology 89 (1992): 179-210.
Young, Karl. Samuel Johnson on Shakespeare: One Aspect. New York: Haskell House Publishers, 1975. [Rpt. from 1923 ed. which was issued in no 18 of the Univ. of Wisconsin studies in Language and Literature]
Yonglin, Yang. “How to Talk to the Supernatural in Shakespeare.” Language in Society 20 (June 1991)" 247-61.
 The Z’s
 
Zhang, Xiao Yang, Shakspeare in China: A Comparative Study of Two Traditions and Cultures. Newark: U of Delaware P, 1996.
Zimmerman, Susan. "Psychoanalysis and the Corpse." Shakespeare Studies 33 (2005): 101-108.
Zitner, Sheldon F. “Hamlet, Duellist,” University of Toronto Quarterly 39.1 (Oct. 1969): 1-18. Rpt. in Price, 1986.
Zitner, S. P. "Hamlet and Hamartia." Hamartia: The Concept of Error in Western Literature. Ed. Edward V. Stump, et al. New York and Toronto: Mellon P, 1983. 193-210. NYPL JFE 85-465.
Zizek, Slavoz. The Sublime Object of Ideology. London: Verso, 1989.
 Anonymous authors by date:
 
1605] Anon.. Sir Thomas Smithes Voiage and Entertainment in Rushia. With the tragicall ends of two Emperors, and one Empresse, within one Moneth during his being there. London, 1605. Sig. K, M2 relevant to Hamlet apud de Grazia (2007), p. 45. See also Smithes, above.
1691] Anon. A New English Dictionary Showing the Etymological Derivation of "he" in the English Tongue, in Two Parts. Part I...English Words.... Part II...Proper Names.... London: Printed for Timothy Childe, 1691.
1709] Anon. Re TLN 156: Tatler No. 111 ( 24 Dec. 1709); 2:169-70), without distinguishing between Sh. and his characters, praises the “agreeable Wildness of Imagination, [with which] he has wrought a Country Tradition into a beautiful Piece of Poetry. . . .”
1709] Anon. Tatler No. 106, 13 Dec. 1709; 2:146-8. Probably Richard Steele the editor comments on Hamlet’s 1st soliloquy; quoted in Stubbs. pp. 15-17.
1735] Anon. The Dramatic Historiographer: or, The British Theatre Delineated; Exhibiting the Argument, Conduct and chief Incidents of the most celebrated PLAYS; with an Account of such previous Circumstances as serve to illustrate each Representation. London: Printed for F. Cogan...and J. Nourse, 1735. The one for Hamlet is in The Dramatic Historiographer, pp.136-40; in Companion, pp.83-6 (83, however, is labeled 53 on the page). The edition of 1735 has a dedication as well as an advertisement: “. . . the undertaking [present publication] has an air of novelty, and a tendency to render dramatic performances more generally pleasing by being understood better” (sig. A3v).
1743] Anon. A Description of Holland: or, the Present State of the United Provinces . . . . London: J. and P. Knapton, 1743.
1752] Anon. Miscellaneous Observations on the Tragedy of Hamlet Prince of Denmark. With a preface, containing some general remarks on the Writings of Shakespeare. London: Printed for W. Clarke, at Shakespeare’s Head, behind the Royal Exchange, and sold by W. Owen, at Temple-Bar, and T. Jefferys, at the Corner of St. Martin’s lane, Charing-Cross. 1752.
1761] Anon. Purportedly by Rochester, Earl of Wilmot (d. 1680) . Notes on act 1 of the play, many of which “anticipate,” or rather derive from Pope, Theobald, or Warburton, His quotations from the play support the theory that Q9 (1695) is his source text. Search "Rochester?" to locate his notes, some of which are original.
1761] Anon. “A False Pointing in Hamlet Rectified.” St. James’s Chronicle (SJC) (Oct. 1761); Rpt. The Yearly Chronicle for [1761]. Or, A Collection of . . . Essays, Letters, &c. . . . in the St. James’s Chronicle for that Year. London, 1762. p. 321. St. James’s Chronicle for 1761 missing in LibC and Bod.; reported by John Hazel Smith in HB Supplement 13 (1978). TLN 629-30.
1765-] Anon. (ms. notes, c. 1765 according to Folger) F2 Folger 27.
1765-] Anon. (ms. notes, ed. 1765) in john1 Folger c.7, vol. 8, interleaved pages. See Kliman, "Cum Notis Variorum: 'Thomas Davies, Eighteenth-Century Commentator on Shakespeare: Marginalia and Published Notes.'" Shakespeare Newsletter 51 (Winter 2001/2002): 83-84, 90, 96.
1765] Anon. “Some Account of Mr. Johnson’s Edition of Shakespear, just published,” The Universal Museum, and complete magazine. October, 1765: 535-8. Folger AP 3 U6 Cage. With March 1762.
1768] Anon. [Nibbler] St. James’s Chronicle (SJC) 1125 (May 14-17, 1768): 4. TLN 1733.
1768] Anon. [Fire and Brimstone] St. James’s Chronicle (SJC) 1127 (May 19-21): 4. TLN 1733.
1768] Anon. [J. K.] St. James’s Chronicle (SJC) 1131 (May 28-31, 1768), 4. TLN 1733.
1768] Anon. [Fire Plug] St. James’s Chronicle (SJC) 1132 (May 31-June 2, 1768): 4. TLN 1733.
1768] Anon. [Lucifer Gridiron] St. James’s Chronicle (SJC) 1136 (June 9-11, 1768): 4. TLN 1733.
1768] Anon. [Pluto’s Link-Boy] St. James’s Chronicle (SJC) 1149 (July 9-12, 1768), 4. TLN 1733.
1768] Anon. [Z. Kynaston] St. James’s Chronicle (SJC) 1154 (July 21-3, 1768), p. 4. Smith in the New Variorum Handbook, Supplement item 220, says this is apparently the same author as J. K. In that case this may be John Kynaston, who goes by “Q” in Gents. Mag. TLN 245, 762.
1771] M. C. St. James’s Chronicle (SJC) TLN 762. Bod. collection
1771] B,A. St. James’s Chronicle (SJC) TLN 762. Bod. collection
1771] Vericola SAINT St. James’s Chronicle (SJC) TLN 762. Bod. collection
1772] Anon. A Letter to David Garrick, Esq. on His Conduct as Principal Manager and Actor at Drury-Lane. London. Printed for S. Bladdon, 1772. Folger PN2598 G3 W5 Cage.
1772] Anon. Theatrical Biography: or, Memoirs of the Principal Performers of the Three Theatres Royal. 2 vols. London: S. Bladon, in Paternoster-row, 1772. Folger PN 2597 T35 Cage. Deals with principal actress and actors at Drury-Lane (9 women and 11 men, including Garrick), Covent-Garden (6 women and 11 men, and Hay-Market (3 women and 5 men). Index in vol. II.
1772] Anon. [Hic et Ubique] St. James’s Chronicle (STC) no. 1717: Feb. 20/21, 1772; Vickers 5:449-52, TLN 257, 624, 664-5, 765 Hic et Ubique is the writer’s sobriquet. This could be Steevens according to Vickers. We accept that designation in the TLN records.
1772] Anon. [Horatio] St. James’s Chronicle (SJC) TLN 747, 1379, 1472, &c.
1772] Anon. [John Bull] St. James’s Chronicle (SJC) No. 1849 (19-22 Dec. 1772): 4): Hamlet.
1774] Anon. St. James’s Chronicle (SJC) Review of Cursory Remarks on Tragedy, on Shakespeare, and on certain French and Italian Poets, principally Tragedians. 8vo. Foreign Reviewed in Critical Review 38 (1774): 114-9.
1774] Anon. [Q] See Kynaston. Gent. Mag., (Oct. 1774), 456. see TLN 762. See Sherbo
1776] Anon. Gent. Mag. 46 (Nov. 1776): 512.
1776] Anon. [juvenis] Gent. Mag. 46 (1776): 266-7.
1776] Anon. [juvenis] St. James’s Chronicle (SJC) no 2393 (Tuesday, July 9 to Thursday, July 11, 1776): 4.
1777] Anon. An Essay on the Character of Hamlet, as performed by Mr. Henderson, at the Theatre-Royal in the Hay-Market. Second Edition. London: W. Fleyney, 1777. 25 pages.
1785] Anon. The Etymologist, A Comedy of Three Acts [. . .] Dedicated to the Late Doctor Samuel Johnson’s Negro Servant, and Particularly to That Commentator of Commentators, the Conjectural, Inventive, and Collatitious, G. S. Esq. London, J. Jarvis, 1785.
1786] Anon. Gent. Mag. 56 (1786), 918.
1789] Anon. A Short Criticism on the Performance of Hamlet by Mr. Kemble. London: Printed for T. Hookham, 1789.
1790] Anon. [H. M.] Gent. Mag. 60 (1790): 307.
1790] Anon. [As you like it] [Kuist identifies as either Thomas Holt White or John Loveday.] Gent. Mag. 60 (1790): 403.
1807] Anon. Contributor to Gent. Mag. on Pye
1809] Anon. “On the Character of Hamlet.” The Port Folio. ns 2. 1 (July 1809): 62-9.
1810] Anon. on Croft, Annotations on Plays of Shakespear. (Johnson and Stevens’s [sic] Edition). York: W. Blanchard, 1810.
1811] Anon. Hamlet Travestie: In Three Acts with Annotations by Dr. Johnson and Geo. Steevens, esq. and Other Commentators. New York: David Longworth, At the Dramatic Repository, Shakspeare-Gallery, 1811.
1814] Anon. The Remorse. A Tragedy. By S.T. Coleridge” Quarterly Review (April 1814, vol 11, 178). London: John Murray, 1814.
1815] Anon. [T. C.] “Freron’s Critique on Shakespeare.” The Port Folio. 3rd Series. 5.1 (January 1815): 6-18.
1815] Anon. [Avoniensis]. “Reply to Freron’s Critique on Shakespeare.” The Port Folio. 3rd Series. 5.1 (January 1815): 439-447.
1816] Anon. “Childe Harold, Canto III – and other Poems. By Lord Byron” Quarterly Review (October 1816, vol 16, 185). London: John Murray, 1814.
1818] Anon. [T. C., ms. note identifies him as Thos. Campbell] “Letters on Shakspeare: No. 1—On Hamlet.” Blackwood’s Feb. 1818.
1818] Anon. On Hazlitt’s “Lecture Third—On Shakspeare and Milton.” Blackwood’s 2.2 (Feb 1818): 560-2.
1819] Anon. Annotations on Plays of Shakespear. (Johnson and Stevens [sic] Edition.) York: W. Blanchard and Son, 1819.
1825] Anon. Rev, of Wilhelm Meister’s Apprenticeship, a Novel. Edinburgh Review 42 (Aug. 1825): 409-49.
1825]
1825] Gunthio, Ambrose. Likely to be a pseudonym for John Payne Collier (1789-1883). “A Running Commentary on the Hamlet of 1603.” The European Magazine and London Review. New Series. (August 1825-January 1826) 339-47. See Kliman, “At Sea About Hamlet at Sea” forthcoming.
1832] Anon. marginalia in The dramatic works of William Shakspeare, from the text of Johnson, Stevens [sic] and Reed; with glossarial notes, his life, and a critique on his genius & writings, by Nicholas Rowe, esq. London: Jones and Co., 1832.
1834] Anon. "The State of French Drama” Quarterly Review (March 1834, 60: 183-4). London: John Murray, 1834.
1835] Anon. “Shakespeare in Germany. Part I. Shakspeare’s Tragedies.—Hamlet.Blackwood’s Magazine 37 (Feb. 1835): 236-55.
1839] Anon. [Smith, William Henry.] “On the Feigned Madness of Hamlet.” Blackwood’s Magazine 46 (Oct. 1839): 449-54.
1847] Anon. Moral Sentences culled from the Works of Shakespeare, compared with Sacred Passages drawn from Holy Writ. Dedicated to The Shakespeare Society, by a Member. London: Hatchard & Son, 1847. Folger Sh. Misc. 66. (Folger copy is 2nd ed. n.d.) Arranged alphabetically by topic, on facing pages the author gives quotations from Shakespeare’s plays and corresponding quotations from the Bible or from the Liturgy of the Church of England (both under the heading Holy Writ). The author’s professed aim is to prove “from Shakespeare’s own writings, that he lived and died a true Protestant”
1849] Anon. [Wilson, John (1785-1854).] “Dies Borealis. No. V. [on Mac. and Ham.] Christopher Under Canvass” (a critique in the form of a tetralogue. Blackwood’s Magazine 66 (Nov. 1849): 620-54.
1851] Anon. [H.K.S.C.] See Causton.
1851] Anon. Editor [William Thomas]. “Minor Queries Answered.” 1 N&Q 3 (22 Mar. 1851): 225.
1851] Anon. [Emun.]. “Folk Talk: ‘Eysell,’ ‘Captious.’” N&Q 1st ser. 3 (14 June 1851): 474.
1851] Anon. [Gomer]. N&Q 1st ser. 3 (21 June 1851), 508.
1851] Anon. [F.G.T.]. “The ‘Eisell’ Controversy.” N&Q 1st ser. 4 (30 Aug. 1851), 155-56.
1851] Anon. [H.C.K.]. “The ‘Eisell’ Controversy.” N&Q 1st ser. 4 (30 Aug. 1851), 157. TLN 3473, eisel.
1851]Anon. “Replies: Remarks Upon Some Recent Queries.” N&Q 1st ser. 4 (13 Sep. 1851), 193. TLN 3473, eisel.
1852] Anon. [H. F.] “Passage in Hamlet.” N&Q 1st ser. 5 (6 March 1852): 236.
1852] Anon. A.E.B. See Brae.
1852] Anon [Periergus Bibliophiles]. “On a Passage in Hamlet, Act I, sc. 4” N&Q 1st ser. 5 (17 April 1852): 377-8.
1852] Anon. [M] N&Q 1st ser. 5 (1852): 285.
1853] Anon. [J.S.B.] “Passage in Hamlet.” N&Q 1st ser. 8 (1 Jan. 1853): 8.
1853] Anon. “New Readings in Shakespeare.” Blackwood’s Magazine 74 (Aug. 1853): 181-202.
1853] Anon. “New Readings in Shakespeare. No. II.” Blackwood’s Magazine 74 (Sept. 1853): 303-24.
1853] Anon. [J. M.B.] “State.” N&Q 1st ser. 8 (29 Oct. 1853): 409.
1853] Anon. “New Readings in Shakespeare. No. III. Conclusion.” Blackwood’s Magazine 74 (Oct. 1853): 451-74.
1856] Anon.. [H.C.K.] "Hamlet, Act I. Sc. 3." N&Q. 2nd ser. 2 (11 Oct. 1856), p. 283.
1856] Anon. "Letter about Hamlet Quarto, 1603." The Athenaeum. No. 1510 (October 1856): 1221. London: J. Francis at the Office, 1856. BL shelfmark PP.5639.
1857] Anon. [L.X.R.] “Shakspeare: Quarry.” N&Q 2nd ser.10 (18 July 1857), 44.
1864] Anon. See Fechter, collection of extracts from reviews.
1864] Anon. “Plot of ‘Hamlet.’" N&Q 3rd ser. 6 (10 Dec. 1864), 467.
1865] Anon. [Fabius Oxoniensis]. “Passage in ‘Hamlet.’" N&Q 3rd ser. 7 (7 Jan. 1865): 21.cam1 refers to Oxon., which may be the same.
1865] Anon. [C. W. H.] Athenaeum. (Dec. 30). On Hamlet.
1865] Anon. “Shakspeare in France.” Cornhill Mag. 11 (1865): 33-51, 256.
1866] Anon. [H. D.] “Shakespearean Readings” The Athenaeum. (18 August 1866): 217-18. July-Dec. No. 2025. London: J. Francis, 1866. 217-18 BL shelfmark PP. 5639.
July-Dec. No. 2025. London: J. Francis, 1866. pp. 217-18 BL shelfmark PP.5639. DPM transcribed the relevant passages.
1866] Anon. [F.] “‘Hamlet’: Recovery of a Lost Word.” N&Q 3rd. ser. 10 (24 Nov. 1866]: 427-8.
1866] Anon. [J. D. M.] “Shakespearean Readings—‘dram of eale.'” The Athenaeum. (24 November 1866 (July-Dec. No. 2039. p. 687) London: J. Francis, 1866.
1869] Anon. “Shakespearian Glossaries.” Edinburgh Review 130 (July 1869): 43-60.
1869] Anon. “The ‘Edinburgh Review’ and Shakespeare.” N&Q 4th ser. 4 (23 Oct 1869): 338-9.
1869] Anon. “The Hamlets of the Stage” [n.p.] Part I. (June 1869): 665-675; Part II. (August 1869): 188-198.
1872] Anon. [R. G. I] “On Fortinbras as a name; and on the two bearers of it in Shakespear’s ‘Hamlet’”. The Athenaeum No. 2307 (July 27 1872): 114.
1872] Anon. Rev. of Staunton’s F1 facs. Edinburgh Rev. 136 (Oct. 1872): 173-93.
1875] Anon. [F.J.V.]. “Quillet.” N&Q 5th ser.4 (18 Sept. 1875): 223.
1875] Anon. [E. B. H.]. A Study of Hamlet. London: Thomas Scott, 1875.
1875} Anon. [Mercade]. Hamlet; or, Shakespeare’s Philosophy of History. London: Williams and Norgate, 1875.
1876] Anon. [J. D.] “Chariest.” N&Q 5th ser. 6 (18 Nov. 1876): 405.
1879] Anon. “Hamlet.” Blackwood’s Magazine. (April 1879): 462-81. Folger sh. misc. 810.
1879] Anon. Shakespeare Jahrbuch 14 (1879): 343-61.
1881]Anon. [P.] “A Fencing Match in Marylebone Fields, 1714.” N&Q 6th ser. 4 (3 Dec. 1881): 445.
1882] Anon. “Hamlets Alter.” Shakespeare Jahrbuch 17 (1882): 290-1.
1884] Anon. [Ingleby; see above]. Shakespere's Century of Prayse; being Materials for a History of Opinion on Shakespeare and his Works. Culled from Writers of the first Century after his Rise. 1 vol. London: For the Editor: Printed by Josiah Allen . . . & published by Trübner . . ., 1874.
1885] Anon.. [Oxon. pseudonym] An Analysis and Study of the Leading Characters of Hamlet. London: Swan Sonnenschein, Le Bas & Lowrey, 1885.
1889]Anon. [E. H.S.] “Shakespeare and His Critics.” N&Q 2 (20 April 1889): 299.
1890] Anon. “Shakespeare’s Ghosts, Witches, and Fairies.” Quarterly Review 171 (July & Oct 1890): 91-121.
1892] Anon. A spirited defense of Theobald; the occasion is the 3rd Cambridge edition, London 1891, 1892. Quarterly Review 175 (July & Oct. 1892): 102-31.
1903-] Anon. marginalia in ed. Gollancz, Folger PR 2752 1894 c sh col.
1909] Anon. [W.C.B.] “Illustrations of Shakespeare.” N&Q 10th ser. 12 (31 July 1909): 85.
1912] Anon. “The Elizabethan Playwright.” Edin. Rev. 215 (Jan. 1912): 31-57.
1919] Anon. [D. H. R.] “Hamlet [620+20-2].” N&Q 12th ser. 5 (Jan. 1919), 5.
1919] Anon. [St. Swithin]. “Shakespeare and the Garden.” N&Q 12th ser. 5 (July 1919): 193.
1924] Anon. [T. C.] The English Review. (Sept. 1924): 319.
1996] anon. “Shakespeare in Africa.” Research in African Literature 27 (Spring 1996): 19-109.